G.B.H.

G.B.H.

1991
G.B.H.
G.B.H.

G.B.H.

8.6 | en | Drama

GBH was a seven-part British television drama written by Alan Bleasdale shown in the summer of 1991 on Channel 4. The protagonists were Michael Murray, the Militant tendency-supporting Labour leader of a city council in the North of England and Jim Nelson, the headmaster of a school for disturbed children. The series was controversial partly because Murray appeared to be based on Derek Hatton, former Deputy Leader of Liverpool City Council — in an interview in the G.B.H. DVD Bleasdale recounts an accidental meeting with Hatton before the series, who indicates that he has caught wind of Bleasdale's intentions but does not mind as long as the actor playing him is "handsome". In normal parlance, the initials "GBH" refer to the criminal charge of grievous bodily harm - however, the actual intent of the letters is that it is supposed to stand for Great British Holiday.

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Seasons & Episodes

1
0
EP7  Over and Out
Jul. 18,1991
Over and Out

Friday is the day designated for the showdown. Michael has had the local Labour Party meeting called to have Jim Nelson removed from membership; Lou Barnes has decreed this same day for Michael Murray's destruction.

EP6  Message Understood
Jul. 11,1991
Message Understood

It starts to dawn on Michael and Jim that they are pawns in a much bigger game. Barbara questions who her real allies are.

EP5  Message Received
Jul. 04,1991
Message Received

The Nelsons finally arrive in North Wales, thinking they have escaped their tormentors. Trouble is pursuing them, however, and mein Host at the holiday camp isn't without his problematic side, either.

EP4  Message Sent
Jun. 27,1991
Message Sent

Michael Murray has reached panic level, and sends the researcher, Philip, on a mission to find three people: his missing brother Franky (along with the council car), his mother, and Eileen Critchley. Frank Twist catches up with Jim Nelson to tell him that an important local party meeting has been called. The meeting is to be packed with "new members" consisting of the trouble-makers under Peter's direction. Barbara's attempt to obtain Mr. Weller's old school records for Michael Murray and Eileen Critchley fail, and Weller deposits the incriminating evidence with Jim Nelson, on the night before he leaves on holiday. Lou Barnes tells Barbara that they now have Murray at breaking point, but because they do not yet have Weller's documents, Murray must be "relaxed" a bit, and Barbara will have to do the job. It looks like it's Michael's lucky night.

EP3  Send a Message to Michael (105 min)
Jun. 20,1991
Send a Message to Michael (105 min)

Sloane and Barnes announce matter-of-factly that explosive racial violence shall be provoked in the city. When Murray denounces them and begins to storm out of the room, Barnes asks if the name Eileen Critchley means anything to him. Murray freezes on the spot and starts twitching. Jim Nelson decides he needs a holiday at term break, to get away from the pressure of Murray's pickets, and plans an itinerary that avoids crossing any bridges. Murray is falling under the spell of Barbara Douglas, who keeps him at arm's length. Meanwhile, she visits Michael's mother, pretending to be a social worker, and leaves a note for Michael--signed "Eileen Critchley". Franky has finally had enough. He abandons Michael and drives off with the council car, in order to take his wife and children, as well as his mother, on an impromptu holiday to the seaside.

EP2  Only Here on a Message
Jun. 13,1991
Only Here on a Message

Michael Murray is beginning to realise that his new-found political "friends" are not being entirely above-board with him. Jim Nelson, meanwhile, gains some respite from Murray's persecution when he becomes a local hero in a tragic accident. Though his attempt to save his pupil, Robbie Burns, is not successful, his efforts earn him the undying loyalty of Robbie's father, Norman, and his formidable brothers. After a time, however, Murray resumes the pressure and Jim begins to come unravelled, manifesting as a new phobia for bridges. His doctor refers him to a psychiatrist, Dr. Goldup. At the hotel where Murray is carrying out most of his plotting, his eye is caught by a new arrival, a beautiful and poised woman called Barbara Douglas.

EP1  It Couldn't Happen Here
Jun. 06,1991
It Couldn't Happen Here

Firebrand Labour leader Michael Murray is swept into office on a tide of rhetoric. His first act is to "reform education", but it looks suspiciously like a personal vendetta against Mr. Weller, the headmaster who had once sent him, as a boy, to a special school for disturbed children. When Murray is summoned by the renowned political theorist, Mervyn Sloan, he is told that great things are expected of him. But Sloan also firmly insists that a general strike be called in Murray's city to challenge the Conservative Government. When one of Murray's council members, who has a weakness for the bottle, fails to ensure pickets are sent to one particular school, a disastrous conflict ensues between Murray and Jim Nelson, who is unfortunately headmaster of a school for special needs children.

