Boba_Fett1138 The movie is amusing enough but it's far from being the best Laurel & Hardy silent comedy shorts. The movie is at certain points dragging to much for that, especially toward its stretched out ending.It's a movie that certainly does have its great comical moments but not quite enough to really stand out as a comedy. The movie has a fun premise and some good comical moments and situations. However these moments and situations are rather stretched out in this movie, which causes them to be too long with as a result that it loses some of its comical power. This especially is the case in the ending of the movie, which takes too long. It makes the movie as a whole also feel too long, even though it of course is shorter than 20 minutes.But yes, the good moments in this movie certainly make sure that you'll still be entertained by this movie as a whole.The boys are in good form in this movie, which was one of their first teaming ups as a comedy duo. Especially Stan Laurel is in his element, while Oliver Hardy was still clearly searching and developing his character. It was a bit weird to see the boys without hair but unlike Samson, they don't lose any of their power. It's always fun to see James Finlayson in a Laurel & Hardy movie, even when it's a silent one. I thought I also noticed Walter Long as one of the convicts but I'm not too sure of this, also since he isn't credited.Slightly disappointing when compared to Laurel & Hardy's other work but entertaining enough to watch nevertheless.6/10http://bobafett1138.blogspot.com/

BJJManchester Generally thought to be the first official Laurel and Hardy release(although PUTTING PANTS ON PHILLIP is also put in this bracket),the boys don't wear their Bowler hats and have their heads shaved,but are very much a team in this early effort,more so than PPOP where they play against each other rather than for.There's plenty of amusing incident and situations(especially when they attempt to escape the jail as painters);one slight quibble is that as convicts,the characters they have to play here have a very slightly more unpleasing edge than they would be establishing only a few films later in the partnership.Still funny though,and Jimmy Finlayson's double take and fade away is worth a few more laughs as well here;in early publicity material the boys were sometimes billed as 'Hardy and Laurel' in this film;that soon changed.

rbverhoef 'The Second 100 Years' is a nice silent comedy from Stan Laurel and Oliver Hardy, but it is only nice, nothing more. The short start in jail where the two share a cell. They are about to escape through a tunnel. Their plan fails so they have to come up with something else. They pretend to be painters to get out of jail. After that, to escape a police officer they steal clothes from two French prison inspectors. Of course the inspectors were on their way to the prison Laurel and Hardy just escaped from.The first part of this short has some laughs. The funny thing here is that not Laurel and Hardy are that funny, but the written words on screen between scenes. The middle part, when they are painters, is the best. While the police officer is following them they paint everything white on their way, including a certain person that could be offensive to some. Unfortunately it ends with a sequence that plays too long and therefore becomes dull.I guess this could be a nice comedy short for fans of silent films or simply Laurel and Hardy comedies. I liked it up to a point, but compared to most other films I have seen from the two comedians this was a little disappointing.

andy stew Originally advertised as the first 'official' Laurel & Hardy film (although still part of the Hal Roach 'All-Star' films - designed to feature old stars of the Roach 'stable' on the downgrade, and showcase those whom Roach hoped would be future stars - in which Stan Laurel and Oliver Hardy had been appearing since the previous year; the first film in the 'Laurel & Hardy' series would be SHOULD MARRIED MEN GO HOME?, released in 1928), this is a mildly amusing little comedy, with Stan ('Little Goofy') and Oliver teamed as convicts who escape from prison and assume different disguises. Part of the interest surrounding this film stems not only from the fact that it is the first 'official' Laurel & Hardy film, but also from it being the film that led Stan Laurel to acquire his famous spiky hair that became a part of his screen image. Both Stan and Oliver had their heads shaved for this film, and later, as his hair was growing back, Stan noticed that his constant attempts to keep his hair under control were causing the crew and other people on the Hal Roach lot to laugh. So Stan, the greatest gag inventor (and gag executor) that ever lived, decided to keep his hair spiked in his films, due to its usefulness as a laugh-getter. Stan and Oliver's shaved heads can also be seen in the next film they made together, a cameo in the Max Davidson comedy, CALL OF THE CUCKOOS.This film can be enjoyed to a greater extent (as can all the silent films) with the addition of wonderful recreations of the Shields and Hatley tunes by the Beau Hunks orchestra - those who own a copy of THE SECOND HUNDRED YEARS on VVL as I do are fortunate enough to have these marvellous little melodies playing in the background; if you don't, buy the CDs and play them while you're watching.