gobzine So bad it feels like it is a mini-series in length but little happens at all, endless shots of Hopper looking out the window but no real clues on anything except maybe that he has gone nuts, his mind is as blank as the script.The girl was a nice hippy chick but why would she find a burned out Vietnam vet attractive? maybe in the 70's women were docile creatures I dunno but it really seemed like the love interest was just thrown in there to not have the movie be a sausage fest.The last scene was unexpected, wow he's a psycho after all! but not entertaining. If you like Dennis Hopper you'll survive this movie but it is honestly horrid...

Hollywoodcanteen1945 I was slightly perplexed that most of the other people who commented on this classic Dennis Hopper film either didn't understand the ending, or thought the ending was stupid. It's very clear to me.This whole film is nothing more than a symbolic train ride to hell. The 1940s World War II-era soundtrack is a backdrop for a "popular" war. A war where the entire nation banded together to serve and defend their country. Dennis Hopper's character is a baby-boomer brought up with the backdrop of World War II, a war of honor. His "war" is the complete opposite; shunned and protested. He keeps constantly playing the old time music to help him reinforce his beliefs that his service in Viet-Nam was the good and decent thing to do. The people on the train are symbols of our nation; wrapped up in every their everyday lives, totally unconcerned or pre-occupied with the war which was so far away. The ending is a brutal statement that the only way the public could come to grips with the experiences with the combat veterans was to bring the horrors of the war back home. Tracks is an out-standing, yet controversial, and highly symbolic view on the horrors of the Viet-Nam War. Seems to me that this movie couldn't be re-made today; only updating it to the war in Iraq. How sad that some 30 years later, Tracks is still not an out-dated film about the horrors of war, and the public's indifference to the suffering of the soldiers fighting over there.

proppercopper This movie has got more great Dennis Hopper scenes than any 10 of his latest roles. You've got Dennis Hopper carrying his radio around looking paranoid, you've got Dennis Hopper walking through a train stark naked, you've got Dennis Hopper leaping out of a grave, wrapped in bullets with a machine gun after going on a tirade, "I hate and I hate!" This is one fantastic film. It has cameos from some great character actors as well--there's Harry Northup (Doughboy in Taxi Driver), and Richard Romanus (Michael from Mean Streets). If that isn't enough you've got the always entertaining Dean Stockwell as a man on the run. The music is beautiful and hysterical. Good luck finding a decent copy of this film on VHS. It's not on DVD and don't expect it to be any time soon. But, if you can find it treasure it like a fine wine. Actually, killing a bottle of wine while watching this film is a good idea. Drink up...

Infofreak Much has been written about Dennis Hopper's off screen "adventures" during his exile from mainstream Hollywood in the 1970s, but the wild stories of sex, drugs and rock'n'roll overshadow the fact that when he WAS allowed in front of a camera he almost always gave brave, and emotionally open performances. The little seen 'Tracks' is a case in point. Hopper plays a soldier from Vietnam on a mission to escort the coffin of a fellow soldier back to the United States. He does this by traveling by train, hence the title. While on the journey he interacts with the other passengers, who include a mysterious hipster (Dean Stockwell), and a beautiful young college student (Taryn Power). He is smitten by the young girl, and wrestling with his shyness and uncertainty, attempts to develop a relationship with her. He is torn between his desire, his duty, the memories of the war, and of his childhood, and finds himself walking the line between sanity and madness. He must battle his demons and fight against hallucinations that plague him.'Tracks' features many fine, naturalistic performances from the supporting cast. The dialogue as a whole feels improvised, and Hopper particularly excels at this. Stockwell also impresses, and the few scenes between the two are fresh and memorable. 'Tracks' is a strong example of intelligent, uncliched 1970s film making, and should appeal to fans of Wenders 'The American Friend' (another strong Hopper role from this period), 'The King Of Marvin Gardens', 'Fingers', 'Scarecrow', 'The Last Detail', and other unfairly neglected character studies from this exciting era. This movie has been overlooked for too long! It's time to rescue it from obscurity.