kapelusznik18
***SPOILERS***Canadian thriller with a shocking scene in it where a box of Kellogs Cornflakes, my favorite serial, being shot to pieces as it's used by the person bring shot at as a human shield. The film has to do with this top Canadian hit-man Jay Mallory, Donald Sutherland, who's two timing wife's Celandine, Francine Racette, disappears on him and instead of being happy & relived, she's wasn't worth the trouble, he goes all out in both Canada & the UK to find her and bring her back to him.By the time the movie ends we have no idea on which side Celandine is on but by then her husband, who was by then completely out of the picture, couldn't care less.After doing a number of "Shy's"-hit-jobs in Canadian mobster talk- Mallory is given a job or "Shy" to do in England by his boss Deverell, played by Christopher-known to his friends as "Chris the Plummer"- Plummer, that sounds a bit fishy to him.As Mallory soon suspects it's Deverell who's setting him up and is using his lost wife Celandine to do it. As we soon see Celandine's psycho act of her losing her mind is to throw off all suspicions on what she's really up to which by the time the movie is over she doesn't know herself.***SPOILERS***The deadly serious Jay Mallory starts to lose his touch as a 1st class hit-man and lets his guard down for the first and last time by him thinking that he can quit the mob and live to tell about it. The ending tells it all shot in the Canadian dead of winter that he as well as we in the audience not to mention the Kellogs Corn Flake serial box never saw it coming. It was foolish for Mallory to feel that his life as a hit-man was far behind him not realizing that those that he hit have friends and relatives who won't forget what he did as well as the mob whom he by leaving it he tried to double-cross!
Milan
This film, done as a joint effort from the stellar cast and crew (script, cinematography, costumes, set design), is one of the best mystery, thriller-dramas, of the seventies. Ranking right along Arthur Penn's "Night Moves", "The Disappearance", in it's 91 minute, or better yet 101 minute director's cut, version is stylish neo-noir that glides perfectly through the story of alienation and betrayal, love and loss, mistaken emotions and gloomy memories, spanning between almost futuristic backdrop of Montreal, and rustic mansions and countrysides of Suffolk. Director's cut adds only a few nice linchpins to the story, explaining minor details, that are somewhat important to the plot, and without which, few things are left to our imagination.Never really seen in it's real glory, as intended by the director Stuart Cooper, until the 2013 blu-ray release, that comprises both director's cut and 91 minute "third version" of the film,released in the UK, assembled by unknown author, as close to original as possible, retaining the feel, flashbacks essential to the film's structure and original score, director's cut and a "hatchet job" US version, "The Disappearance" is the best example of how a really good film can be mutilated beyond recognition, by an inept studio hacks. Making a linear plot out of non-linear story which is essential to the depth of the plot, is a true crime, and the rating that this movie holds on IMDb is the rating of the so called "US theatrical cut" which made this gem bomb at the box office after a single showing, and jettisoned into obscurity for over 30 years. The example of this, is also contained on the blue-ray in a horrid 15 minute long excerpt from the re-edited and re-scored U.S. release version of the film.Now available as envisioned, (plus a non Hollywood ending) "The Disappearance" deserves it's place among the "must see" films. More than recommended, a true classic.
ma-cortes
A contracted hit-man (Donald Sutherland) working for a strange organization (his contact is David Warner) discovers a rare link between his new target and his missing spouse (Francine Racette, Sutherland's wife on real life ) while they're living in their Montreal apartment.This slow-moving film results to be a boring and confusing story that deals about assassin's preoccupation with the disappearance his wife . The picture is full with continuous flashbacks , suspense , twists and turns. Nice performance by Donald Sutherland as a cold and tough assassin . Good supporting actors formed by all-star-cast as David Warner, John Hurt , Virginia McKenna, Christopher Plummer, and David Hemmings, also producer . This unknown movie was a flop because of flaws , gaps and disjointed scenes . Colorful cinematography by John Alcott , Stanley Kubrick's usual , an splendid cameraman who photographed ¨2001¨, ¨Clockwork Orange¨ and ¨Barry Lyndon¨. Sad and melancholic soundtrack by piano music is composed by Robert Farnon. The motion picture was professionally directed by Stuart Cooper with pretentiously arty film-making . He initially directed cinema movies as¨¨ Little Malcom¨ and ¨Overlord¨ but went on making TV movies as ¨The hunted¨, ¨Fortunate pilgrim¨ , ¨A.D.¨, ¨Long Hot summer¨ and several others. Rating : Acceptable but tiring movie .
paul_mcmahon_au
This film does a fine job of putting the viewer into the position of the main protagonist, Jay Mallory. It isn't until the climax of the film when Mallory and Christopher Plummer's character, Deverell, meet that the viewer can understand the disjointed, roller-coaster ride that Mallory has been on.The haunting piano music beautifully reflects the tension of the film. The support cast is made up of outstanding English and European actors who give the feel of the film the pace so often brought to the screen of excellent non-US films.
AD
