Tina Willis I was interested in this movie, in the beginning, because I kinda have the hots for the lead actor Michael Kudlitz, and believe he is a brilliant actor. It just so happens I am also a fan of unapologetic dark movies, without sappy happy endings. It was just by chance that I got both in this movie.This movie isn't easy to watch. The characters are "broken" sad, mislead, lonely, tired and violent.Melanie Griffith was superb. So natural, it didn't even feel like she was "acting" Pruitt Taylor Vince was also on top of his game. Admittedly these types of movies are not for everyone, but I really appreciate the honesty in them in showing the dark side of humanity. This movie certainly does that. I actually forgot I was watching ACTORS. Brilliantly done on subjects that is generally uncomfortable for most people.

cuda_71 I thought Melanie's character was not needed. She also delivered a less than 'good' performance. I don't know if the Director thought he could cash in on her star power or what he was thinking by allowing her to be in this movie. I felt she sunk the movie faster than it was already sinking on its own. Her weak attempts at crying forced me to fast forward her parts in the movie altogether. The movie was on to something great then the writers or directors (maybe both) lost their way. Showing the other murders and far less of Melanie's character would have been great. The ambiguity of the prostitute in the next room was great because I wasn't sure if it was a man or a woman with a strap on. Some confusion on my part did set in when the reporter said that 6 transsexual prostitutes were murdered. That tells me it was a man. However, her/his phone conversation with the kid and going to Six Flags told me t was a woman. Confusing. HAD potential!

kosmasp Going to dark places taking literally. Our main protagonist is not someone that will win a popularity contest. But that is not the kind of movie you should expect anyway. This is exactly what it says: Dark! And the main actor is great depicting the downfalls and the character trades in general.Which also makes this is a very uneasy view. This won't go down easy with people who can't stomach a few events. You might see a few things coming, but there are still some surprises that are going even deeper into the tunnel. Very well shot this was a favorite at the Frightfest in London where it was playing. Not for everyone, but if you can dig it (you'll know a few minutes in), you'll have a hell of a ride

Sufi Mohamed Grief tourism is an excursion to locations associated with tragedy. Travelers visit sites associated with death and murder. Dark Tourist, directed by Suri Krishnamma, exquisitely examines this fascination with pain in a manner that allows the audience to delve into the mind of a man who uses trauma to connect with others. This film encourages its audience to understand how feelings of loneliness and isolation devour victims who are unable to reach out to people around them.Michael Cudlitz (Southland, Running Scared) plays Jim Tahna, a security guard whose eagerness for grief tourism goes beyond that of mere fascination with death and destruction. Jim takes a trip to New Orleans, Louisiana to visit sites associated with mass murderer, Carl Marznap, a quietly chilling Pruitt Taylor Vince (Wild at Heart, Constantine). In between locating the places where Carl grew up and slaughtered innocents, Jim meets Betsy, a heartbreakingly stoic Melanie Griffith (Lolita, Working Girl).Cudlitz has a magnetism about him. He is able to maintain momentum between lucid expectation and crushing vulnerability with mere gestures, his limping step, and an emotive intelligence behind his eyes. Cudlitz plays Jim as a man of many layers whose desperate need to fill the unexplainable void within renders him incapable of sincerity. Jim knows exactly what to say to people and how to say it.Krishnamma's use of sound allows his audience to make the connection between Jim's insatiable need to bond with others while simultaneously preserving his isolation. The lighting is at times beautiful and accentuates the grotesque themes of the film. Trauma, sexual desire, brutal deaths, and painful memories are highlighted under Krishnamma's artful direction.The most intimate moments are surprisingly found during the Jim's voice overs, where we watch him go about his day. Paired with rhythmic, repetitive, and chaotic sounds, Jim is carried through the story methodically. This adds to the mounting tension that builds throughout the film as the reasons for Jim's fascination with pain are revealed.In Dark Tourist, Krishnamma deals with the notion of an audience's fascination with death and sexuality as a form of entertainment. It is as if he is prodding the audience to look inward and discover their own reasons for feeling such satisfaction. The concept of one being a bottomless void, a face, a name, a victim, plays heavily in this orchestrated piece that no provides no simplistic answers to the logic behind a serial killer's motive. Nothing is black and white.Dark Tourist is a film that calls to mind the thought of what it means to be a victim of a tragic event. It daringly and disturbingly draws the audience to the social dilemma victims of violent and sexual trauma face amongst peers, which is the fear of communication and the tendency to turn a blind eye. Cudlitz's portrayal of Jim during scenes where he is psychologically afflicted is masterful. In one scene Jim and Carl stand outside a prostitute's door. Jim is silent, still, almost trembling with the effort to hold himself against temptation. Here is the moment where change is imminent. Vince's quiet tones and Cudlitz's pregnant pause embodies the issue of trauma buried deeply into the psyche, and the struggle to keep the despair of its existence at bay.Read the rest here - http://bit.ly/18wwPag