kenjha
Royal British couple down on its luck raises funds by giving tours of its castle. It's fun watching the star quartet in this light comedy, amiably directed by Donen, who was right at home in this sort of material. It features some witty dialog that the stars deliver effortlessly. What keeps it from being better is that it is a bit too talky and stagy and it takes a while to really get going. The finale featuring a duel between Grant and Mitchum over Kerr is funny. Simmons seems to be having a ball in the role of a divorced woman in heat. Also amusing is Watson as the butler. Parental Warning: The opening credits include nudity!
Spikeopath
The Grass Is Greener is directed by Stanley Donen and stars Cary Grant, Robert Mitchum, Deborah Kerr & Jean Simmons. It's adapted by Hugh Williams & Margaret Vyner from the play of the same name which they had both written and found success with in London's West End. Music is by Noel Coward and Christopher Challis is the cinematographer.Struggling financially, the Earl & Countess of Rhyall (Grant & Kerr) start giving tours around their stately mansion. Enter Charles Delacro (Mitchum) & Hattie Durant (Simmons), whose appearance at the mansion sets in motion the wheels of love, jealousy and machismo fuelled duelling.Considered too talky on its release, The Grass Is Greener, it's fair to say, is more for those who are either into the star wattage on offer, or for those who are romantics at heart. Upon first viewing the film doesn't appear to have much in the way of comedy, in fact when Grant is either off screen or out of ear shot there's a hole as big as the implausibility factor in the plot. However, further viewings (well listenings really) reveal a sharper script than the one critics gave credit for back in the day. There's plenty of "nudge nudge" winkery going on, while the portrayals of the rich American & British characters (could they get any more polar opposite than Grant & Mitchum?) has a nice glint in the eye to them.On the cast front, Grant is as smooth and classy as he always is, with his sometimes undervalued comedy timing here in full force. Kerr & Simmons look attractive, with the latter benefiting greatly from some outrageously punky Dior costumes. While Mitchum, tho no master of comedy, works his laconic low tone charm to great effect off of Grant's well spoken aristo verbality. However, look away from the big four heading the cast and you find much comedy value in Moray Watson as the Butler. He, along with Challis' photography inside of the house, are arguably the stars of the show. A fine film for the patient to enjoy, even if it's not the masterpiece that its cast list suggests it should be. 7/10
Martin Bradley
An all-star cast just about manages to give this flimsy, unlikely comedy a lift though why the likes of Cary Grant, Deborah Kerr, Robert Mitchum and Jean Simmons ever agreed to do it is something of a mystery. It's based on a play by Hugh and Margaret Williams and it's all very sub-Noel Coward, (his song 'The Stately Homes of England' is used on the soundtrack).Grant and Kerr are the lord and lady of the manor and Mitchum, the rich American who sweeps Kerr off her feet five minutes after meeting her. Simmons is the scatty friend and she's wonderful, (it's a great supporting part). Grant is magnificent. It's a great, understated performance and he's far, far too good for the material. It's not unlike the martial comedies he made in the thirties but at least they were American and funny; this is terribly British and isn't in the least funny. On the other hand, it is very stylishly directed by Stanley Donen, though again I have the foggiest idea why he would want to make it in the first place.
theowinthrop
This is a film that does try to be good - and it is actually amusing at points. The central story about the aristocrats finding interest in an American millionaire (Mitchum) and an old flame of Grant's (Simmons) had potential. But the problem was that the screenplay is too talky and too cerebral, but not (paradoxically) as complete as it should be.There are pages and pages of the dialog which are (frankly) long winded. Cary Grant is not amusing when explaining his behavior to people, even Deborah Kerr. Whatever emotional chemistry worked for them so wonderfully in AN AFFAIR TO REMEMBER is cut down considerably here.The additions of Robert Mitchum and Jean Simmons does not really help. Mitchum's growing interest in Kerr, and her growing response to his seeing her in London is okay, but Simmons' relationship regarding Grant is not developed. We know they had an affair before he married her friend Kerr, and she has remained a friend of both, and she is funny regarding her open interest in sex, but why Grant's rejection of her is never really gone into. Also, at the tale end, there is the suggestion that Simmons and Mitchum might find each other a worthy lover. But nothing in the film really builds up to that final look between them! There are good moments - Grant and Mitchum going fishing, and muttering under their breaths about each other, and the business about the fur coat gift that Mitchum buys Kerr, and she tries to hide (and Simmons ends up wearing as her own). But the good moments are fragments. The duel scene towards the end is analyzed to death. It says a lot that the use of Noel Coward's song THE STATELY HOMES OF ENGLAND on the soundtrack at the start and end of the film is one of the highlights. One wishes Coward wrote the screenplay here - it might have been brighter or more consistent.Because the cast really tries I have given it a "7", but it is not as good a film as it should have been.
AD
