Would I Lie to You?

Would I Lie to You?

2005 "The return of the Romantic Romp!"
Would I Lie to You?
Would I Lie to You?

Would I Lie to You?

4.9 | 1h36m | en | Comedy

Screwball romantic comedy based on The Importance of Being Earnest.

View More
AD

WATCH FREEFOR 30 DAYS

All Prime Video
Cancel anytime

Watch Now
4.9 | 1h36m | en | Comedy , Romance | More Info
Released: January. 25,2005 | Released Producted By: , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

Screwball romantic comedy based on The Importance of Being Earnest.

...... View More
Stream Online

The movie is currently not available onine

Cast

Brad Rowe , Susan Ward , Jonathan Penner

Director

Tom Sheppard

Producted By

,

AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime.

Watch Now

Trailers & Images

Reviews

fatimajones One of Samaire Armstrong's first movies and right funny, even if it is a mite cornball and cartoonish. This is not at all a surprising tone really, since the writer and director Sheppard is a veteran writer of some of great animated cartoons including Steven Spielbergs Pinky and Brain. The actors are funny and seem to be having a good time. I love Samaire but also enjoyed the others too. Johnathon Penner is wonderful and Stephanie Beacham too. All of them really. Brad Rowe remind me of young Robert Redford. I like Susan Ward from Sunset Beach, and she has really grown up since then. She is a good comedy actress - surprised me! The camera work is nice and the music was pretty also. I love it myself and laughed a lot.
updaterfroggy A certainly low budget film, but flat-out hilarious in spots. Using Oscar Wilde's silly farce as a mere jumping-off point, once the somewhat labored set-up is through, the film crackles along with outrageously silly set-pieces, especially the one featuring a horny llama. The actors are very good, doing a sort of heightened "old-Hollywood" over the top delivery. Samaire Armstrong (from Dirty Sexy Money and Entourage) is amazing. Jonathan Penner is deliciously creepy. Brad Rowe has a wicked mustache. Susan Ward is gorgeous and very cute. Kenny Banya from Seinfeld is in it, and he's very funny. If you're looking for highbrow, this ain't it. If you want to watch a really stupid, fun comedy - sort of a low budget version of Farrely Bros. stuff, then go for it.
DrPhilmreview Mostly tiresome entry in the Brad Rowe cannon that includes such films as "Getting Hal", "Body Shots" and "Stonebrook". Never heard of those? Consider yourself lucky. He does nothing with the role of Paul, except make you wish someone else was playing the character."Would I Lie to You?" features the charms of Susan Ward ("Wild Things II") as Olivia, but otherwise this modernization of the classic "The Importance of Being Earnest" is mostly forgettable. This version was done the same year as the bloated and boring Oliver Parker directed film and also misses the target, but on a much lower budget. Oscar Wilde fans are still best advised to stay with the 1952 version starring Michael Redgrave.
Penny Sandler Brad Rowe! Susan Ward! Samaire Armstrong! A great indie cast puts in truly funny performances in this sparkling and fresh romantic comedy. The film manages to be both cynical and hopeful in its outlook on love, and straddles a fine line of highbrow and lowbrow humor pretty successfully. Susan Ward, the bad girl with a heart of stone from "The In Crowd" makes a 180 degree turn here from her previous tough chick roles, and she is just great as a slightly neurotic, insecure but lovable beauty. I never would have expected this type of character from her, but she's fantastic. Brad Rowe is a charming dweeb, and his character's insecurity works. Samaire Armstrong finally gets a leading role, and it's her best performance ever! She's probably got the most complex role in the film (I won't spoil the surprise), and plays the varying levels of her character to perfection. Jonathan Penner (loved him in "The Last Supper" with Cameron Diaz) comes on with a vengeance as a classic dirt bag. There is a definite Woody Allen style to this film, with much swift funny dialog and smart, unobtrusive direction that never gets in the way of the film's main asset, the performances.