FilmCriticLalitRao There is no point discussing bad films but to save other innocent viewers from the agony of senseless torture it is better if some enterprising reviews are written.This is a righteous attempt in that direction.Travellers and Magicians is a very bad film for many reasons. In Buddhism it is taught that lust for sexual relationships is a very bad sin but in Travellers and Magicians there are steamy scenes of lust.So the filmmaker is not practicing what he has been preaching to his followers.Khyntse Norbu worked with Bertolucci on his film "The Last Emperorer".It is only on that basis and nothing else that he is seeking fame.What a selfish act of pretentiousness.The worst thing about this film is that it is unable to stand on its own save for the crutches of exoticism.If we remove these scenes from this film than it would be nothing more than a visual story book.This film can only be liked by people who are fed up of their own lives, own circumstances and own religion.

piss on put in a few words, this is the most excellently crafted love story i have ever witnessed in cinema. what can i say, mere words cannot convey the cinematography. They draw a strong, but true visual depiction of a dream. Instead of medium or long, most shots are up close, with a strong, soft light. it's late, i can't go on too long.you can't help but laugh at yourself when you see the frustrations of the main character. half a world away, and i identify with it, amazing. magic and women, ahh, two great pursuits of life. travellers and magicians

bnash29 Truly remarkable and moving movie." Wherever you go there you are" seems to prevail as the Bhuddist philosophy.A movie that has a story within a story "looking within" as it were.The scenery is magnificent and it is a "breath of fresh air" as itcascades out of the screen to freshen your body , soul and mind.A remarkable picture since it was not made in Hollywood or Bollywoodbut within the remarkable nation of "Bhutan" showing truly"breathtaking vistas" that easily eclipse "Kashmir" "Tibet".The characters are as enduring as the landscape. The great beauty of this movie is within us all.

festrada The second film from Buddhist director Khyentse Norbu (his first film is 1999's "The Cup", "Travellers & Magicians" is a beautiful, funny, spiritual and understated piece of cinema. The film involves two stories about two men, both on very similar journeys in very different worlds, with two very different outcomes. Dondup (Tshewang Dendup) is an important chief officer in a remote village in the Buddhist kingdom of Bhutan, but soon realizes that he can not stay there his whole life and longs to travel to his dreamland called America. He would rather see himself picking apples in the U.S. than live a mundane life in his village. And so he begins his journey, hitchhiking his way closer to his dreamland. On the way he meets a feisty monk (played by a funny Sonam Kinga), an old apple seller, and a paper maker & his young daughter Sonam, whom Dondup slowly begins to grow an attraction for.During the journey, the monk tells Dondup and the group an old fable that parallel's Dondup's journey and quest for a better, more exciting life. The film then inter-cuts back and forth from Dondup's story to Tashi's story. Tashi (played by the charismatic Lhakpa Dorji) is a restless farm boy studying magic, who dreams of one day leaving his boring village. While having lunch with his younger brother, he unexpectedly embarks on a journey of his own where he meets an old recluse named Agay (Gomchen Penjore) and his beautiful, and much younger, wife Deki (Deki Yangzom). Soon, Tashi falls in love with Deki and soon they begin a secret affair. Here, the film turns almost noirish.As the monk concludes Tashi's fable, Dondup is left with a dilemma — is the grass truly greener on the other side? This film was the first feature to be made in the Himalayan kingdom of Bhutan and was shot entirely in the Dzongkha dialect, which is the official language of Bhutan. Because few of the cast spoke this new language, most had to be taught by a dialect coach on-set. The cast does a terrific job and the performances are all excellent...all very natural. The standouts in the film are Tshewang Dendup and Lahakpa Dorji, the two protagonists. Though they go on similar journeys, both exemplify different personalities and both actors successfully establish their characters as human...likable yet flawed. My only complaint is that both their characters don't fully come to a full arc, more so for Dondup's character. Though i'm sure Norbu intended the audience to make their own conclusion to Dondup's journey of discovery. I think maybe Norbu created such great, dynamic characters, I didn't want their stories to end. I wanted to continue riding along on their journeys, curious to see what happens next.The cinematography is stunning and Alan Kozlowski does a wonderful job at contrasting the different looks of Dondup's story and Tashi's cautionary tale. Dondup's world is a natural canvas that showcases the beautiful scenery of the Bhutan landscape. Tashi's world is darker and mystical, shot with dark blues and greens and soft lighting. The final scene at the creek of Tashi's story is absolutely breathtaking. Highly recommended.