Sense and Sensibility

Sense and Sensibility

1981
Sense and Sensibility
Sense and Sensibility

Sense and Sensibility

6.7 | en | Drama

A story of two sisters attempting to find happiness in the tightly structured society of 18th century England. Elinor, disciplined, restrained and very conscious of the manners of the day, represents sense. Outspoken, impetuous, emotional Marianne represents sensibility.

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Seasons & Episodes

1
EP7  Part 7
Mar. 15,1981
Part 7

Marianne is at last out of danger. Elinor has received a visit from the desperately penitent Willoughby.

EP6  Part 6
Mar. 08,1981
Part 6

The sisters are to end their unhappy stay in London. Elinor is now as desolate as Marianne, as the secret of Edward's engagement is out at last and he intends to stand by it.

EP5  Part 5
Mar. 01,1981
Part 5

Marianne's heart is doubly broken by a yet more callous rejection by Willoughby. Elinor is to meet Edward's mother.

EP4  Part 4
Feb. 22,1981
Part 4

Elinor has promised to keep the secret of Edward Ferrar's engagement to Lucy Steel. She manages to conceal her unhappiness even from Marianne, who is overjoyed to visit London.

EP3  Part 3
Feb. 15,1981
Part 3

Just as it seems that Willoughby and Marianne must be about to announce their engagement, he departs for London, leaving her bewildered and desolate.

EP2  Part 2
Feb. 08,1981
Part 2

Marianne cannot understand Elinor's philosophical acceptance of their new lives at Barton Cottage as her own heart is breaking for their beloved house at Norwood.

EP1  Part 1
Feb. 01,1981
Part 1

Although the half-brother of Elinor, Marianne, and the younger Margaret promised to care for his half-sisters, his wife convinces him he bears no financial obligation. Mr. And Mrs. John Dashwood take over the residence in Norland, leaving Mrs. Henry Dashwood and her daughters to feel like guests in their own home.

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6.7 | en | Drama | More Info
Released: 1981-02-01 | Released Producted By: BBC , Country: United Kingdom Budget: 0 Revenue: 0 Official Website: http://www.bbc.co.uk/programmes/p00tr0gt
Synopsis

A story of two sisters attempting to find happiness in the tightly structured society of 18th century England. Elinor, disciplined, restrained and very conscious of the manners of the day, represents sense. Outspoken, impetuous, emotional Marianne represents sensibility.

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Cast

Robert Swann , Donald Douglas , Bosco Hogan

Director

Rodney Bennett

Producted By

BBC ,

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Reviews

didi-5 This version of Austen's novel of love, romance, greed, and jealousy, stars Irene Richard as Elinor and Tracey Childs as Marianne. It omits completely the youngest sister (which is a shame) but manages to make more of the characters of Edward Ferrars, Willoughby, and Lucy Steele than the more modern feel version written and featuring Emma Thompson a decade later.However, the first two or three episodes are dull rather than diverting, and only when Marianne needs help and a suitor most do things get interesting. It may not have the high-profile romantic leads that the 1990s version did, but it manages to be touching and effective in the end episode.The episodic nature of this adaptation (7 parts of around 45 minutes each) doesn't really help and it leaves you thinking whether there is really enough to this tale to stretch through many episodes that don't say very much.
sissoed While I greatly love the 1995 film, this BBC production, like the other BBC Jane Austen productions, does a better job of conveying more of Austen's insights into human nature and the tension between the duty to protect the emotional and psychological state of others and the drive to pursue satisfaction of one's own emotional desires. The exploration of this tension is the great theme of Austen. The major strength of this production as compared to the 1995 version is the character of Marianne, which in turn changes and deepens the relationship of the two sisters, Marianne and Elinor. In the 1995 version Marianne is more indiscreet with Willoughby and more scornful to Elinor, rejecting all of Elinor's counsel to be more restrained. As a result, it is hard to see that the two women have any relationship at all, other than the happenstance they are sisters and live in the same house. Here, Marianne declines an improper gift from Willoughby (a horse) after Elinor explains its impropriety (this incident is not in the 1995 version), and overall, she does not let the fact that she is more passionate than Elinor lead her to be dismissive of Elinor. Thus it is possible to see why these two might be close, even before Marianne discovers how much emotion Elinor has in fact been feeling since learning of Edward Ferrars' secret engagement. And later, when their greedy brother asks them to cut-off all relations with Edward Ferrars (a scene not in the 1995 version), and Elinor springs up and refuses, Marianne also springs up and says "bravo" and then the two sisters walk out arm-in-arm. Thus we see a real bond between these sisters that we never see in the 1995 version. I liked the portrayal of the Marianne character better in this version than in the 1995. As to all the rest of the characters, the actors portray them as basically the same people as in the 1995 version, but uniformly the acting in the 1995 version is more evocative and powerful. However, I have a particular fondness for the actress here who plays Elinor, Irene Richard, because she also plays Charlotte Lucas in the 1985 BBC Pride and Prejudice, one of my great favorite productions that I have seen many times. While good sense is a hallmark of both characters, she portrays them differently; it is impossible to imagine her Elinor Dashwood marrying a buffoon as did her Charlotte Lucas marry Mr. Collins in P&P, or defer to such a one as Lady Catherine de Bourgh. I particularly liked her in a scene not in the 1995 version, where Willoughby comes to the Palmer's house in the night, drunk and wanting to see Marianne (not knowing she is very ill) and Elinor treats him with the blunt coldness he so richly deserves. I also appreciated the way this version handles the climactic ending scenes; while the 1995 is emotionally more powerful, this version has power enough.
johnbol I really like Jane Austen and normally i like TV-series of her work more then a movie ( i think the 1971 TV-series of Emma is great). But this series just does not sparkle. The acting is too restrained. Therefore the whole production becomes rather dull. There is hardly any humor in it. Also there is no chemistry between Elinor and Edward.Irene Richards ( Elinor ) has not done much TV / film work after this series and that should come as no surprise. Most of the actors in this TV-series are no match to the actors in the 1995 movie. I would like to see a new TV series of this novel. As for now... i'll watch the Emma Thompson movie.
Caledonia Twin #1 I have to disagree that the male performances were bland. Bosco Hogan did a very good job as the self-effacing Edward, and Douglas' portrayal of Sir John Middleton was so lively that as far as the interpretation of this character is concerned, the later S&S actor seems to have borrowed heavily from prior precedent. And Peter Woodward makes a dashing Willoughby, every bit as convincing as the more recent Willoughby. Woodward's voice and elocution are fantastic, and he sings remarkably well. I also enjoyed Marianne's performance in particular. In many ways, this adaptation is more faithful to the novel. The only flaw is that it begins in medias res rather than at the beginning, and it begins with a strangely stilted introduction, but that can be overlooked due to the brilliant performances, which improve with every minute of the film.