trashgang I do have the Starlite mega box containing a few grindhouse classics. By opening the DVD box containing this flick I saw that there were 2 versions available. One from 1963 called The Madmen Of Mandoras clocking in at 74 minutes and another one called They Saved Hitler's Brain made in 1968 and clocking in at 91 minutes.But what's the difference? being a hit at the drive-ins and grindhouses somebody decided to make a TV worthy. 74 minutes can't be seen on television as a full feature so they added some new shots. But it went even further. They used amateurs to make the new footage and did it on a zero budget. it shows in so many ways. Clothes and hair didn't fit in into the older version and everybody added in the new footage had to die or disappear because they didn't fit into the original one. I saw that the first 13 minutes was new and had nothing to do with the original flick. Then they picked in with the older version and recut it still in the next minutes with new shots. It just didn't work at all. Because as I said earlier, nothing looks the same, everything was wrongly done. Still, it's really a turkey with a goofy head in a jar from Hitler. I only saw one effect worth seeing and that's the burning of Hitler's head. Overall there's much talking going on and nothing really happens. They also used news footage from WOII when they are narrating what and who Hitler was. Also strange is the use of a real footage of an elephant dying on so called nerve gas. I can only say that it looks like an Ed Wood flick but still it do has a few moments you will never forget due being a turkey.Gore 0/5 Nudity 0/5 Effects 0,5/5 Story 2/5 Comedy 0/5

JoeB131 About half the reviewers here make mention of the 1970's footage added into the film when it was re-released under the title "They Saved Hitler's Brain." This just added to the cheesiness of the whole exercise.To recap, the plot of this film is that a few surviving Nazis have managed to save Hitler's head in a big jar, while keeping it alive with a machine. Now, it's not really clear why they do this, the only words Hitler in a Jar says is "Mach Schnell". (Roughly translated, "Hurry Up!" My father, a German immigrant, was very fond of that one.) One has to wonder if Hitler in a Jar ever got a date from Jan in the Pan from "The Brain that wouldn't die". They'd have made a cute couple.The film is C movie quality, and the scenes with Hitler in a jar are just ludicrous. The actor who played Hitler just mugs for the camera ridiculously in a way that would embarrass even Mel Brooks. (It appears he never worked again.) Also, the Nazi plot makes little or no sense. They are going to release this "G-Gas" stuff into the air that will kill everyone, probably most of the animals as well. And they kidnap the professor who has the antidote. So, uh, why? Why not just kill him? Were they going to release this gas and they didn't have the antidote?

