aimless-46
About 15 minutes into this quirky film I was ready to proclaim it a must see and to bill it as the best movie no one has seen or even heard about. After all it was Coppola's masters thesis for film school. It has Elizabeth Hartman successfully playing against type as a sexy (somewhat psycho) Greenwich Village ingénue. It has Peter Kastner, Rip Torn, Geraldine Page and Julie Harris playing characters more bizarre than anything in "Harold and Maude" (it reminds you a lot of that film and may have inspired it). It has Karen Black doing a toned down version of the Rayette Dipesto character she would play in "Five Easy Pieces". It has a lively sound track by the Lovin' Spoonful. It even has Coppola cutting in extensive gruesome footage from his first film "Dementia 13".Unfortunately by the halfway point of "You're a Big Boy Now" it totally runs out of steam and you begin to understand that its obscurity is well-deserved. Coppola's script is the problem because the cast are generally excellent and you can tell they had a lot of fun making the film. Even minor cast members like Dolph Sweet do a good job and there are great little sequences like Kastner's after dark explorations of the New York City streets. But unlike "Herald and Maude", Coppola says nothing with this film; consequently it ends up as a classic case of the whole being considerably less than the sum of its parts.I am not in love with Coppola as a director, but even those who are will acknowledge the incredible distance between his good stuff and the vast majority of his films. This is not his good stuff but is worth checking out if you like Hartman, Harris, and Page.
sugar-bear
This movie was very boring and made really no kind of sense to me at all. It's about this ugly, gap-toothed, 19 year old guy who doesn't know much about girls and when he moves out on his own, he decides to see what girls are like. He walks around Times Square and ends up at a peep show. Elizabeth Hartman plays an actress who's also a go-go dancer in whom the ugly guy gets a crush on after watching her dance at a club one day. She decides to mess with his mind by inviting him to move in with her and gives him some what of a thrill that night(Don't worry nothing happens she just turns out the lights, kisses him and then dumps him the next day. I just knew she wouldn't go that far). She then begins to date the ugly guy's friend whom she eventually dumps as well. You can tell she's an insecure person who loves to mess with guy's minds and then dump them. At the end the ugly guy ends up getting together with this cross-eyed chick who's had a huge crush on him throughout the whole movie. Thank God Elizabeth Hartman is my favorite actress. Otherwise I would've stopped watching this movie about 20 mins after it started. It was a bore!!!
Hap Trout (HapRay)
What we have here is an early F.F.C. effort (he also wrote most of the screenplay).You can see the genius that is later to come.Here's a confused, virginal young man, constantly picked on by his over-bearing parents, trying to find his way in the world of New York City. Bernard is his name and just watch what he does with initials he spots.The gal that wants him he doesn't want, and the gal that he wants doesn't want him. Got it straight? No wonder this is turning into a "cult" film.The acting is first rate in a lot of places. Geraldine Page is always great and Rip Torn can handle most roles. Julie Harris was "perfect" as Mrs. Thing (honest, that's her name). Speaking of names, the part played by Lisa Hartman is Barbara Darling, a would-be actress who dances in a go-go club at night.Watching Bernard weave his way through conniving co-workers and the strange behavior of Miz Darling, is worth the price of admission.I always wonder who writes these critiques for IMDB, and should I trust them? For that reason,I'd like you all to know that I am a male senior citizen, but this movie made me feel 18 again. You'll find yourself running into similar things that happened to you in your youthful pursuits.You could do a lot worse taking a chance on a movie.
Kirasjeri
A coming of age film centering on a young man's longings and fantasies for his dream girl whom he sees in the New York Public Library's main branch. This comedy-drama is so spotty it is often infuriating but still worth seeing. The lead, Peter Kastner, is forgettable, but his father played by Rip Torn, head of incunabula (see the movie and find out what it is!) at the library, is hilarious; the fight scene with Julie Harris is marvelous. The opening scenes show the behind the scenes goings on at the great library and even where all the books are stored, which the public can't see. Karen Black did a fine and affecting job as Kastner's girlfriend. On the negative side is the lovely Elizabeth Hartman coming off her big success in "A Patch of Blue" with Sidney Poitier. She is supposed to be the cool and detached object of longing - but is as vapid and empty as any character could be, and in part this has to be the fault of the direction of Coppola. This is a significant problem with the film. Hartman was very tragically an apparent suicide in 1987. The movie does have enough in it warrant a viewing.
AD
