John Brooks Excellent stuff.I'd like to mention first of all that for a 50's film, this was surprisingly laugh out loud funny. Did not expect to be laughing this wholeheartedly at such a production, mainstream humor at the time being pretty thick most of the time.Well, what can be said about this. The story and main idea and narrative from Mark Twain is excellent, full of moral on various levels and in a multitude of aspects, and it's carefully carried out and very well executed here.Cary Grant does very well as the modest American with lots of guts but firstly naturally humble and progressively more and more decisive.This film is all of funny, fun...interesting on a philosophical level as well as in its purely cinematic dimension; that is well structured, with a certain tension always held at just the right dose, and the release well timed at the end. Every scene with a point, pleasant and important to the whole.8/10

SimonJack "Man with a Million" is one of the few comedy films that Gregory Peck made. Known as a dramatic actor, Peck didn't play characters who could spew witticisms or clever lines, or who went through hilarious antics. But, he could hold his own in comedic situations, as in this film. He is mostly a straight man who gets into situations that are comedic and in which the cast around him are more the sources of humor. I think his best comedy was "Designing Woman" of 1957 with Lauren Bacall. He had some very laughable situations in that film. This movie is based on a Mark Twain short story, "The Million Pound Bank Note," published in 1893. It closely follows the Twain story with a few changes. The one thing I would like to have seen unchanged was the ending in Twain's story. One of the Montpelier brothers is revealed as the stepfather of Portia. The movie was filmed in London and at the Pinewood Studios in England. It was released there in January 1954 under the title, "The Million Pound Note." The J. Arthur Rank Organization made the movie and it was distributed in America by United Artists. The cast are all quite good. Peck is Henry Adams and Jane Griffiths plays the girl he falls for, Portia Lansdowne. Hartley Power is the Adams family friend, Lloyd Hastings. The Montpelier brothers are played by Ronald Squire (as Oliver) and Wilfrid Hyde-White (as Roderick). Joyce Grenfell is Portia's mother, the Duchess of Cromarty. The large supporting cast includes a number of people in various business settings who are very good and humorous with their airs and then humbling demeanor after learning that Adams has a one million pound note. These include George Devine as the Chop House proprietor, John Kelly as the Bumbles Hotel manager, and Maurice Denham as the exclusive tailor, Jonathan Reid. Mark Twain (nee, Samuel Clemens) set a number of stories in England. He was an avowed Anglophile. From his first trip to England in 1872, he fell in love with the culture, the people and the country. But this didn't stop him from poking a little fun at the Brits from time to time. He was taken under wing by the upper-class and wrote glowingly of the people, their love of history and tradition, and the countryside. This story is a soft satire of both England and America. The Duke of Frognal says rhetorically to the Bumbles Hotel manager, "Are you trying to tell me that American money means more than an Englishman's name? I won't stand for it. This country's going to the dogs."This movie is a fine production from the Twain story set in England. It doesn't have rollicking laughter, but it has warmth and an endearing tale amidst the mostly gentle humor. A later film, made in America, did a successful take off on the Twain story. "Trading Places" of 1983 was an adult comedy that starred Eddie Murphy and Dan Aykroyd.

ackstasis Arriving home, with a long day of work behind me, and another ahead, I was in the mood for something friendly and undemanding. Ronald Neame's 'The Million Pound Note (1953)' was exactly what the doctor ordered. This lightweight British comedy is, for one, wholly and absolutely pleasant: notice how there is not a single villain in the entire film, every character likable in their own, distinctively-British way. The old family friend, whom we are certain is a grumbling and untrustworthy shyster, turns out to be an honest entrepreneur. The man who arranges to deprive Henry Adams (Gregory Peck) of his wealth is merely a doddering old eccentric who just wants to show some patriotism for a personal lark. This is the sort of film whose conclusion is never in any doubt: Peck will get the girl, achieve happiness, and learn to live without the extravagance to which he thought he would become accustomed. Frankly, I can't imagine the film ending any other way.When penniless American stowaway Henry Adams (Peck, probably on his way to Italy to film 'Roman Holiday (1953)') requests a small loan from the US embassy in London, he is flatly denied by an indifferent official. However, a pair of childish millionaires (Ronald Squire and Wilfrid Hyde-White) have an even greater plan for him. They loan Henry a rare million pound note, which he is forbidden to cash in, for just a one month engagement. Pretty soon, every store and hotel owner in the city is tripping over themselves to offer him free services, irrationally smitten with the honour of serving a wealthy American, however unorthodox his dress manner may be. Of course, the arrival of "millionaire" Henry Adams doesn't go unnoticed in the high societies of London, and Portia Landsdowne (Jane Griffiths) is soon love-struck with the humble American, though his apparent wealth hinders rather than aids their love affair. Will the couple be together by the film's end? You don't need me to tell you.Though I had expected 'The Million Pound Note' to be a slightly wooden comedy, it was great to find the film regularly inciting a hearty chuckle. Two moments stand out above all the others. Firstly, Gregory Peck opening the brothers' envelope for the first time to pay for a hearty meal, and dazedly apologising for not having anything smaller (the store-owners accept Henry as an "eccentric millionaire" and offer the meal for free). Secondly, the charity auction event in which the famous American millionaire carefully counts the coins in his hand to bid £82 12s, before inadvertently bidding £5000 for a rather commonplace vase. As lightweight as it may be, the film also aims a few modest jabs at the superficiality and hypocrisy of British society, most of the characters welcoming Henry Adams only when under the impression that he is absurdly wealthy; there's a harsh but all-too-true irony in the fact that Henry can only secure a cash loan once the American embassy believes that he doesn't need it.

Chrysanthepop Based on Mark Twain's novel, 'The Millionaire Pound Note' takes an interesting satirical look at the hypocrisy stemming from class distinction in the 50s England. England is a country where class and wealth are given extreme significance, especially among the rich. The film shows the hypocrisy that existed among these people, how the rich are quick to change face when in an instant they find out that you're a man of wealth and how within the next moment they revert back to their condescending selves when all wealth is lost. Interestingly, 'The Millionaire' also briefly looks at how the English perceived Americans in that era. Rich Americans were welcomed as outsiders and the poor were quickly shunned away. The fact that he's an outsider either makes him more appealing or the complete opposite. The story sticks to the main theme by emphasizing on the hypocrisy of the upper class society but at the same time it also creates a balance that prevents the movie from being a mockery of the British society. The movie drags at some point but the love story appears at the right time and there is plenty of comedy to keep one entertained. A charming Gregory Peck totally nails the part and the luminous Jane Griffiths is a treat. Reginald Beckwith, as Peck's sidekick Rock is amusing. The ending is a little predictable but the director does an overall good job by rounding it up and presenting his points.