george-dyson
This movie was so slow paced that I struggled to stay awake and then finally succumbed to sleep. After waking up and replaying it I fell asleep yet again.The direction of this movie is also poor with all sorts of arty shots that could well have been edited out. Fat too arty and far to boring as a result.A murder film needs to be much faster paced with actual developments occurring.It says on the cover of the DVD that if I liked the Killing that I would love this - nothing could have been further from the truth.Do not waste your time with this disaster.
Leofwine_draca
THE SILENCE is a German murder mystery that's heavily indebted to two separate sources: firstly, the whole look and mood of the currently-popular Scandinavian cop shows (such as THE KILLING), from which the style of music is frequently ripped off (like that whole thing with a single, deep note held for a while). Meanwhile, the plot and police investigation bear more than a hint of the exceptional South Korean drama, MEMORIES OF MURDER.What follows is predictable but occasionally highly gripping, and strangely enough different sub-plots in the movie have different levels of interest. I admit that I found the whole police investigation to be pretty dull; there isn't actually much investigating taking place, and it all seems very slow and stately. The scenes of grieving parents are so familiar by now that they didn't affect me at all.A second, alternate part of the film follows the friendship between two men, one of whom is a paedophile and murderer. This part of the film is exceptionally, dealing with dodgy subject matter in an intensely gripping way. Ulrich Thomsen (from THE THING remake) and Wotan Wilke Mohring are both very good here, and I would have much preferred the whole film to concentrate on these two by doing away with the predictable police stuff altogether. However, what we're left with is a real film of two halves; one's powerful stuff indeed, and the other's best forgotten.
pawebster
Oh dear. Germany has produced quite a few films like this. They contain long, long silences, which are meant to be artistic and profound. In fact, the result is often boredom, and perhaps even worse than that, a lack of proper development of the situation, the characters and the plot. It's as if any German (or Swiss, in this case) director worth his or her salt must disdain anything that might smack of conventional, clichéd storytelling. Unfortunately, they just swap them for other clichés and become lethargic in the process. Apparently this film has been compared to the Killing (the Danish TV serial) and I can see some similarities - except that the Danes know how to combine the elegaic with interesting characters and a story that moves.It's a shame, because there are good actors in here, especially Möhring and Blomberg. The latter might overact a bit, but he is nevertheless compelling to watch. I can't recommend it.
georgep53
If you're in the mood for a dark, compelling police procedural "The Silence" is well worth seeing. In Germany 1986 an 11 year old girl is murdered while bicycling home. Years later the community must come to grips with a similar murder of another young girl and the realization that they have a serial killer in their midst. The police response consists of a bureaucratic, supervising detective primarily concerned with allaying public fears; a detective who commiserates with the victims' families but who's also struggling with the loss of his wife to natural causes and a retired detective anxious to not allow the killer to escape justice this time. Director Baran bo Odar does an excellent job of creating a chilling atmosphere that never slackens. The term "nail biter" may be overused but I feel it's entirely justified in this case. The evil depicted here seems all the more terrifying because it is so banal. Almost like a Nordic "Fargo" this community hardly seems as if a dark day would descend on it and yet the rustic fields and lakes yield horrors. The cast is first rate especially Ulrich Thomsen and Wotan Wilke Mohring. Katrin Sab gives a beautifully controlled performance as the mother of the original victim. Sebastian Blomberg is the detective who spends as much time fighting his own demons as working on the case.
AD
