Howards End

Howards End

2017
Howards End
Howards End

Howards End

7.2 | TV-14 | en | Drama

The social and class divisions in early 20th century England through the intersection of three families - the wealthy Wilcoxes, the gentle and idealistic Schlegels and the lower-middle class Basts.

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Seasons & Episodes

1
EP4  Episode 4
Dec. 03,2017
Episode 4

Margaret is unwilling to punish Henry for his past transgressions, committed long before they met. Helen leaves for Europe without explanation, only returning when tragedy strikes.

EP3  Episode 3
Nov. 26,2017
Episode 3

Searching for a new home, Margaret receives an offer of marriage from Henry. Helen is distraught to learn that Leonard Bast is on the brink of ruin after following the advice of the Schlegels'.

EP2  Episode 2
Nov. 19,2017
Episode 2

The Wilcoxes are rocked by a death in the family and the Schlegels face an uncertain future when they are evicted from their home.

EP1  Episode 1
Nov. 12,2017
Episode 1

In the Spring of 1905 the Schlegel family are drawn into the affairs of the Wilcox family via Helen Schlegel who has fallen for Paul Wilcox. Helen's older sister Margaret gets involved in a mix-up at a concert.

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7.2 | TV-14 | en | Drama | More Info
Released: 2017-11-12 | Released Producted By: Playground Entertainment , KippSter Entertainment Country: United States of America Budget: 0 Revenue: 0 Official Website: http://www.bbc.co.uk/programmes/b09g9nr8
Synopsis

The social and class divisions in early 20th century England through the intersection of three families - the wealthy Wilcoxes, the gentle and idealistic Schlegels and the lower-middle class Basts.

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Cast

Hayley Atwell , Matthew Macfadyen , Julia Ormond

Director

Luke Hull

Producted By

Playground Entertainment , KippSter Entertainment

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Reviews

TheLittleSongbird Love the book, and EM Forster's other work, and the 1992 film is not only one of the best Forster adaptations it is a wonderful film in its own right. BBC have done a lot of very good to outstanding period drama adaptations and the cast are a talented lot, so a large part of me was really looking forward to their adaptation of 'Howard's End'.Watching all four episodes, found myself finding a lot to like about 'Howard's End' (2017) but feeling also it had its short-comings that stopped me from loving it. Of this and the 1992 film, as unfair it would seem to compare, there is no question which is the better one of the two, with the 2017 adaptation lacking the nuanced depth, emotion and elegance of the film. There is a lot to like about 'Howard's End' (2017). It is impeccably made visually, with the period detail sumptuous and evocative, stylish costumes, beautiful photography and even more beautiful scenery/locations. The direction is admirably restrained without being pedestrian. 'Howard's End' (2017) is intelligent and controlled, doing a lovely job exploring Forster's many themes and insights that still hold relevance and provoke thought today (at least to me). Appreciated the subtle, restrained approach to the storytelling, and on the most part keeps the many layers and characterisation interesting.Casting is also strong, with the standouts being Hayley Atwell, capturing Margaret's good intentions, spirit and emotional repression with ease, and a movingly poised Julia Ormond. Matthew MacFadyen brings a suitable amount of charisma. A lot of talk has been made about the diversity, this didn't bother me at all and am sure Forster himself wouldn't have been bothered by it, it didn't seem jarring and to me it seems to be something insignificant blown out of proportion.On the other hand, as indicated, 'Howard's End' had its shortcomings. The first episode was something of a slow starter, it needed more zest and tighter pacing for an episode that felt more like set up than anything else. Stick with it though, because the other three episodes improve on this when the story and characters become richer and deeper. Timeline changes could have been clearer, sometimes it did feel jumpy and one doesn't know how much time has passed. For me, and quite a few others it seemed, the music was a bit too intrusive and the sound could have been toned down. While the cast were on the most part very impressive, Tracy Ullman overdoes it a bit.In summary, good but could have been more. 7/10 Bethany Cox
Prismark10 Given Queen Elizabeth the First once remarked about the amount of coloured people in London, it is safe to assume we have had black and Asian people in England for centuries. Shakespeare even wrote a play about a black king. Back in the Victorian era there was a black policeman on the beat in Carlisle in 1837.There was a magisterial film version of Howards End in 1993. This adaptation of the EM Forster novel was done by Kenneth Lonergan, fresh from his best screenplay Oscar success for Manchester by the Sea.Set in Edwardian England we see a saga of three different families in the social and class divide. The wealthy Wilcoxes, the middle class and idealistic Schlegels and the lower class Basts.I found this four part version rather slow going and flabby. It is very difficult to feel any sympathy for the selfish Wilcoxes with a couple of big houses, putting their oar in and causing misery for others especially the Basts. We never really see them doing any work for a living.Even the Schlegels, a Jewish family from Germany who might be liberal idealists, they end up being comfortably off with Margaret marrying Henry Wilcox despite them having little romantic chemistry.It is a shame about Leonard Bast, he always ends up with the brown end of the stick as others tell him what is best for him and then wish to give him a thrashing to the inch of his life.I expected something better from Lonergan, something more waspish with a contemporary sting.
alan_hart-80083 Although I felt the 1992 film was so good that it couldn't be improved on, I found this TV version surprisingly good and the four hours hardly seemed enough to contain all the strands of the story. The acting was perfect, neither overdone nor underdone. As it happens, I live in Stevenage and know the location of Howards End well. The location used was somewhere else of course but I thought it was quite like the original could have been in 1890 when the author would have known it, and perfect for the purposes of the drama. I sympathise with the points people make about black servants and so on, but whether or not these exist in the book, they are certainly quite plausible for the time. The winner for me was E.M. Forster again, as it was in 1992, but I will miss the programme and wish there could be a sequel - perhaps another Passage to India. It's indeed a pity that Forster stopped writing novels so soon, as with his understanding of social mores and change, he would have been a good person to write about the 1930s or 1940s. The last hour was for me a blissful one.
asastewart I'm writing this review after episode 2, mainly to counter some of the other overly critical reviews of Howard's End.I loved the movie version with Emma Thompson and Anthony Hopkins, but I feel this miniseries version can explore further some of the issues and topics E.M. Forster touched on in his book; class, gender, nationality etc. Also the mirrored circumstances across the class divide and how characters deal with themAs regards race and some of the casting i.e. the housemaid and Jacky Bast, I think they were interesting choices and one Forster would have approved of. He was a fierce opponent of racism (especially anti-anti-semitism) and, to answer another question a reviewer posed, yes there were black people in Edwardian London, all part of the class struggles of the period.The cast are all excellent, especially Hayley Atwell and Philippa Coulthard. The costumes and cinematography are great. In the first episode the background music seemed rather loud and obtrusive, but this wasn't a problem for me in episode 2. I'm looking forward to episodes 3 & 4.To those who say it's slow and nothing happens, I'm not sure what to say. Maybe watch the other channel with 'I'm a celebrity get me out of here' on it, or a Transformers movie.