alsantro
The true story of Anne Sullivan, the teacher of Helen Keller, and her struggles to teach a deaf, mute, and blind girl. Set in the south on an Alabama tobacco plantation the story combines elements of family life, psychology and persistence. The movie teaches not to pity or treat someone as a lesser because of a handicap. The acting was good. The script writing however was mediocre and lacked elements of excitement. The plot line at times became uninteresting, but the ending was dramatic and captivating. I found this movie to be of mediocre quality. I would not consider the movie extremely entertaining, but would suggest watching it to learn more about Helen Keller.
tedg
This story is just screaming to be a fine movie. What is better subject matter for a presentation by signs, than a story of presentation by signs. And there has been a moderately successful film made in 1962, at least it had the weight of trembling actors.This version has been Disneyfied in predicable ways: dumbed, cleaned and sweetened accordingly. But oddly enough for a film about blindness, it is blazingly bright and colorful. I think this is a simple accident of what Disney knows about how TeeVee bleaches colors.And it has two actors who have done well in fine films. Nominally, they are supposed to have a huge metaphysical tussle, here more of a staring contest. David Strathairn's presence in 'Limbo' is really something you need to see. Any one of tens of thousands could have done what he does here.Alison Elliott just blew me away in 'Wings of a Dove.' This woman has enough power to suggest what is suspected of the 'real' Anne, that much of the intelligence of her student was imposed. This would have been fertile stuff for an intelligent film. Oh well, at least she does something.That can't be said for the Helen here who is little more than the dolls in this story. Would have made more sense if that Anne redactor layer was mined.Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
shrek2004
This is a wonderful film and the best version of the Miracle Worker I've seen by far. Hallie Kate Eisenberg is a wonderful actress, cute and unlike the Olsen Twins, actually seems to study and rehearse her lines and role. She was extremely convincing, though perhaps a little too tame at times, in her role as young Helen Keller. I hope there are to be good things in store for her in the future!
patdukfan
At first it might not have seemed like such a bad idea to remake this movie again. Afterall the story of Annie Sullivan teaching Helen Keller communication is timeless and the 1979 version does prove that remakes can still work. So, if they had to do another one two decades later, why cast the Pepsi Girl in the coveted role as Helen?? I read a review that said her emotionless performance should be nicknamed "Frankenkeller", because she does indeed walk around like a robot! The only good thing about her performance is that she doesn't talk in the film! She is also too graceful a Helen. Patty Duke, and even Melissa Gilbert had a more wild animal like energy to their performances, while Ms. Pepsi seems bored as Helen (or is it that we are just bored at watching her? Would someone give her a Pepsi, please?? I was totally shocked that she didn't start singing at the pivotal water pump scene "The Joy of Wa-Wa"! However, she didn't say anything at all! Where is the emotional wallup that that scene has always brought to us?!On some postive notes: The sets are grand and so are the costumes. Ms. Allison's performance as young fiest Sullivan can almost stand proudly besides Anne Bancroft's Oscar-winning turn as Anne Sullivan and Patty Duke's Emmy-winning interpretation of her. Do yourself a favor and watch the 1962 and 79 versions, ones that didn't rape such a gorgeous tale. My score: 3
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