cookieman108 Why am I drawn to bad movies like a fly to a steaming pile of excrement (this metaphor is exceptionally appropriate given the film being reviewed)? I've never really given it much thought, but I suppose it's a similar reaction people display when driving by a particularly bad car wreck…you don't want to look, but morbid curiosity is a compelling, often intrinsic, trait among humans. As far as car wrecks go, cinematic ally speaking, They Saved Hitler's Brain (1963) is a real doozy…the film is actually two movies (the original made in the late 50's to early 60's but never released for some unknown reason, and new footage filmed in the mid to late 60's) spliced together, like some twisted Frankenstein experiment. Apparently the company that owned the original film, Crown International (purveyors of schlock), got some UCLA film students to produce the new footage, and then, in an extremely futile attempt, married the two in the unholy union that is this film (director Al Adamson made a career on doing this, most notably with his 1971 monster mash Dracula Vs. Frankenstein).The film, originally titled Madmen of Mandoras aka Amazing Mr. H aka The Return of Mr. H (before the celluloid mating) was directed by David Bradley, whose earlier films include a juvenile delinquent picture titled Dragstrip Riot (1958) and the epic sci-fi craptacular 12 to the Moon (1960). The film stars Walter Stocker (Lassie's Great Adventure) and Audrey Caire, who seemed vaguely familiar, but I couldn't place her until I looked up her credits as saw she also appeared in Joe (1970), one of my more favorite films of the early 70's. Also appearing is John Holland (The Naked Brigade), Carlos Rivas (True Grit), Marshall Reed (Ghost of Zorro), Scott Peters (Panic in Year Zero!), Nestor Paiva (The Three Stooges in Orbit, Jesse James Meets Frankenstein's Daughter), and Bill Freed (who later adapted Dean R. Koontz's novel Watchers into the 1988 film of the same name) as Adolf Hitler, or, at least his head.The film starts out with the newer footage (which actually looks worse than the older footage), relating some kind of story regarding secret agents, nerve gas, and various murders. The main character, named Vic (who looks a lot like Chuck Negron, the original lead singer from the 70's band Three Dog Night) is a secret agent assigned to investigate the death of a scientist, but he himself eventually dies in a fiery car crash (actually his death is represented by footage taken from the 1958 feature Thunder Road, starring Robert Mitchum). All of this takes about 27 minutes, and then we cut into another film, already in progress, featuring the actors I listed above (the actors in the newer footage are not listed in any credits). From here we follow the exploits of Phil Day (Stocker) and his wife Kathy (Caire) as they travel to the tiny Caribbean Island nation of Mandoras to locate Kathy's recently kidnapped father, a scientist who developed an antidote to a deadly nerve gas. Phil and Kathy soon learn a handful of Nazis, lead by Hitler's head, and their nefarious plans to take control of the world. Will Phil and Kathy be able to stop the madness, or will the Third Reich finally achieve the goals it set for itself some 20 years ago? Their plan seems pretty rock solid, so things don't look good… I'm unsure why the newer footage was added, especially since it matched up so poorly (it looked like a bunch of laid-back hippies running around, compared to the more conservatively attired characters in the original footage). The original film is actually not a bad little B film (at least, compared to the newer footage), but I suspect some of the original footage may have been lost (or never filmed), hence the addition of the newer material, as to try and provide a setting for the older material. Thing is, the newer stuff was shot so very poorly, lacking any sense of direction (hey, it's daytime…no wait, it's night…oops, it's daytime again), and I was able to piece together much of the intended story from the original footage I didn't need the newer material. And that music for the newer material…27 minutes of really crummy free form jazz…the horror, the horror…the concept of saving Hitler's head seemed kinda cool, but what was probably meant to be a shocking surprise (the whole plot of Hitler's head plotting a conspiracy) was effectively ruined by the newer title. The special effects are pretty much what you might expect, with Hitler's head, when not being carried around in a jar, sitting atop an older model videotape machine. Freed's head did look a little creepy, sort of bug-eyed and slightly emaciated, with his only dialog, as a disembodied head, being 'Mach Schnell! Mach Schnell!' (I guess one would probably get pretty cranky and impatient surviving in a jar, relying on the charity of others…I wonder which lackey got the job of trimming his little moustache?) My favorite scene has to be when Phil and Kathy get kidnapped by a mysterious Hispanic man, and as they come to a stop light, another car pulls up, shoots the Hispanic man dead, but the couple, who are in the car with the now dead man, don't realize he's dead until much later, eventually stuffing his corpse into a phone booth, the intent being someone will find him (and someone does, in the form of an impatient, rotund lady wanting to use said phone…oh the comedy!) Cookieman108

orb-2 Originally titled Madmen of Mandoras, this was supposed to be a political paranoid thriller along the lines of The Manchurian Candidate, with a respectable budget and moody wide-screen cinematography, but halfway through principal filming in 1963 it was shut down and shelved. Somehow this film and one of its supporting actors ended up in a nameless cheapie studio in 1973, and got completed with grainy, shaky, cropped photography, a cast wearing shag hair and mini skirts and driving groovy convertibles, and cheap electric-piano and twitchy-guitar cop-show music that tries to sound like Shaft or Dirty Harry, all anachronistic and mismatched to the already-then outdated original. This film then, with the copyright date and credits of 1963, and a running time of barely one hour, went straight to sindicated TV release in the late 1970's as They Saved Hitler's Brain. This is an obvious chop-shop job. The original project's sheer preposterousness still impresses, with an unusual portrayal of You-Know-Who with an actor sticking his head into a glass tank through a hole in a table for closeups, and a puppet head in that infamous pickle jar for the long shots. Some connoisseurs of the worst should be rewarded if they're able to stick it out for the whole hour.