Thy Davideth Talk about testosterone. Yeeeeeaaash! Duel Of The Iron Fist is a mindless hack and slash movie that you will either love or hate. The film is gleaming with angry mother******* wielding an assortment of blades and **** and killing each other off in masses and in bloody like fashion. And the story is very simple about some guy seeking revenge. La de da!Duel Of The Iron Fist is without question one of my all time favorite Shaw Brothers movies ever. Sure it's practically nihilistic if not one dimensional, but all the anger and blood buttered mayhem is enough to make me spew man yogurt and all that. Although, if I have to be honest about the flaws, the movie has some stiff acting and the directing is a bit unfocused which doesn't help the story much. Plus I'm not a big fan of filmmakers using pre-existing music from other movies. For this they used the Ric Flair music. It's WWE concept if you don't get it. B****.Regardless, bad-ass movie. An illogical perfect ten.

MartinHafer One Chinese gang attacks and wipes out another gang in the beginning of the film. Unfortunately, the patriarch of the winning family is killed in the process. Oddly, and without any discernible reason, the gang solicits a volunteer to blame the massacre on and he leaves until the police decide to stop investigating. Now how ONE MAN ALONE is the one responsible for about 50 deaths is beyond me, so sending this one guy away just seemed silly, but that's the plot. Later, when this man comes home, betrayals and scheming have occurred--leading to almost one hour and fifteen minutes of non-stop killing.If you are looking for a Chinese martial arts film with much of a plot, then you should probably skip this movie, as its practically non-stop action and practically no plot or character development--even when compared to other martial arts films. I would estimate that 80-90% of the film are fight scenes--endless and reasonably well made fight scenes using knives. Again and again and again, fight scenes! If you want a film with a body count perhaps running into the hundreds as people are slashed, kicked, and slashed, then this is the film for you. The problem was by the end of the film there are literally no people left to kill and the film really lost my interest!! Deep it ain't, but if you want to see excitement and action ONLY, then this film is for you! By the way, this movie is set in contemporary times and no one thinks of shooting the hero until just near the end. And, when they FINALLY do the logical thing, it's too late and the effort is really, really lame! Logical errors like this and the lady's suicide (why???) make this a "turn off your brain" type of film.

patronise This film is a lot of fun. The revenge based plot means infinite opportunities for groups of bad guys to leap out from no where to try and kill the hero - which results in some fantastic, often knife based fights. It may not be realistic, but it sure is spectacular. And then there's the fun to be had with the bad dubbing by Americans from down South and the quirky, chop-sockyness of this film. But if that's not enough, the first major fight scene in this film will be very familiar to fans of Kill Bill volume 1. It was this film that inspired Quientin Tarintino's brilliant finale in the Blue Flower. The set is very reminiscent, and there is even a moment where the power is cut and the fighters are in darkness. So for classic, old school cinema that's still relevant to today - Dual of the Iron Fist is an excellent film.

Brian Camp THE DUEL (aka DUEL OF THE IRON FIST, 1971) is a straight-out gangster film, with lots of kung fu-style knife fights, involving large numbers of combatants, sprinkled throughout the story. Set in the early 20th century, it has dark, atmospheric studio sets creating an almost film noir background against which the formulaic gangster story plays out. Directed by Chang Cheh, it features his favorite star pair, Ti Lung and David Chiang. Ti plays a gang member who is forced into exile after a restaurant rumble in which his father, the gang boss, is killed. When he comes back after a year, he finds that the gang has joined forces with the rivals who had his father killed and finds himself under attack. David plays 'the Rover,' a mysterious knife fighter whose loyalties are not too clear until he reveals a surprising secret at the end. There are many dramatic moments as Ti gradually links up with sympathetic former gang members who side with him as he seeks revenge. One of them is his half-brother, now a drunkard, who is played by Ku Feng, normally a villain in these films. The Rover shows up to help out even though Ti doesn't entirely trust him. Ti seeks out 'Butterfly,' his old girlfriend, only to find she's now a prostitute working for his enemies. He makes a bold rescue attempt with tragic results.The film was released in the U.S. in an English-dubbed version titled DUEL OF THE IRON FIST in 1973 as part of the first wave of kung fu films to hit western shores following the success of FIVE FINGERS OF DEATH (aka KING BOXER). Despite the "Iron Fist" employed in that title, there's barely a fist in sight throughout the film, although the abundant knife fights are expertly staged, with Ti and David clasping their blades with the point down and rushing fearlessly into the attacking hordes, slashing and swinging with utter abandon. The staging of the fights is similar to the swordfights seen in Japanese Samurai and Yakuza films, particularly in shots where the camera tracks Ti as he proceeds down a corridor or balcony, slashing and dispatching each man in a line of opponents. The whole tone of the film, in fact, is closer to that of a Yakuza (gangster) film than it is to Chang Cheh's usual kung fu films. There's also a Sergio Leone-like feel to the proceedings, with at least one scene recalling A FISTFUL OF DOLLARS. It also has thematic and stylistic similarities to the Hollywood gangster epic, THE GODFATHER, which was made a year later. Despite all these influences and foreshadowing it remains a stunning departure from the Hong Kong action films of its time.A cut version of this title was released on tape in the U.S. as DUEL OF THE SHAOLIN FIST. It's missing an 11-minute scene at the beginning, including the first big fight of the film, and at the end lops off the film's final three minutes.ADDENDUM (11/15/08): Since I did the above review, I've acquired and watched the restored, remastered Celestial Pictures Region 3 DVD of this film, under its original title, THE DUEL. It's great to see this film's beautiful widescreen cinematography in its full glory. The colors and scenes are quite a bit brighter than in the VHS tape versions I had access to, so I don't know if I'd make such a big deal about the "film noir" aspect in a new review. Overall, the film just gets better upon re-viewing, especially now that it's widescreen and in its original language, Mandarin, with subtitles. The film's running time is 105 minutes, longer than both tape versions I had. Also, the subtitles give the nickname of David Chiang's character as "the Rambler," not "the Rover." The DVD contains the film's original trailer, which includes a line that erroneously brands this film as a sequel to VENGEANCE (1970), an earlier martial arts crime film from the same director and featuring the same two stars, but with no related plot elements.