Syo Kennex The Enfield Haunting was a three part show that I was definitely looking forward to watching. As a horror fan, I was excited to watch it, and very happily binged all three episodes in one sitting. I think that maybe expecting it to be more on the horror side was a mistake on my part, but it fell flat for me.The Enfield Haunting is based more within grief, and how grief affects those it chooses to haunt. This was done very well within The Enfield Haunting. All actors and actresses really brought it to life, and it was an immense feeling of goosebumps and chills for the viewers.However, the show seemed to lack as it went on. There was potential for a lot more, and it made me cringe a little to see how it just got more boring. The jump scares were mere cheap thrills, cheap tactics over used in horror films and not something that would really affect anyone that watches horror on a large scale. For a television show, more aimed at people who aren't huge horror fans, this was well done, but it bored me out of my skin.The story line got more and more jumbled and things didn't feel like they were closed at the end, and I think more could have been done. Another episode might have done good in clearing everything up, and frankly, I feel like I wasted my time watching this.The characters are good, but the plot is pretty sub par, and that for me, was a real killer. It was a shame, truly. I would have liked this to be a seven or eight star review, but six feels too generous as it is.

chaos-rampant This is delightful in a small way but you have to make a shift. It gives out that it's going to be horror about poltergeists, we get to that effect malicious forces around the house, objects that move, a possessed girl and a seance, in other words we have largely the same events and scenes of a poltergeist film but without the murky oppression of American films of that sort, without the angst or the aural violence.We get instead a whole other narrative ground beneath our feet, foreboding of another kind - the house as a house of grief, a girl whose father abandoned them "possessed" by a monstrous father, smashing things and hurling abuse. A bereaved father who comes to investigate and finds a surrogate daughter much like the one he lost one day - and named the same no less. All this is made obvious in the course of things.What I like is that from this ground up we have what the British do so well, an embracing of people and relationships between them that comes with a natural affinity. The Brits are not particularly interesting in a visual way - they're either bland or tend to control too much - but the trade-off in fact is that they delight in faces and spoken words, in the peoplesness of people; the same energy that in the more rowdy Italians tends to waft around the environment, in the case of Brits it's kept firmly inside persons. They are good souls in my mind.If you look here - all its real charm comes from the adventurousness of human friction, from how characters rub and glide off each other. Lovely actors. The two girls, Janet in particular, one of the most endearing I've seen, an absolute firecracker of sassy spirit.

ciais-43073 based on the fake account of supernatural goings on at green st Enfield. This is just as good as the Amityville horror. (really awful) Both demonstrably hoaxes. Mr Spall must have been given a big payout. The levitation in Enfield, was just Janet, leaping from her bed. It is sad that people buy into this nonsense. There are drugs that a doctor can give you to help. Mr Spall gives a good performance, as he is a talented actor. But one wonders why he does crap like this. If you believe pixies live in the armpits of kangaroos, then maybe this is for you. Because there is as much evidence of pixies living in the armpits of kangaroos as there is for this tripe. OH DEAR. OH DEAR.........

Aaron River Firstly I would like to point out that even though in the 3 part mini series, as well as a lot of the case files and in Guy Lyons playfairs book they refer to it as the "Poltergeist" any one who knows anything about the paranormal or watches any of the numerous (some great, some good, some just bad and some awful)paranormal programs on TV, or the web.. that a Poltergeist is not an earth bound spirit but in fact manifested Psychic energy from a living person! So even though they refer to the disturbances in the house as a "Poltergeist" we all know it's more likely/accurately a Ghost/Demon (depending on your religious beliefs)That said I think that the series it's self is pretty good. I found the young girl playing 11 year old Janet to be both believable and funny at times, she seems to pull of the cheeky/inquisitiveness of an 11 year old kid from North/East London around the 70's.. and I have to say it's a refreshing change to hear a kid from London (especially a young girl) to be talking like a real Londoner, a true cockney! Rather than todays youth who all sound like Catherine Tates character "Lauren Alesha Masheka Tanesha Felicia Jane Cooper" from "The Catherine Tate Show" ""Init m8 na wat i meen like!"" OK I think over all they've done a great job placing the characters, especially Maurice Grosse played by Timothy Spall (another great British actor) he has the same simple uncomplicated look as Maurice Gross, anyone who's watched any of the real tapes recorded at the house between 77-79 will agree! I have to admit I'm having trouble warming up to Guy Playfair, played by Matthew Macfadyen but I think that has a lot more to do with the fact I can only see him in Ripper Street every time I look at him lately (another great TV series) and nothing to do with his acting ability!Any way I'm not going to go in to what the series actually entails or anything else about the production side because you can (and should) watch it your selves for that.. but all in all it's a good if not great factual/dramatised paranormal mini series based in our very own country, in our very own capital.. & with a great cast, some good scares and if you don't want to watch it for any of those reasons then anyone over 35 should get a huge kick out of all the memories that come flooding back from watching one of the most accurate representations of a poverty stricken family living in a council house in London or surrounding counties in 1970's England.. who wont remember the slugs, earwigs, and wood lice crawling along the skirting boards and in the bed at night!!?