Twenty8K

Twenty8K

2012 ""
Twenty8K
Twenty8K

Twenty8K

4.8 | 1h46m | en | Action

A teenage boy is gunned down outside a nightclub and a young girl dies in a hit and run in two seemingly unrelated deaths. Deeva Jani, returns home to clear her brother Vipon of the shooting and soon discovers a much deeper conspiracy.

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4.8 | 1h46m | en | Action , Thriller , Crime | More Info
Released: September. 10,2012 | Released Producted By: Formosa Films , Country: United Kingdom Budget: 0 Revenue: 0 Official Website: http://www.avpictures.co.uk/twenty8k.htm
Synopsis

A teenage boy is gunned down outside a nightclub and a young girl dies in a hit and run in two seemingly unrelated deaths. Deeva Jani, returns home to clear her brother Vipon of the shooting and soon discovers a much deeper conspiracy.

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Cast

Parminder Nagra , Jonas Armstrong , Nichola Burley

Director

Alex Watherston

Producted By

Formosa Films ,

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Reviews

happy_hangman To be honest, reading the existing reviews for this film on IMDb had me preparing for a cheap-as-chips stinker of 'Get Keith' proportions. That I was tempted to give it a chance is down to an admiration for scriptwriter Paul Abbot's past work, the presence of the lovely Parminder Nagra in the cast...and the fact that it was a Poundland purchase.It's not a great film. It has an interesting premise, but never seems to realise its potential: one is left with the impression (possibly mistaken) of a project that has been conceived as a mini- series, but truncated uncomfortably into feature form. With a little more character development, and less pedestrian direction, it could have been a far more interesting and effective conspiracy thriller. It is let down by transparent, snarling villains - who render the unfolding conspiracy to the narrative back-burner: WHY they are twirling their pantomime-villain moustaches is incidental. Ms Nagra tries very hard to hold things together, but how a Paris fashion designer is so adept at covert observation worthy of the best screen PIs is never touched upon, let alone developed. Visually it is unremarkable, and for a film whose plot concerns unscrupulous redevelopment of East End properties in the run up to the 2012 Olympics, that distinctive part of London is represented in only one scene: the cinematographer choosing, instead to feature the same tired skylines and landmarks of the prosperous city centre. The music is obtrusive and distracting and, in many cases, completely unnecessary - at times pointlessly imitating Nicholas Hooper's score for Abbot's 2003 'State of Play' TV drama.That said, the cast is generally good - making the best they can with an under-developed script - and THAT is all that stops this sinking completely.
Prismark10 Twenty8K is a low budget British thriller directed by David Kew and Neil Thompson. It stars Parminder Nagra, Jonas Armstrong, and Stephen Dillane.In 2012 on the eve of the Olympics, a young lad is shot outside a nightclub and a young girl dies in a hit and run accident. Both deaths seem unrelated. Deeva Jani (Nagra) returns home from Paris to clear her brother Vip of the shooting and discovers a much deeper conspiracy that may involve the establishment and a vice ring.As a thriller this is by the numbers. As soon as you see the Tory Home Secretary on screen you know he will be involved. The moment you see shady policemen/spooks you can guess they are protecting the Home Secretary. As for the rest of the cast, it seems to be a roll call of actors who tend to appear in low budget urban films almost in a conveyor belt regularity.Nothing too thrilling or involving and its so flatly written as if all the life is sucked out of the characters on screen.
aford777 If you liked 'Bend it Like Beckham', or any episode of Scooby Doo, you are associated with the film , or you are a moron, you will like this Movie.For the rest of us it is utter drivel. Laughingly billed as a Thriller, it is sadly typical of parochial, twee, out-of-touch British-film making at its worst. From the ridiculously premised and clichéd Plot ie Young Asian Fashion executive turns Detective to clear her brother of murder( Think Get Carter meets 'The Kumars'... and there is no great 'twist-ending' as previously stated in a 'friendly' review), to the patronising 'gritty, street' overlay that is about as gritty and street as an episode of Eastenders. The casting is dreadful, full of hammy British B-List ensemble, cartoon-character Asians with Conti rent-a-yob types as the baddies. The script is cliché-ridden and woefully out of touch. The locations and settings are every media-types view of how London 'really is'. This is nothing like the real London. I know, I was born here and still live hereThe Cinematography is average at best and again cliché-ridden ( cue regular backdrops of the Dome, Canary Wharf etc....But the worst aspect of this whole sorry mess is that films like this are still being made and are an insult to the British Film Industry. Thank God for ' Welcome to the Punch' !
housetoy after reading 2 glowing reviews on this site i sat down to watch this film with high expectation, and after wasting 90 minutes of my life i have come to the conclusion that both reviewers are either working for the company that made this dross, or were high on drugs!!its poorly acted, it's totally ridiculous, it's all over the place and the shock ending is a non event. it's that bad that when the film changes from place to place we have the location put up on screen every time as if we haven't got the brains to remember it the first time around.i beg you all don't waste your time with this rubbish film.