dwacon-2 I was a young tyke when this show came on the air. The local NBC affiliate preempted it from the 8:00 time slot until 11:00 p.m. Because it was so rare for African Americans to be on television, the phone rang late at night telling my Mom it was on. Even though it was a school night, Mom dragged me out of bed to watch the show.After Richard said the first word "ass" Mom gasped and ordered me back to bed. I only got a couple steps before she recanted and allowed me to complete the show. We were sad that it went off the airwaves after such a short run, but it was the talk of my classroom for a few weeks.In retrospect, the controversy seems non-existent. I felt the same way seeing an episode of the old CBS Smothers Brothers show. I also remember Mom telling me to turn that show off because of its content, yet today it seems tame enough for Nickelodeon or the Disney Channel. I agree with the other reviewers that Pryor paved the way for a lot of great shows, including the Wayans and Jamie Foxx. He will be missed.

rcj5365 In 1977,the powers that be on the Bureau of Standards and Practices at NBC decided to create a weekly variety show centered around a comedian who was on the brink of becoming not only the hottest stand-up comedian in the country,but one of the biggest stars in Hollywood. Richard Pryor was at the peak of his astounding fame and fortune in 1977,as anyone who has seen his classic hosting episode of Saturday Night Live can attest. NBC was the network of Saturday Night Live,so bringing one of the most controversial comedians on the planet home on television sets throughout the country seemed like a natural recipe for his outrageous success. Despite the reviews the episode became a cult classic and made Richard Pryor one of the hottest acts in America. But it didn't happen that way. That same year network executives at NBC gave Pryor the green light to host his very own weekly variety show. "The Richard Pryor Show" was short-lived and very controversial and it was a far cry from the cookie cutter,goofy,"bad comedy skits with songs" type of variety show that dominated the airwaves during the entire decade of the 1970's. "The Richard Pryor Show" aired on NBC-TV from September 13, 1977 until October 4,1977,and was produced by Burt Sugarman Productions. Richard Pryor had creative control of this series as well as serving as executive producer,and head of production along with Producer Rocco Urbisci.Pryor's program was basically a true variety show that featured an unpredictable mix of satire,social commentary,conceptual comedy,improvisation,slapstick,and the occasion dramatic bit along with some of the controversial content. The show lasted for four episodes and from recently watching some of them on DVD,I can see why this did not last long. Most of the skits are simply not funny. Some of skits are brilliant,but as far as the rest of it goes,the humor seems forced along with the sketches go on forever. Some sketches were indeed hilariously funny,but the rest of it falls flat. Reason? From the start,the show faced controversy about its time slot and subject matter. Pryor's contract stated that the show was suppose to air at 9:00 p.m.,but it aired at 8:00 p.m. Many people wondered why NBC would put one of America's most controversial and profanity-laced artist's show in the middle of "family hour" on Tuesday nights. Many more wondered why the network slotted the show opposite the most popular shows of the day(they put the show opposite ABC's powerhouse winners "Happy Days",and "Laverne and Shirley"),all but assuring its failure. Many people also wondered why didn't network executives at NBC put the show at a later slot like during the 10:00 p.m. hour where it would be toward adult audiences? It could have saved it from the cancellation axe. The other reason? Pryor's battle with network censors and low ratings cause this short-lived variety show to be canceled after four episodes. The other reasons were based on network intervention,indifference,incompetence during the development stage.Despite the differences,what you get here is a brilliant piece of work by Pryor and his crew of talents supporting actors who would go on to bigger and better things in their careers which included Robin Williams (who shot to incredible fame after this series),Sandra Bernhard,along with Tim Reid(WKRP in Cincinnati and Frank's Place),Marsha Warfield (Night Court),John Witherspoon(The Wayans Brothers,and of the Friday movies),Paul Mooney(who was also one of the writers for this series and would write most of the comedian humor for Pryor as well before going into production duties for another short-lived Pryor show "Pryor's Place'),Edie McClurg,not to mention Mike Evans(aka Lionel of The Jeffersons fame as well as one of the original writers and producer for the series Good Times)just to name a few.Pryor pushed the limits for comedy in this series by taking it one step further and going beyond the boundaries where few entertainers could not even get away with in 1977,but in today's standards anything goes. It shattered glasses and broke barriers at a time when television comedy was still at a crossroads which took comedy at another level. This was WAY before Eddie Murphy,Chris Rock,Dave Chappelle,Martin Lawrence,Steve Harvey,Robert Townshend or even to an extent The Wayans Brothers and Jamie Foxx. Richard Pryor paved the way for them all.When the series was canceled on October 4, 1977, NBC executives were quick to find a replacement show "Grandpa Goes To Washington",which was within itself a short-lived family show that lasted no more than six episodes.

