The Great Train Robbery

The Great Train Robbery

2013 ""
The Great Train Robbery
The Great Train Robbery

The Great Train Robbery

7.3 | 3h0m | en | Drama

Two-part BBC drama portraying The Great Train Robbery of 8 August 1963. The first part shows it from the point of view of the robbers, and the second part from the point of view of the police who set out to identify and catch the robbers.

View More
AD

WATCH FREEFOR 30 DAYS

All Prime Video
Cancel anytime

Watch Now
7.3 | 3h0m | en | Drama , History | More Info
Released: December. 18,2013 | Released Producted By: World Productions , BBC Drama Country: United Kingdom Budget: 0 Revenue: 0 Official Website: http://www.bbc.co.uk/programmes/b03mk394
Synopsis

Two-part BBC drama portraying The Great Train Robbery of 8 August 1963. The first part shows it from the point of view of the robbers, and the second part from the point of view of the police who set out to identify and catch the robbers.

...... View More
Stream Online

The movie is currently not available onine

Cast

Jim Broadbent , Nick Moran , James Fox

Director

Julian Jarrold

Producted By

World Productions , BBC Drama

AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime.

Watch Now

Trailers & Images

Reviews

Tribble 76 (Kray_Kray) Put me down for another Yank who ranks it a solid 7 I thought the three hours were tightly edited with no wasted scenes. What critical info, if any, was left out I do not know, as I watched this as a preliminary to reading about the robbery. Altho I can't comment on the period detail to the extent other posters here have ("the license plate serials actually didn't change til six month later" - WOW), I think the setting, styles, and lingo were all of a piece with other 60's London films and recreations.So I enjoyed this quite a bit, including the levity - self-proclaimed "wanker boss", "key up me jacksie", Butler's smile on Thursday mornings, etc, which "offset Broadbent's stern gravity and Evans's Jon Hamm like 60's charm offensive.I especially liked the portrayal of the Butler-Williams relationship and how despite Butler's fears his underling would give more away to his "snouts" than he got, Williams' contacts did lead to at least some grassing.The final Heat-style "confrontation" with Reynolds claiming a "victimless" crime leading to such enormous sentences (yet, he was out in nine) would lead to the much greater use of guns in robberies seemed egregiously revisionist, but I suppose among the many contributing factors to that sad development was the sentencing in this case. Goody apparently was straight out framed (Paul Anderson in another wonderful performance.) Certainly in hindsight a crime committed by 15 men with at least half a dozen accomplices and netting so much cash was fated to go bust. But that Butler had to delay retirement for so long was a testimony not just to his vocation, but also to the robbers' use of that critical "luck" factor. The fact Butler left a mess for Nipper Read and had allowed Williams to go way too far off the reservation is subject matter for other films.Still, film has to make an emotional as well as an informational mark, and I'm left wanting to chalk this one up for the bad boys. Mix south London and Brighton firms and you apparently got a very lively lot. "Dreaming big", and establishing the same bond of camaraderie the Flying Squad unit did evidently trumped even the millions. Or so this engrossing film would have us believe.
vitabrevis-219-530758 Part One was mildly interesting. One is always curious to learn how a particularly complicated operation is carried out. As to the solving of the crime in Part Two, I was expecting Tommy Butler to be a detective. He wasn't. He was basically a dour, obsessive project manager who had little or no special insight into who the perps might be. He simply put together a team of men who had a lot of connections in the underworld plus one competent forensic expert, and flogged them until they brought him the names of the gang members. Then Butler would drive somewhere in his special car, arrest the unlucky chump and remove one more photo from the board. I suppose that's how the investigation was in fact carried out, but there was something unsatisfying about the whole episode. Strip out the period clothing, cars and music and what you're left with is a fairly bland and uninteresting narrative.
parcdelagrange I have to agree with the review by Alan Baker as to the factual errors in the episode entitled "A Coppers Tale". I am a nephew of the late Chief Supt Tommy Butler, and although only a young boy at the time of the robbery, I remember distinctly that the car he used during that investigation was a Wolsey that he used to drive himself, I lived en route from Central London to Buckinghamshire (just off of the old A40) and Uncle Tom used to call in for a cup of tea frequently on his way back to London, and i never once saw him being driven by another police officer and definitely not in a Jaguar. Another factual error was that his home as shown in the film looked like a nice suburban semi detached private house, when in reality he lived with my grandmother in a rather shabby terraced council house in Barnes.
Prismark10 This two part drama was a retelling of the The Great Train of 1963. The first part was the Robbers Tale which was a straightforward story of the planning and execution of the robbery. This was the most fascinating aspect of the drama as over the years, the personalities of some of the robbers (Ronnie Biggs, Buster Edwards) has overshadowed the events of the Train Robbery and the main players involved. Luke Evans, Martin Compston and Paul Anderson give the best performances.The second part was the Policeman's Tale and featured Jim Broadbent as DCS Butler, hell bent in getting the gang like the sheriff of an old wild west town which was very much how he was introduced. This was more procedural and not as interesting or riveting as the first part.Incidentally both parts had different directors but Butler was just too much of a dullard and Broadbent looks too old to even be playing a cop on the verge of retirement. Able support by Robert Glenister as the exasperated and interesting to see that 'Slipper of the Yard' (played by Nick Moran) who in later years seemed to have been more prominent in the media as the cop hunting the train robbers was more of a relegated character in this drama. Well now Slipper is dead he will not be able to sue for his lack of prominence as in the past when he was alive he was rather quick to shout libel for any slight shown on his character!