Kirpianuscus I do not know the book. so, the opinion about a good or bad adaptation is missing. but , it is obvious than "The letter for the king" is a nice children film. not surprising . each expected ingredient is present. the sacrifice for noble cause, the adventure, the young hero discovering himself, the friendship, the danger, the important mission and, sure, the aura of return . so, a seductive film.

Karel Chevalking Being a big fan of the book I had great expectations. I could hardly be more disappointed, the movie fails on all levels: The casting: Just about all the characters are badly casted with the exception of Derek de Lint as King of Dagonaut. The best example of the poor casting is Daan Schuurmans as Ridder Bendoe. Don't get me wrong, the actors are mostly the best Holland has to offer but in some horrible way the all seem to be in the wrong places and don't shine like they should. The hair styles and mustaches are baffling.The setting: Very dark and with a lot of the same landscape, whereas in the book there is a wonderful display of all sorts of landscapes with dark and dangerous forests, beautiful rolling landscapes and sunny skies.The script: Although very true to the book it fails to capture the viewer like the book does. The dialogs are downright boring and they fail to tell the story.In all, this movie as turned a beautiful story into a very disappointing movie and seems to miss all the clues as to why the book was so good.

lossowitz When filming a book, one has the possibility to correct the flaws of the story to make it fit the two hours attention span that the audience needs to have. Reading a book for two weeks, immersing yourself in another world, is a different feeling than watching a story unfold in front of your eyes.Sadly no one bothered with this book to make it into a believable script. First of all there is a never ending list of invented names: kings, kingdoms, cities, knights, princes... After the first minute you don't know where you are, whom you're watching and even in which country you are. Confusion is created. That goes on with the next scene in which the aspiring knight Tiuri just has to sit quiet in a chapel for one night. Not an impossible task. But with the first knock on the door and a voice whispering for help, he opens it and has failed the test. No internal struggle, no struggle with the other aspiring knights, just plain stupid behaviour.And after this unbelievable act, there follow many. If the main character, which of course needs to be the one with whom the audience identifies itself, takes these kind of inexplicable decisions, he never gets any compassion. And he is not the only one with strange behaviour. The scoundrels who rob him, let him choose between a ring an a horse, and set him free after he has made his choice! Then there are the characterizations. No character gets any depth. No one is tormented by doubt. Every thought is said out loud. The "writer" helps Tiuri "because strange things are happening in the country". Even the red knight that decides not to kill Tiuri after he has saved him from falling of the cliff, tells him as if it is a material issue instead of a moral one: "Now I cannot kill you anymore." (-Why, is his sword stolen? -No, it's something moral but I'm not sure what it is.) The friendship that can evolve between characters who need each other is missed here completely. Tiuri and Piak, his, yes, what? Helper? He never helps him. His companion? They never share anything. They just ride next to one another through the endless woods.The letter in the end turns out to be nothing that couldn't have been told to the king via other ways. The way that the treason is stated by the king: "He wanted to murder him!" is plain painful. We are watching a movie for eight year olds! (And even they might be bored.) To cast not really beautiful people is not a crime, as long as they either can act well or have a devastating charisma. The role of Tiuri, a boy we have to watch almost the full two hours, is played by the not so handsome Yannick van de Velde and he neither can act very well nor has any charisma of sorts. He is like a spoilt, artistic kid from Amsterdam, complete with pretentious brawl. His hair is strangely yellow although the whole film the evil people are looking for a boy "with brown hair".The rest of the casting is made up of TV-actors, never taking the time to deliver the lines, being used to the "just say them"-regime. With a good script you can get away with that. With this crappy writing you can not. (Only exceptions are Jeroen Willems as the Lord of the Toll and the first Broeder Martijn.) To take this script, these actors and head for eastern Europe with all the medieval rental costumes of Holland ("voor al uw feesten en partijen"- no costume seems to be made especially for this movie) plus the ugliest wigs ever made borders on hubris. Let's hope this director, these producers get punished for that.

John van den Berg An entertaining movie. I even want to go so far to say it's a "must see". The actors speak like they are in a movie that's taking place in the present time, but that,s something you forget soon. The movie keeps me interested. Like in the book, the surroundings en clothing are perfect. Famous actors in the Netherlands are almost unrecognizable, so the grime(make-up) is good also. Furthermore I want to say that the previous comment is a bit far-fetched. If you look hard in any movie you find some problems en bloopers. With the knowledge of his comment i saw this movie again and stay to my opinion as mentioned above. The book is very old. It's written in the sixties. The movie however can compete with every other.