The Love Witch

The Love Witch

2016 "She loved men... to death"
The Love Witch
The Love Witch

The Love Witch

6.2 | 2h1m | NR | en | Horror

A modern-day witch uses spells and magic to get men to fall in love with her, with deadly consequences.

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6.2 | 2h1m | NR | en | Horror , Comedy , Romance | More Info
Released: November. 11,2016 | Released Producted By: Anna Biller Productions , Country: United States of America Budget: 0 Revenue: 0 Official Website: http://www.lifeofastar.com
Synopsis

A modern-day witch uses spells and magic to get men to fall in love with her, with deadly consequences.

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Cast

Samantha Robinson , Gian Keys , Laura Waddell

Director

Bridget Brno

Producted By

Anna Biller Productions ,

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Reviews

samanehmoh I was surprised of watching an awful movie in 2016!
Pjtaylor-96-138044 'The Love Witch (2016)' is without a doubt a shining technical achievement, the visually stunning sixties stylings are a sight to behold and the general throw-back vibe is almost pitch-perfect. Sadly, the script and story are lacking, to say the least. That's not to suggest it doesn't have a point, in fact it seems to be making some sort of misguided commentary on gender and sexuality in several scenes that stop the 'plot' to become preachy. This is made more head-scratching when you realise that the 'satire' is supposed to be serious, with the philosophy of the piece portrayed entirely earnestly on the part of the director (who wore many hats on this production). The feature just meanders about for far too long and doesn't really provide much in the way of character or narrative. Thus, I was actively bored for quite a while. 5/10
MadMike77 About 10 minutes into the film I paused it and read a couple of articles on the Internet and read up on the director and her, lets call it "agenda" regarding the film. I carried on watching. Carried on watching for the whole 2 hours. Even though I had enough at about an hour in.OK, let's talk good points. The film was absolutely stunning to look at, with beautifully rich, vibrant colours and a good looking cast. Yes, it certainly had that homage feel to it. A little bit of 60s, but mainly 70s. It looked and felt like it could've been a lost Hammer film, recently restored to its full glory. Really nice set pieces and costumes. Even a touch of a eurotashy type score. Even the acting, as its meant to be, nice and cheesy. They had that spot on, if indeed it was meant to be a homage or actually set in the 70s (I'll come back to that later). That's really all the positives I took away from it. You could say it's style over substance. Anna Biller certainly tried to add something of substance in there which just ended up being one long joke. A very long, 2 hour joke. First of all, let's touch on the 70s vibe, remembering that I've only seen the one trailer (I don't watch many trailers or clips for the same film due to the amount of disappointed when watching the film) and read no other reviews, till that 10 minute mark anyway. My first gripe and probably the major one, with the way the movie looked and felt, if you're going to make a film so overpowered with a 60s/70s feel then set it in the 60s/70s. Seeing a very small amount of modern cars mixed in with all the old (the opening scene - the police car. Shortly after - the BMW pulling up outside the house) "classic" cars really throws off that feeling.The other and only issue, a big one as a whole. The whole film was one big kick in the balls to men by a female director that's clearly one of these modern third-wave pseudo feminists (that's had a few bad experiences, but don't worry, her and her 10 cats will live happily ever after together)! Quite frankly it ruined the film turning it into, one big joke. It ended up being a 2 hour long feminist propaganda film. It ended up being a mess, not deciding what it wanted to be. A Pagan Witch film? A Hammer film? A homage film? Set in present day film? A sexist film? A feminist's wet dream? It's ended up being nothing more than a spoof.You can read my full review on Maven's Movie Vault of Horror.
bobbysjones I haven't seen a film this divisive for quite some time. I saw it with a group of friends and the reaction was pretty split down the middle. Half seemed to think it was an utter work of genius. The other a self indulgent bore. Personally I have a foot in the 'genius' camp. The whole experience was completely hypnotic. The cinematography, the design, the score and the central performance are so deliciously stylized I couldn't help but being entranced- which is pretty apt given the material. However it is these very idiosyncratic elements that may conversely put a large section of the audience off. If you have an affection for Camp B-movies from the 70's you will be in Nirvana. If not you might find yourself in hell. One thing is far sure is you are going to have a strong reaction and this wont be a film you will forget in a hurry.