The One and Only

The One and Only

1978 "She had to marry him. She was too embarrassed to have him as a date."
The One and Only
The One and Only

The One and Only

5.8 | 1h37m | PG | en | Comedy

1951: Andy Schmidt is in his last year of college. Taking life easy and always a saucy joke on his lips, he manages to win fellow student Mary's heart, although she's already otherwise engaged. But getting a job after college turns out much harder than expected; most directors take offense at his free interpretation of his roles. Desperate, he tries in wrestling. To avoid getting beaten up he stages the fights - and incidentally invents show-wrestling.

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5.8 | 1h37m | PG | en | Comedy , Romance | More Info
Released: February. 03,1978 | Released Producted By: First Artists , Balmoral Associates Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

1951: Andy Schmidt is in his last year of college. Taking life easy and always a saucy joke on his lips, he manages to win fellow student Mary's heart, although she's already otherwise engaged. But getting a job after college turns out much harder than expected; most directors take offense at his free interpretation of his roles. Desperate, he tries in wrestling. To avoid getting beaten up he stages the fights - and incidentally invents show-wrestling.

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Cast

Henry Winkler , Kim Darby , Gene Saks

Director

Edward C. Carfagno

Producted By

First Artists , Balmoral Associates

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Reviews

John T. Ryan FOLLOWING HIS SUCCESS as show stealing character, "the Fonz" in the hit ABC Television Series HAPPY DAYS, Henry Winkler embarked on a series of starring motion vehicles. Taking a break from the more dramatic, Henry chose to do this Carl Reiner directed affectionate look at the early video days of guys with names like Gorgeous George, Count Billy Varga and Lou Thesz.DURING THIS PERIOD and for some years to follow, the mere mention of the Pro Wrestling game would never fail to bring a smile to the face of whomever one was conversing. The appeal of the medium where sport & athleticism intersected the dramatic & theatrical had a very wide degree of aficionados from the blue collar to professional, from the laborer to the MD.SO JUST WHO are these guys who get into the "business"? As in most rackets, there is no one single answer. There is not one single slot in which the "typical" grappler fits. Any attempt to pigeon hole the pro wrestler will find himself unhappily frustrated.THE STORY LOOKS at how guys with disparate backgrounds are united in their interest and pursuit of success as a performer. Some are athletic, some are not. Some were football players, others dancers. Bodybuilders and the physically unusual all join with some who have no obvious outstanding bodily attributes. Some were even the products of a solid background in Amateur Wrestling! OUR MOVIE UNITES Henry Winkler (Andy Schmidt) with Miss Kim Darby (Mary Crawford). The two do indeed make for an interesting couple; and it is a pleasure to see Kim Darby in any film; as she has done precious few ever since TRUE GRIT (1969).IN THE PARTICULAR case of the Winkler character, he's an out of work actor and not much of an athlete. He is certainly not a subject who fits the 'ruffian' mode that so many exponents of the pro game.ULTIMATELY, AT FILM'S end, we are all smiling-if not belly laughing; for in spite of some great and truly funny situations & gags tailored to the storyline, it is a call for inclusion o everyone in the family of man.AND, MY DEAR friend, Schultz, that includes even people who wrestle for a living!
moonspinner55 Two years before he wrote and directed "Arthur", Steve Gordon had a minor hit with his screenplay for this crackpot comedic vehicle for Henry Winkler, then-star of TV's "Happy Days" as the Fonz. A 1950s college thespian (and all-around jerk) woos a co-ed and gets married without any employment prospects on the horizon; to make ends meet, he turns to the flamboyant world of wrestling, eventually becoming a "Gorgeous George"-like celebrity. Turning likable Winkler into an obnoxious goof-off probably sounded like an interesting idea at the time (and a sure way to separate him from his television alter-ego), but the jokes and situations are often wrong-headed and mean, staged rather sloppily by director Carl Reiner. Particularly crude is a wincing bit involving Hervé Villechaize (of "Fantasy Island") putting the moves on Polly Holliday (Flo from "Alice"). As Henry's beloved, Kim Darby looks a little out of her element--particularly when surrounded by all these TV hams--rendering the romance aspect of the script inconsequential. *1/2 from ****
memberofwo The One and only was a great film. I had just finished viewing it on EncoreW on DirecTV. I am an independent professional wrestler, and I thought this was a good portray of what life is like as a professional wrestler. Now this film was made 4 years before I was born, but I don't think the rigors of professional wrestling traveling has changed all that much. Sad, funny, and all around GREAT!!! **** 10+
Mr. Superbad Well I guess it supposedly not a classic because there are only a few easily recognizable faces, but I personally think it is... It's a very beautiful sweet movie, Henry Winkler did a GREAT job with his character and it really impressed me.