Gerardrobertson61 I had just finished reading Oliver Twist and this was the first adaptation(apart from the musical) that I had watched. The changes to the series that were not in the book were not to annoying although I think they could have done Bill's death the same as the book. The acting was fine and I really enjoyed Fagin having that Jewish accent as in the book, exactly how I pictured Fagin when reading it. Oliver and Dodger worked well together, the scenery and the feel of a Victorian London was believable and all in all, I did enjoy watching this adaption of Oliver Twist.It will be interesting to see other versions of this novel and use this BBC interpretation as the benchmark.

Graham Lewis-James I liked this series a lot and would watch it again if repeated. The subtle update in characterisation was particularly effective.There were also many impressive performances from some equally well-known and new faces. A particular highlight was the brilliant performance by Connor Catchpole, who played Pearly, one of Fagin's boys. From the moment he appeared on screen in episode three he captured the essence of the character perfectly and projected a confidence befitting an actor of more senior years.I would confidently conclude that Connor is a star in the making and is currently perfecting his talent at the Performing Arts Department of Bower Park School, Romford, Essex.

pawebster This was an enjoyable version that held my attention despite familiarity with the material. It was more detailed than most dramatisations. Timothy Spall was very good. I had some problems with it, however:* The music was intrusive. * Bill Sikes was well acted, but seemed, unless my eyes deceived me, to have perfectly plucked eyebrows. After so much effort was taken with makeup (especially teeth), this was strange. * Julian Rhind-Tutt was weak as Monks, and his hair seemed out of period. * Edward Fox has become a mannered caricature of himself.

toxina90 Yes I understand this had a mixed bag of a reception. However, speaking as someone who hasn't read the book, I have an open mind towards this adaptation. I can say I was looking forward to it - having loved the BBC's amazing 'Bleak House'.Overall I think the story is well executed and Dicken's literature is treated with respect - but some people have pointed out differences from the book - which is a shame - yet I feel as a whole they didn't damage this too much.Performances overall are very strong. I loved Gregor Fisher from 'Rab. C Nesbitt' as Mr. Bumble, the lead role of Oliver was good too - his performance wasn't annoying surprisingly. Timothy Spall is ace as Fagin, I think the first to use an Eastern European accent (quite brilliantly) he has a warm presence, which makes him perfect to look after a group of orphans. Sophie Okonedo is simply brilliant as Nancy - a very subtle performance. Her demise for me - was quite upsetting. Edward Fox is brilliant as usual as Mr. Brownlow, and Julian Rhind-Tutt gives a startling performance as the dreaded 'Mr. Monks'. For me however out of them all, top marks have to go to Tom Hardy who brilliantly played the turbulent Bill Sykes. His presence is felt throughout - Hardy isn't over the top, and therefore his performance is all the more menacing. The cast in my opinion - is truly memorable - all are excellent.Finally I will talk about the setting and score. The slums of London are captured brilliantly - with bleak and bustling streets - gloomy workhouses and upper class residents are particularly effective in creating a realistic Victorian era London. The music is a big thing which has either impressed or repulsed. It has even been described as 'schizophrenic' by some. You could say this in that it sometimes comes across as a random and unpredictable cacophany - yet this for me was only a first impression. After a while I began to appreciate how and when the music was used - so overall I can say I liked the score very much - particularly the brilliant opening credits sequence where the main characters are sort of slide-showed, and the music is used well in moments of dramatic tension and character anguish. Hopefully the rather different use and approach to the score in a period drama - will be more seen as innovative as opposed to disruptive or unnecessary.My only bad point about this adaptation would really be the length. Indeed - it was timed for the BBC's build up to Christmas season - so we couldn't really expect more than a weeks coverage. With the first episode on Tuesday 18th December lasting an hour - the rest up until the finale on Saturday 22nd only lasted half an hour. This happened I think with the brilliant aforementioned 'Bleak House' but that mini-series had a lot more hour long episodes. I think this adaptation would have been that bit better if it had lasted perhaps two weeks. Then again - short and sweet might have been the best. I also think one of the top EastEnders writers penned this - and as much as I loved the script and pace of this great drama - I could still pick up a hint of the soap-ish quality - hence I gave it 9 instead of 10/10.Be that as it may - I simply loved this adaptation. I can't wait buy it on DVD - and highly recommend it. I hope it gets aired in the US soon - I know they love our period dramas. Even if the script or content or music or whatever is a letdown to adamant fans of Dicken's novel - I highly recommend this for the performances alone. Don't miss it!