The Majorettes

The Majorettes

1986 "Sis, Boom, Blood. You're Dead!"
The Majorettes
The Majorettes

The Majorettes

4.5 | 1h32m | en | Horror

A hooded psycho is murdering high-school girls. A devil-worshiping, drug-dealing biker gang is suspected.

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4.5 | 1h32m | en | Horror , Action , Crime | More Info
Released: October. 27,1986 | Released Producted By: Media Blasters , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

A hooded psycho is murdering high-school girls. A devil-worshiping, drug-dealing biker gang is suspected.

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Cast

Kevin Kindlin , Terrie Godfrey , Sueanne Seamens

Director

Sandra Radcliffe

Producted By

Media Blasters ,

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Reviews

Leofwine_draca In my years of trawling through cheap movies, I've discovered that there are two varieties of bad films. The first is the 'enjoyably bad' movie, which is poorly made and doesn't work, yet is still fun to watch mainly for all the wrong reasons. You can have a good time watching these kind of movies. The second variety is the 'just plain bad' type of film, the kind that rests at the bottom of the pile. I know I always pick on it, but the first film I bought for review was the Filipino atrocity THE THIRSTY DEAD. That's just a plain, boring, totally worthless bad movie.ONE BY ONE is a film which falls into the former camp of bad movies. Sure, it's very poorly directed (by Bill Hinzman, the guy who played the famous cemetery zombie in the original NIGHT OF THE LIVING DEAD), the special effects are cheap and tacky and the acting is an atrocity in its own. Yet, I found myself glued to the screen, frequently laughing and incredulous at the antics playing out during the movie. You can't really get any more '80s than the beginning of this movie which shows a group of cheerleaders dancing to rubbishy music while a geeky photographer zooms in for a closer look. Creepy janitor Harry is also lurking around, pretending to mop the floor but instead getting an eyeful of the girls. He's the type of character who enjoys watching the girls undress in their locker room - and, coincidentally, the viewer also gets to partake in this activity. There's a lot of nudity which gives the movie a sleazy, slimy kind of edge.It doesn't take long before the murders begin, with the beautiful young girls getting their throats messily slashed by a killer in an army costume. The splattery special effects in this film reminded me of the ones in Friday the 13th, so at least they have something going for them, although the majority of the good stuff has been hacked out by the censor's knives here in the UK. Now, scriptwriter John Russo wasn't content to have his film that straightforward. Thus begins a complex subplot involving a wicked nurse (who also happens to be the mother of Harry, the janitor), who cares for an elderly woman. The woman's granddaughter is one of the cheerleaders and is due to inherit millions on her 18th birthday, which is only a week away. When Harry snaps a photo of the killer, his mother blackmails the villain with the evidence and asks him to commit one last crime; namely, murder the granddaughter on her 18th birthday so that her inheritance will pass on to her grandmother, who can then also be bumped off to make way for the nurse to claim the money for herself.Confused? Well, it explains itself pretty well on screen, although you have to admit that this premise is pretty unrealistic. These activities take up the first hour of the film, and while what's happening up on screen is pretty bad, at least it moves quickly and doesn't become boring. The acting, as I mentioned above, is dreadful from the cast of unknowns (overage actors pretending to be teens again), with the only familiar face being that of Russell Steiner, a.k.a. the unfortunate Johnny from NIGHT OF THE LIVING DEAD. It goes without saying that cronies Bill Hinzman and John Russo also find cameo roles for themselves to appear in.Now, "what of the last half an hour?" you may ask, and "why is this labelled an action film?". This is where the film gets really crazy. It's like at the hour mark, Russo suddenly got tired of his slasher plot and switched track into making an urban thriller. Two young innocents, Jeff and Vicky, are captured by a biker gang headed by a drug-dealer who has been turned in by Jeff earlier on in the film. They are taken to a warehouse, where they are beaten until Harry the janitor intervenes. You see, Vicky is THE granddaughter, and if she dies before her 18th, there won't be any money for his mother. Meanwhile one of the gang members rebels against his leader and violence suddenly erupts, with the rebel, Harry, Jeff and Vicky all getting shot dead. The biker gang flee back to their trailer to hide.Except that Jeff isn't dead. He goes to his house, grabs his dad's assault rifle and goes back to the trailer home of the gang...Yep, incredibly this film has now turned into a REVENGE thriller with the wounded Jeff turned vigilante! I really couldn't believe my eyes as I was watching this film, and the twists and turns the plot was taking. What follows is a highly cheesy shoot-out in the woods, with loads of stuff exploding and people getting shot. Things culminate in a one-on-one with the gang leader in which Jeff shows no mercy. Yes, ONE BY ONE is a bad movie. Yes, it's also an enjoyable bad movie, worth watching alone for the bizarre plot and unpredictable storyline. It's amazing the kind of films they make these days...