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8.6 | en | Drama | More Info
Released: 1991-06-06 | Released Producted By: Channel 4 Television , GBH Films Ltd. Country: United Kingdom Budget: 0 Revenue: 0 Official Website:
Synopsis

GBH was a seven-part British television drama written by Alan Bleasdale shown in the summer of 1991 on Channel 4. The protagonists were Michael Murray, the Militant tendency-supporting Labour leader of a city council in the North of England and Jim Nelson, the headmaster of a school for disturbed children. The series was controversial partly because Murray appeared to be based on Derek Hatton, former Deputy Leader of Liverpool City Council — in an interview in the G.B.H. DVD Bleasdale recounts an accidental meeting with Hatton before the series, who indicates that he has caught wind of Bleasdale's intentions but does not mind as long as the actor playing him is "handsome". In normal parlance, the initials "GBH" refer to the criminal charge of grievous bodily harm - however, the actual intent of the letters is that it is supposed to stand for Great British Holiday.

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Cast

Michael Palin , Robert Lindsay , Lindsay Duncan

Director

Robert Young

Producted By

Channel 4 Television , GBH Films Ltd.

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Reviews

UtopianUK G.B.H. had me hooked from the start. The story has a lot of depth - and is never less than exciting. All the cast suit their roles perfectly. The two central characters are played with great skill and passion by Robert Lindsay & Michael Palin; I think both of them really enjoyed playing their characters immensely.The script is intelligent, thought-provoking, and also has a dark comical edge to it. I can't think of many dramas that have delivered such an entertaining roller coaster of emotions. G.B.H. is a brilliant creation, that fully deserves its 'classic' status.
mattjtemp I dont know what it was in the 90's but UK TV produced GBH, Our Friends in the North and Prime Suspect.My favourite was GBH, it is so substantially long that all characters receive the fleshing out they deserve, some episodes are hard hitting drama, others are on a smaller more personal level and others are out and out hilarious (one commentator mentions the daleks scene which was verging on slapstick in the midst of high drama and yet it worked perfectly).Simple to follow yet complicated plot, great all round performances cemented by towering contributions from Robert Lynsey and Michael Palin, while the script wears its heart on its sleeve it does not become too sentimental, nor does it lecture.Perfect television, and criminally unreleased on dvd, Channel 4 would make a packet if they repeated it then released a spec edition.
northmoor1 'GBH' set a formidable standard for TV drama to follow when it was first shown on Channel 4 in 1991, and nothing managed to better it. It is, superficially, the story of two men. The first is Michael Murray (Robert Lindsay), the brash leader of the council of an unnamed Northern city (but blatantly inspired by the Derek Hatton regime in 1980s Liverpool- only Hatton was never this fascinating!). Murray is, it seems a man who runs the town like a gangster and a 'baddie'. The other is Jim Nelson (Michael Palin in his best ever dramatic performance) the idealistic headmaster of a school for special needs children). The arena is set for a funny two-hour film about politicians and the common man. But 'GBH' is 11 hours long; we are taken into the deepest recesses of the two protagonists' minds- Murray is hounded by a memory from his schooldays and even in his brief moment of triumph suddenly shouts 'I wish I was a good man!' Nelson, although standing up to Murray, becomes shocked at his own courage, which leads to him seeking psychiatric help. Meanwhile, the scope of the series widens from local to national, with both men caught in a plot of ever-increasing complexity where our feelings for characters deepen with the revelations about them onscreen. Robert Young directs the series with astonishing cinematic flair and Alan Bleasdale shows again why he is as good a television writer as Dennis Potter, if not better. The incredible scope of the series puts it in the same league as the greatest mini-series of all, 'Edge of Darkness'. It encompasses heartbreaking tragedy (the electrocution scene) with hilarious comedy (Murray, stricken with a twitch and a 'Strangelove' arm, trying to find condoms in a hotel full of 'Doctor Who' fans) with consummate ease. It remains hard to find nowadays- the discontinued VHS release has been sold for exorbitant amounts - but it remains the jewel of 90s television and is not to be missed if you get the chance to see it.
beauvallet Putting aside Robert Lindsay's much deserved BAFTA for his portrayal of sleazy politician Michael Murray, this show is worth watching because Alan Bleasdale's script is simply phenomenal. Even when the plot actually on occasion does move where you think it will -- you'll still be surprised, amazed, amused, angered. In short, this must be something like the Elizabethan audiences felt when they first watched Hamlet. The script is densely layered, mounting complexities upon issues upon personalities. And for all that, one doesn't have to be a genius to understand it and be moved through a number of emotions and reactions before finally being hung out to dry. It's brilliant.