The Hole

The Hole

1962 ""
The Hole
The Hole

The Hole

6.2 | en | Animation

Two men discuss the nature of accidents and the possibility of nuclear war.

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6.2 | en | Animation | More Info
Released: November. 08,1962 | Released Producted By: Brandon Films , Storyboard Studios Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

Two men discuss the nature of accidents and the possibility of nuclear war.

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Cast

George Mathews , Dizzy Gillespie

Director

John Hubley

Producted By

Brandon Films , Storyboard Studios

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Reviews

Horst in Translation (filmreviews@web.de) And apparently, back in the 1960s, that was enough for an Oscar win. For John Hubley, it was his second of 3 triumphs. At least this time, we do not have to listen to the rambling of the Hubley kids, but of two grown men, voiced by a musician and an actor. I guess this was so appreciated back then because of what the two are talking about. I know the charm should come from how it is a conversation we could have ourselves or listen at every corner, but in the end it is just random rambling. Nothing more. The animation is not to my liking either, even if it is admittedly better than some other Hubley stuff I have seen in the past. Overall, a very forgettable short film, certainly not worthy of winning an Oscar, but the 1960s weren't exactly a great decade for animation. I do not recommend "The Hole". Thumbs down.
MartinHafer This is a very, very simply drawn cartoon that features animation that is somewhat reminiscent of the children's story books by Ezra Jack Keats. It sure isn't like Disney or Looney Toons but is a much earthier and urban style of animation. It does give it an artsy look, but I prefer traditional animation.As for the story, two co-workers (as voiced by Dizzy Gillespie and George Mathews) talk about a wide variety of things and ultimately talk about nuclear war. These guys talk and sound like New Yorkers and are just working class guy talking. Then, suddenly, at the end, there is a bit of a shocker.What I appreciated about the film is that Jazz great Gillespie and veteran supporting actor Mathews both seem to like each other and talk incessantly. Nothing is made about the fact that one is Black and the other is White--it's not important to them. Socially, such a casting decision was an interesting choice and the best part of the film.What I didn't particularly like, other than the animation, was that the story itself was only okay and the talking became rather monotonous. I really wish they'd trimmed a few minutes from the thing to make it flow better. Still, it does get points for being different.
Ron Oliver Two construction workers - one Black, one White - engage in a wide-ranging discussion during their shift in THE HOLE of a New York City building project.John & Faith Hubley (creators of MOONBIRD) strike pay dirt once more with this very engaging and thought provoking little film which makes astute observations about nuclear proliferation. The limited animation format is the perfect medium to illustrate the unscripted remarks of the two characters, voiced by Dizzy Gillespie & George Mathews.Winner of the 1962 Oscar for Best Animated Short.
Robert Reynolds This cartoon won the Academy Award for Best Animated Short in 1962. It deserved the award and is still well worth watching almost 40 years later. It's a very simple cartoon in its execution and in the devices used to carry the action forward, but conveys its subject matter-the nature of accidents and nuclear arms-in a most compelling and engaging manner. The cartoon is fascinating and the ending will stay with most viewers a good long while. Deserves as wide an audience as possible.