Katz5 About 30 years ago, the powers that be at NBC decided to create a show centered around a comedian who was on the brink of becoming the hottest stand-up comedian (and later, movie comedian) in the country. Richard Pryor was hot in 1977, as anyone who has seen his classic hosting episode on Saturday Night Live can attest. NBC was the network of Saturday Night Live, so bringing Pryor home on television sets throughout the country seemed like a natural recipe for outrageous success. It didn't happen that way. The show lasted for four episodes. Watching the episodes on the DVD in 2006, I can see why it didn't last long. Most of the skits are simply not funny. The humor seems forced, and the sketches go on forever. Luckily, Pryor appears in most of them, but in some cases poor decisions were made and allowed the other less-talented cast members hog the spotlight (just watch the "I Gotta Be Me" segment in the first episode for proof). Of the other cast members, only Robin Williams and Sandra Bernhard realized any fame (in the case of Williams, incredible fame of course). The show was created for Pryor, but it seems that it wasn't created BY Pryor. And that stands to reason. You could not have watered down Pryor for network TV. One of the DVDs has an audience Q&A extra that was never aired. It's easy to see why it didn't air. Pryor unleashes the vulgarity that would be his trademark—never mind the 6 and 8 year old kids in the audience! The best skits are the provocative ones, which were more message-themed than funny. One of them involves Pryor as a heavy metal guitarist, dressed like George Clinton, who wows his audience with Jimi Hendrix and Pete Townsend guitar-work, and is backed by his Kiss-meets-Black-Sabbath band; it is a genius skit that makes a statement on the '70s rock music scene. Pryor ends up killing his audience a'la Sid Vicious, and the segment ends. No laugh track. No mugging by Pryor. The skit is actually creepy. As is another skit that has Pryor in a gun shop, "listening" to the guns "haunted" by their previous owners. It is an effective gun control statement, but not particularly funny. The DVD set is worth watching mainly because of the picture it paints of America in the late '70s. The clothes, the racial content, the humor, the important political issues. Some of the skits are truly hilarious—but the majority of them are dated, overlong, and not especially funny. This would have been better as a one-disk DVD, composed of the best skits as rated by longtime Pryor fans and network executives. Looking back at Pryor's career since his death, this show is an interesting entry is his catalog, and it is sad that most of the movies made in the years before his diagnosis were feeble—Critical Condition, Moving, See No Evil Hear No Evil and the rest. For the best overview of what Richard Pryor was about, get the concert films ("Live in Concert," "Live on Sunset Strip," "Here and Now," as well as the hard-to-find but occasionally brilliant "Live and Smoking"), along with the feature films Silver Streak (for his comic breakout and best pairing with Gene Wilder), Blue Collar (for a great dramatic performance), and Jo Jo Dancer-Your Life is Calling (directed by Pryor and "partially" based on his life).

Ddey65 Perhaps I'm guilty of judging the show by modern standards, but I don't really think the Richard Pryor Show was as outrageous as it presented itself to be, or as NBC's Bureau of Standards & Practices did in 1977.One look at the four episodes of this show and you can tell, this is where the Wayans family got their ideas, back when they were stealing the thunder of comedians like Eddie Murphy and Arsenio Hall. It's also surprising to find that this show was the humble beginning for people like Marsha Warfield, Sandra Bernhardt, and Robin Williams, who I thought did nothing but the comedy club circuit before his famous role as "Mork from Ork." Yet with all the co-stars, and special features within the box set, it's not as funny or outrageous as you'd expect. This doesn't mean, however that it's not worthy of adding to your DVD library, because it is.