davidjanuzbrown
I am a William Powell Fan, and this is one of weakest movies of his career. The biggest problem is the casting. Powell as British Captain Bill Tennent? Does not work whatsoever. Maybe Ronald Colman might have pulled it off, but not Powell, who does not even attempt a British Accent. Even worse was Colin Clive was Captain Andy Kerr and Edna Best as his wife Norah Kerr, He is a boring pathetic character and she is ugly to say the least. To be honest the story that takes place in Ireland in 1920 was good, but the casting was wrong. I would love to see this remade with better British Actors then Clive and Best and an authentic Englishman. Maybe Charlie Murphy as Norah might work. 3 stars for the story and setting.
atlasmb
They say timing is everything. It's true in sports. It's true in life. And it's true in love. In The Key, two former lovers meet again and discover if, this time, the timing is right.Set against the backdrop of a hunt for a charismatic leader of the Irish resistance group, Sein Fein, The Key is a schizophrenic mixture of love story and suspense film. I can't say it is successful with either genre.The most interesting action is between the ex-lovers. But the action of the camera comes in a close second. Not always successfully, the camera tracks with and against the action. It feels like the director is trying to be innovative, but it sometimes feels experimental and slightly distracting.The Key is only 71 minutes long, so the pace of the film is brisk, which is fine. I just wish there were more to the story. The ending is a little too neat. Because it wraps up so quickly, there is a lack of emotional depth.For fans of William Powell, The Key is worth a look. Otherwise, it is rather shallow and somewhat mediocre.
Torchy
I thought The Key was excellent. Interesting story, strong dialogue and good performances. To my mind this is one of Michael Curtiz' best films. It's not just a matter of creating atmosphere. In shooting the street scenes and club scenes Curtiz fills the frame with movement. This film really has the feel of life in the city. With the help of cinematographer Ernest Haller and art director Robert Haas, Curtiz makes the tension of the situation palpable. There are some weak moments, but my only real complaint is that William Powell could be stronger. He's fine at the beginning when he's just playing the breezy adventurer. But as we see that the character is more complex, Powell needs to do more to show the conflict within. Instead he keeps it mostly on the surface. On the other hand, a lot of the actors in small roles are marvelous. Over all, this is a really solid movie.
blanche-2
William Powell is Bill, a British officer who finds an old love in Ireland in "The Key," a 1934 film also starring Edna Best (Norah) and Colin Clive (Andy). A very young Donald Crisp, though his voice identifies him immediately, plays a Sein Fein leader whom the British army seeks to capture. When Bill arrives on the scene, he finds himself living below Andy, a fellow officer and friend, but he doesn't know that the woman he once loved is married to him - and Andy never knew that Bill and Norah were involved. Realizing that their breakup was a mistake, Bill seeks to rekindle the relationship. Norah has continued to love him, and it's stood between her and her husband throughout their marriage.Full of dry ice and night scenes, this old movie was hard to see at times. The story is very familiar, the film is short; it doesn't have a lot to recommend it. It's atmospheric, although this viewer was not drawn into the story. Powell brings it lots of energy - he's the best thing in it; Best and Clive don't project much and look unhappy throughout.
AD