lost-in-limbo A killer is going around in an army camouflage jumpsuit slicing up the desirable high school majorettes with their trusty knife and leaving their bodies immerse in water. Lt. Roland Martell is put onto the case with the help of the local sheriff, but the body count is rising. There are some punk bikers and their leader is a prime suspect, but could it be the perverted school janitor or maybe his deceiving mother who plans to take over the inheritances of the old lady she's looking after.What in the name?! This is one extremely patchwork film that has so much going on in its heavily plotted premise that it feels like everything has been chucked into a blender. Yummy camp that's frightening for all the wrong reasons. I was rubbing my eyes in disbelief in how ridiculously stupid it gets! What starts off as your conventional copy and paste high school slasher turns into an embarrassing revenge action story. Huh? Where did that come from? We watch one of the characters go "Rambo" on us. It's raining down gunfire and unnecessary explosions. Pure anarchy! These sudden incomprehensible shifts in the fitful story truly made it one unpredictable smörgåsbord of gratuitous 80s cheese. The slasher element is poorly done, but sticks to the main gruel. Vixens who get their clothes off when they can. A POV shot with heavy breathing to inform us it's the killer. Bloody murders (although they are mostly the same old repetitive kills; knife to the throat routine) on "unexpected" victims. And red herrings around each corner. The banal nature of this segment suddenly turned moronic in falling by the wayside. The a-wire action is plain bizarre, and rather guilty entertainment. A lot people bite the dust and there are unexpected surprises in who does too. Sounds complicated… well no, just messy and padded out.Some of the key players in Romero's "Night of the Living Dead" are who to thank for this shamble. The premise is taken from writer John Russo's own novel and the script he dragged off it is completely insipid and dank across the board. Is the novel that bad? The amateurishly leaden acting makes matters even worse and there's no real central figure rounding it off. The ladies in the picture look nice, but do little else. Bill Hinzman (zombie in the graveyard in the opening scene of "Night of the Living Dead") is in the director's chair, but you wouldn't know it. One or two decent stalk scenes are there, but there wasn't much control and direction seemed quite non-existent. Being plastered with a low budget immensely brings it down and leaves a lot to be desired. The off-kilter story just didn't make too much sense or did the other pointlessly out-of-left-field sub-plots to the bigger picture. It feels fairly longer than it actually is and this erratic mood swings enhanced it even more. A tacky one-note music score is especially jerky and the stale camera-work only hurts your eyes. Mindlessly idiotic and mundane accurately sums up the hack-eyed presentation and feeble production.This z-grade stinker entertains in its unintentional wackiness, but you can find yourself doing it tough in a glut of unbearable shoddiness. Be afraid… be very afraid.
thirdeyeopen46 This lame attempt at a film was based on Russo's book by the same name and as with all of Russo's movies one wonders how Night of the Living Dead could be so good. Cheerleaders get knocked off in very boring, predictable, and basically uninteresting ways for the first hour and then it becomes a shoot-'em-out, for no real reason, so long that when they get back to the cheerleader killer plot line you forgot what you were watching. Acting is bad, but dialogue is worse, and only one man can take the blame for that.The last scene (don't worry I won't spoil it) is surprisingly well done though and I like the last plot twist. The action were well shot, but in the wrong movie. Ultimately you can't be mad at the movie because it's just as confused as you are, but Mr. Russo has no excuses.
plaznihqyllnikaaf No wonder, nobody bothered to comment on this piece of s...! What starts out to be a slasher (and a extremely bad one, that is) then suddenly change direction and becomes an action movie, with a lot of gunfight and explosions!? I can only hope that the book is better (which it doubt). So don't bother watching this. There's not enough blood to make it a good stalker/slasher flick, and there's not enough action to make it a good action movie. The plot(?) is non-existing, the acting is worse than bad, the "effects" are really dull (all victims get their throat cut, how inventive) and even the editing is bad.You're better off renting the old classics like Friday the 13th, the prowler, helloween and if you liked the action part of this movie you're better off with all Craig R. Baxley's movies.