bkoganbing
Despite the 'creative differences' with producer Robert Redford that did not allow director Errol Morris to finish The Dark Wind, the final product did not turn out half bad. Sad that it was relegated to straight to video and did not get a theatrical release.I liked Lou Diamond Phillips very much as Navajo Reserrvation officer Jim Chee, hero of many books by Tony Hillerman. Being part Cherokee himself, Phillips does have a very good insight into playing Indian characters as in Renegades, Young Guns I & II, and Sioux City.Here he's the new guy on the force and hasn't made all that good an impression on his new boss, Fred Ward when he drives into a ditch while in hot pursuit of some speeders. A lot of very strange, seemingly unconnected things are happening that Lou is asked to look into. A decaying body of an Navajo, the vandalism of a windmill, a plane crash in the middle of the reservation, some missing heroin from said crash, and the burglary of the Navajo Trading Post, yet all are connected. And Lou winds up on a suspect list as well.Location shooting on the Navajo and Hopi Reservations really helps the story along. And there are some nice performances by Gary Farmer as a Hopi Deputy Sheriff, Gary Basaraba and Guy Boyd as a pair of DEA agents, and John Karlen as the trading post owner. Besides Lou and Farmer who are American Indians, a whole lot of the supporting players and small parts are played by same.It's a good film, despite some filming goofs, with some very nice performances and a good story.Hey even Alfred Hitchcock had some goofs in some of his classics.
will lee
Plenty of films of this vintage suffer from boom mikes in frame and the top and dolly tracks visible at the bottom: this is an artifact born of failed productions. When the camera operator composed the shot, he had been told the film was being made for theatrical release, in a 1:1.85 ratio and so when the boom dipped down slightly, but not enough to make it into the "letterbox" they let it slide. Then, after the film failed on the festival circuit or preview process, etc and was dumped to video no one cared to correct the errors - they were all just trying to dump the project on the market as quickly as possible. Had the final "release print" been made, instead of a video transfer from the camera original (mivees and all) we would have been spared the spectacle of seeing mister boom mike. Most of these types of film were being dumped onto the video market before consumers cared to see letterboxed releases, so the transfer was made full frame.
michaels_babe440
Lou Diamond Phillips is the perfect "Jim Chee". I have read many of Tony Hillerman's novels and this was a great rendition. I saw this movie in college for an anthropology class. The best two classes of the semester!! (Thanks Dr. Neeley) The scenery was beautiful. The story line was exciting, true to the book. The only thing I would change would be the actor who plays Joe Leaphorn. Nothing against Fred Ward, he did a good job, but when you read book after book with the same characters you tend to visualize these people in your mind. And I have always envisioned James Olmos from Miami Vice as Leaphorn. I would love to see more of these novels made into movies.
gwoodard
Having grown up in Northern Arizona and living next to the Navajo Reservation, I was very excited when Hillerman's book became a movie; until I saw it. Navajo friends told me that Lou Diamond Phillips actually spoke pretty good Navajo in the film. It's too bad those in charge of production didn't care enough to make the quality film this story should have been. When you see microphones dangling during key scenes (or any scene for that matter) you know somebody didn't give a rip about this project.
AD
