JohnHowardReid Albert Dekker is not really our idea of Bat Masterson but he fits easily into the role and is supported by a fine line-up including Barry Sullivan (unusually but effectively cast as a likable villain), Percy Kilbride as a meek, fire-and-thunder preacher and most vividly Porter Hall who has a major catalytic role as "Dog" and plays it superbly well. Direction and production values are many notches above the standard we expect of a Harry Sherman-George Archainbaud western. Miss Trevor is excellent in the title role and has the opportunity for some rousing songs. Arthur Hohl makes a true-blue villain and other character actors excel. Well cast and played, well written, well directed and well produced with enough action for the fans and enough style for the connoisseur, "Woman of the Town" is a winner.

s_pendergast I just finished watching this in a DVD collection of westerns. It gave a lot more of the feeling of what it must have been like in Dodge City when they were struggling to move from anarchy to civilization. "Bat Masterson" is more along the lines of Jimmy Stewarts "Six Shooter" who'd rather reason out of a problem than shoot, but will shoot when necessary. Claire Trevor and Albert Decker do a good job on the leads, and the supporting cast contribute some key bits. Barry Sullivan is an interesting Texas cowman.Unfortunately the print used was dark and punched full of holes from having been marked for TV breaks.

dougbrode An underrated western, and much disliked by people who mistakenly believe that B oaters ought to stick to the traditional pattern. Everyone involved tried to do something original and unique and, for the most part, they succeeded. Slowly paced, to be sure, but then again this was not made for the moron crowd that only wants action, action, action - this is a melancholy movie that favors characterization over plot, and needs to be seen as a one of a kind film to be appreciated. One example of the novel approach - the film begins with Bat as an elderly newspaperman in New York City, circa 1919 (he died later that year), close friends with the young gossip columnist Louella Parsons, who in real life idolized him. There's a flashback to 'the old days,' when young Bat cleaned up Dodge City as town marshal. Actually, Bat never was that - he served as Wyatt Earp's deputy (Earp was the marshal in Dodge) then ran for sheriff and won. In fact, much of what's attributed to Bat here actually happened to Wyatt, who is never seen and mentioned only once. The film collapses the killing of two different real life saloon girls into one fictional character, the title one, and likewise combines the killers of the two women - a tough army sergeant named king and a cattle baron named Kennedy - into 'King Kennedy.' In this version, Bat became a newspaper man owing to the "woman's" pleas - though historically he got the idea on his own. The point is, this is historical fiction, a drama based on reality, and the historicity of the piece is evident less in the story per se but in the remarkably accurate portrait of Dodge at that time, including things most westerns leave out - like the arrival of stage star Eddie Foy (played, incidentally, by one of his descendants), church services, etc. The underrated Albert Dekker, usually cast as villains, makes a fine Bat, cane and derby hat intact. Fans of routine westerns will want to stay away, but those who appreciate something out of the ordinary? Catch this appealingly little understated film!

bkoganbing This B western was the product of Producer Harry "Pop" Sherman and Director George Archaimbaud, both who worked prodigiously on the Hopalong Cassidy series. Pop Sherman was trying to expand his horizons with this one.Claire Trevor who played innumerable bad gals with hearts of gold reprises another one here. She's caught between two men lawman Bat Masterson and Cattleman King Kennedy played by Albert Dekker and Barry Sullivan respectively. Barry Sullivan is a thing of beauty, all decked out in his drugstore cowboy outfit. He was competent actor, but he must have felt like a fool in that outfit.Albert Dekker played a lot of supporting roles opposite some of the biggest Hollywood names. He rarely was a lead, this and Dr. Cyclops two major exceptions. He's good in the title role. Masterson tells this story in flashback to a young actress playing aspiring reporter Louella Parsons. Didn't hurt in 1943 to give her a plug in any film.Albert Dekker was one of the great tragedies in Hollywood. In 1968 he hung himself after completing his last role in The Wild Bunch. He hung himself and he was all decked out in woman's clothing. I've always felt that he was a transgendered person and back in 1968 those issues were NEVER discussed. I think Mr. Dekker wanted to go out as the real person he was, a woman in a man's body.A great cast of supporting players rounds out this film, a lot of familiar faces you'll spot. Nice entertainment.