Michael O'Keefe
This humorous mystery is directed by William Beaudine and has a former private detective Nick Trayne (James Dunn) coming out of retirement to find a missing wealthy banker Walter Craig (Gus Glassmire). Before the Craig family can get used to Traynes oddball antics, Walter reappears, but in a zombie-like state. When a member of the family is stabbed to death, suspicion falls on the catatonic banker. Nick is sure this is not true and there is a whole lot more to this situation. The wise-cracking Nick finds time to fall in love with Miss Billie Hilton (Joan Woodbury), a member of the family, that seems to be sticking to him like glue. Their quip trading is comic relief. Atmospheric and a fun watch for sure.Rounding out the cast: Jan Wiley, Paul McVey, Norman Willis, J. Ferrell MacDonald and Howard Banks.
Neil Doyle
How anyone can lavish even the faintest praise on this junk is baffling to me, since THE LIVING GHOST is a cliché ridden mystery with some vain attempts at humor. Furthermore, it's ineptly performed by the entire cast and appears to have been filmed on a quickie basis with no close-ups introducing the chief suspects.JAMES DUNN makes an abysmal attempt at playing detective and JOAN WOODBURY is no more successful as the lame-brained secretary of the lobotomized man at the center of the mystery. Question is: Which one in the wealthy man's household tried to do him in? None of the suspects have enough time on screen to become viable characters and it's never quite clear why Dunn takes such an immediate dislike to the poor butler whom he treats with utter contempt, even when he's being helpful.Juvenile at best, it's the kind of film the Monogram factory churned out on a weekly basis in the '40s, barely deserving a spot at the bottom end of a double feature bill.A ridiculous tax on anyone's reason or patience--mercifully, it runs only one hour.
MartinHafer
An ex-detective is called out of retirement to investigate a recent kidnapping. However, once on the job, one of the suspects becomes a zombie-like being and no one knows exactly how this occurred nor where the missing man is. And, to top it off, murder (or at least attempted murder) is in the air!This is a modest little film produced by poverty row studio, Monogram. B-Detective films like this were a dime a dozen during the 30s and 40s, so there isn't much to distinguish this from the thousands of somewhat similar films. Since it was such an inexpensive film, the film was directed by William Beaudine (a man well known for NEVER shooting re-takes), the actors were all second-tier talent and it starred James Dunn. While not a household name, Dunn had bounced around for years and he did have a lovely role in the great film A TREE GROWS IN BROOKLYN. Here he has a nice, witty personality and plenty of excellent one-liners. In fact, this was the best thing about the film--whereas the mystery itself was purely secondary...at best. Due exclusively to Dunn's easy-going personality, he makes this simple little film quite watchable.
dbborroughs
Nick Tryane is hired by a family to locate the missing patriarch, a rich banker. The banker suddenly turns up but seemingly in a fog with a "paralyzed brain". With the missing man returned the question becomes who did this and whether he's responsible for the murder that happens in the garden.Enjoyment of this film will depend on whether you like the star James Dunn or not. Dunn who plays Trayne our hero made a lot of B-movies in the in the 30's and 40's. As a second banana or in a supporting role Dunn was always very good. The problem for me was that in a lead role he never amounted to very much. I'm not sure if it was because he wasn't a good lead or because he was working for the Poverty Row studios and so didn't have good enough material.Here he always seems to be waiting for someone to step in and carry on with what ever he's doing. It makes the film less then what it could have been.The script is interesting and it has some nice twists to it. It has witty exchanges and only really falters when in the second half it becomes a series of interviews between Dunn and the suspects.Over all its not bad, but its not all that great either. Worth a look if you have a second film on tap for the evening, or if you come across this at 2am on some TV station that still runs old movie all night long.
AD
