steveo122
It was so much more believable three or four decades ago. It's nothing to do with production or performances, it's that the writing leapfrogs certain points of development and the actors have to sell it.
It looks like "On the Waterfront"; it wants to be "Requiem for a Heavyweight"; it has a plot equal to those but it just doesn't quite hit the mark and the fight choreography is what I remember as a kid realizing 'Hey, they're not really fighting'.
Still, the story is good enough to make up for all that picking of nits.
Classic
bob27044
The main thing I feel lacking in these reviews is special kudos for Rod Steiger. To me, he out-acts everyone in this film, including the reliably terrific Bogart. His technique is a primer in film acting. The scene where he deceitfully implores boxer Toro (Mike Lane), to appreciate what all the guys in the room have done for him is wonderful. He maybe goes over the top a little, but it works brilliantly. And he was only 30 years old when he did it. If you're young and have never seen Rod Steiger in a film before, this is a great place to start.The film IS a downer. It highlights negative sides of human nature so well it can bum you out for quite a while. Don't let that stop you for watching it though. Some fine fine American actors in this one.
NewEnglandPat
Humphrey Bogart's final film pulls no punches in its indictment of boxing as it chronicles the career of an unfortunate pugilist who is duped into a series of tank jobs that get him a coveted but undeserved title shot. Bogart, an unemployed press agent, is hired to promote and build up the pretender at the request of an unscrupulous manager, played by Rod Steiger. The film notes the brutality, mob violence, insensitive owners and trainers, bookies, fixes, hopelessness and despair of fighters who take frightful punishment in the ring while managers and promoters profit. A brief segment of the picture dwells on the misfortunes of an ex fighter who wound up homeless, penniless and addle-brained after a career in the ring. The movie is grim and cynical, with a hard-edged undercurrent throughout. Bogart and Steiger have the expected showdown at the end as their differences clash but not before the dark underbelly of boxing has been exposed. Budd Schulberg's novel is the basis for this film and old pro Bogart is wonderful and gets strong support from Steiger and several others, especially Harold Stone and Nehemiah Persoff. Jersey Joe Walcott, in a few brief scenes, has a nice turn as a sympathetic trainer.
wes-connors
Unemployed sportswriter Humphrey Bogart (as Eddie Willis) reluctantly agrees to work as promoter for sleazy boxing manager Rod Steiger (as Nick Benko). Fixing fights for lumbering heavyweight Mike Lane (as Toro Moreno) leads to the expected championship bout, but Mr. Bogart is secretly battling a moral conscience. "The Harder They Fall" also catches Bogart losing his fight with cancer. In hindsight, the superstar appears to be in failing health, but with his screen persona and acting skills intact. Like many classic stars of early cinema, Bogart can be the singular reason to watch a motion picture.****** The Harder They Fall (5/9/56) Mark Robson ~ Humphrey Bogart, Rod Steiger, Jan Sterling, Mike Lane