Dalbert Pringle
And, so - As this grim story of "guts & glory" goes - At first it was all "fight, drink, and be merry" with these happy-go-lucky, British flyboys serving in France during WW1.But - When the brutal reality of war (of relentless dogfights, flying inferior aircraft, and inexperienced recruits joining the 59th Squadron) finally sank in - Our brave boys of Britain were suddenly singing a more sobering tune. Indeed.Now 80 years old - This 1938, b&w production from Warner Bros. certainly drove home the point that war (no matter from whose perspective) was no laughing matter.Featuring a strong, competent, all-male cast of players, including Basil Rathbone and Errol Flynn - Dawn Patrol's battle scenes (though creaky by today's standards) didn't disappoint me at all.
The_Other_Snowman
"The Dawn Patrol" came out at a strange time: a few years later and it would have been a product of Warner Bros' propaganda department, matching a vicious enemy against selfless heroes. But in 1938 war was still a long way from Hollywood, so instead we get one of the last great anti-war films of the Golden Age.The cast, as usual, is superlative. Errol Flynn and David Niven are friends and drinking buddies (in real life as well as on screen) in the Royal Flying Corps, straining against the strict discipline of their commanding officer, Basil Rathbone. Rathbone gets a different sort of role: rather than the sneering villain, he portrays a sympathetic character torn apart by his duty to his superiors and his responsibility to the men he commands. In fact, the same dramatic arc afflicts Flynn and Niven in time, and the three great actors turn in some of the best performances of their careers.The flying scenes of "Dawn Patrol" lack the scale of "Hell's Angels" or "Wings", and a lot of scenes were lifted directly from a 1930 film of the same name, directed by Howard Hawks. The California scenery distracts a little from the verisimilitude, but the squadrons of vintage Nieuport 28's and other aircraft should make up for any shortcomings in the locations. The meat of the story takes place on the ground -- unlike in "Hell's Angels" -- so the action scenes in the air serve more as punctuation marks.Like previous First World War movies, "Dawn Patrol" portrays the cynicism and fatalism of the fighter pilots. They drink a toast to "the next man that dies", sing boisterous songs to bury their grief, and even welcome an enemy captive into their mess -- who cares whose side he's on, the war's over for him, so let's get drunk. There's a lot of manly horseplay and fooling around, and probably a bottle of brandy in every scene, making for a heck of a drinking game. The awful truth of the war is hammered home in scenes of youthful recruits arriving fresh from their public schools, brimming with childish bravado, ready for a great adventure -- and totally ignorant of the fate that awaits them.
jjnxn-1
Clear eyed depiction of the cost and dangers for bombers during wartime. Errol Flynn is very good, a reminder that he was excellent not only in period pictures and westerns but quite capable in modern dress dramas. Strong supporting cast helps with Basil Rathbone standing out as a man who understands but is troubled by the weight of his duty even while others do not and is compassionate enough when the that weight has shifted to offer solace. David Niven's star moved much higher with his performance here, it would still be a few years before he moved into the top ranks but he was done with unimportant roles from this point on. Goulding's direction is steady and assured.
krishkmenon
The Dawn Patrol stands out as my personal favourite of all WW1 films and also the best in Air warfare films. The plot is at once appealing and filled with wartime adventure. Two classmates from England enlist in the RFC and grow up in a short span (unusually a long period during the early years of the Great War) to become flying aces. Their daredevil aerobatics are admired and envied secretly by their stern commander Basil Rathbone who the duo nick-name as Killer brand as his duties are generally limited to send raw pilots against the war seasoned German Air Force. the plot is not far from depicting actual events of that period as one may read about the actions of pilots in the real RFC or Lafayette Escadrille and also the Red Baron. The stress of command thrust upon one of the friends strains and later destroys the friendship. It later is bonded in the untimely death of the Flight Commander who tricks his pal to undertake a suicide mission. Errol Flynn as the hero plays the part of the happy-go-lucky and later highly stressed commander with perfection. David Niven is adequate as the pal but it is Basil Rathbone who walks away with top honours as the original Flight Commander who envies the daredevil pilots while hating himself for sending raw pilots to their death. The scene where he hands over command to Flynn is excellent. Another actor worth mentioning here would be Donal Crisp who has the last word about the futility of war and the loss of valuable lives - certainly a line that does not age as it is relevant even today. This film is one of the rare ones that is entirely male and only hints at females but does not show them on screen. Edmund Gouldings direction is far superior to that of the earlier version but then he is helped by Errols strong charisma. On my list of the 100 movies one should see in his/her lifetime
AD
