utgard14 Relentless prosecutor (Walter Pidgeon) is framed for bribery and sent to prison. Once there, he is faced with thousands (!) of criminals he put away. He finds unlikely help from a woman (Rita Johnson) he prosecuted. Pidgeon discovers she, too, was framed and has to face that the justice system is more flawed than he originally believed.Excellent 'B' movie from MGM. A fast-paced, tough crime drama with a colorful cast backing up Pidgeon that includes Grant Mitchell, Nat Pendleton, Harold Huber, Guinn Williams, and Paul Kelly (no stranger to prison). Arthur Aylesworth is fun as a creepy old lunatic Pidegon is forced to sleep next to. It's one of those movies where convicts are mostly an alright bunch of guys and, even if they hate your guts, they will learn to respect you if you show how tough you are. Yeah, it's far-fetched but still entertaining. It's barely over an hour so there's no excuse not to check it out.

MartinHafer B-movies were inexpensively made films that lasted about an hour. They were intended as the 2nd, or 'B' film, for a double-feature. There is a perception that Bs were always bad films or that they were always made by cut-rate studios but neither is true. In the case of "6000 Enemies", it is not a bad film AND it was made by MGM--the richest and most prestigious studio at that time. While I think the film easily could have been better, it still hold up pretty well with other Bs.Walter Pidgeon plays a district attorney who is a decent and honest man. As a result, organized crime hates him and they frame him for a crime he did not commit--and he's sent to prison. Naturally, many of his fellow prisoners hate him and want to kill him. With the help of a woman he sent to prison (she, too, was framed) and a nice prison doctor (Paul Kelly) he hopes to prove his innocence. However, and this REALLY is dumb, Pidgeon undergoes a magical transformation near the end that really undoes all the good writing and acting before this--and the film is, unfortunately, wrapped up way too quickly and perfectly to make it anything other than an average time-passer. High points for the film is the acting of Pidgeon and some interesting plot ideas--and they are able to carry the film further than it should have been.By the way, it's ironic that Kelly was cast as the nice prison doctor, as he actually served time in prison for killing a man. He's one of the very few actors I can think of that had left acting due to prison and was able to make a successful return once released.

sol1218 ***SPOILERS*** With him targeting top New York City mobster Joe Silenus, Harold Huber, the hard hitting just elected city District Attorney Steve Donegan, Walter Pidgeon, gets framed in an elaborate scheme involving his horse playing assistant Don Barrett, J.M Kerrigan who's in hock to Silenus for $3,000.00.Found guilty and sent to Sing Sing Prison on a 1 to 10 year sentence Donegan is determined to get the evidence, even behind bars, to prove his innocence. Silenus knowing how far Donegan is willing to go to get him puts a hit out on him with 6,000 more then willing inmates, many that Donegan sent there, to take up Silenus' offer.The movie has Donegan become a marked man with everyone there trying to take a crack shot at him with the harebrained prison Warden Alvin Parkhust, Grant Mitchell, more interested in the freshness of his delivered , by the inmates, fruits & vegetables then the safety and welfare of the inmates he's in charge of. It's when Donegan is attacked from behind that his life is saved when woman inmate Anne Barry, Rita Johnson, screamed alerting him and a prison guard who gunned down his attacker. As it turned out Barry was sent up the river, like almost everyone else in Sing Sing, by District Attorney Donegan in him not believing her that she was framed! Now with him behind bars for a crime he didn't commit Donegan could see just how right she was! Even more telling it was non other then mob boss Silenus who,like he did to him, framed her!Lots of action with a wild food fight in the prison mess-hall as well as a massive prison break to keep the audience entertained but the highlight of the movie was a boxing match between former prize fighter Donegan and Sing Sing heavyweight champ Socks Martin, Nat Pendleton. Socks together with all the other prison inmates gains Donegan's respect in him being able to stand up to his wild and mostly illegal,like rabbit and kidney, punches for 10 long and grueling rounds.****SPOILERS**** It's when Donegan's kid brother Phil, John Arledge, who came to visit him with evidence of his innocence was gunned down by Silenus' hoods right outside of Sing Sing Prison that the prison break that was put on hold swung into action. Donegan trying to get the inmates back in their cells in order to prevent them from being gunned down is helped by Anne in backing them off with a spray of live steam from the laundry room's plumbing system. With everything now under control it's found out, from his dead brother's stack of evidence, who was responsible for framing Donegan and Anne Barry as well as murdering Phil mob Boss Joe Silenus! Indited convicted and sentenced Silenus ends up getting everything that's coming to him: A one way ticket to the Sing Sing hot seat! Freed and now engaged both Donegan & Anne check out their new house in the country and make sure that it doesn't have, after what they've been through in their stay in prison, a laundry room!P.S Two actors in this prison movie Paul Kelly as as prison doctor Malcolm Scott and prison inmate Ransom played by Tom Neal actually served time behind bars, Kelly before and Neal after they were in the film, for manslaughter!

xerses13 MGM'S 6000 ENEMIES (1939) bears a passing resemblance to Warner Brothers EACH DAWN I DIE (1939) without the star power of James Cagney and George Raft. Stalwart crime fighting citizen is unjustly framed and put behind bars. Proves himself to the "Cons", gets the goods on the guilty and brings them to justice, wins the girl, fade out. Oh, forgives the society that imprisoned him destroyed his career that leads to the death of his brother. Does not even give a thought to filing a lawsuit. Did I mention that this is also a fantasy.The most interesting thing about this film is seeing the way MGM handles such a subject. Or how differently they handled it nine (9) years earlier. THE BIG HOUSE (1930) is a gritty, realistic and tough depiction of prison life. THE BIG HOUSE is a dirty and very unpleasant place to be in. The inhabitants of this prison are scum with little or no saving graces. They will turn on you with the least provocation and on the flimsiest of motives.By the time of 6000 ENEMIES things had changed. The 1934 Production Code was being enforced and at MGM Irving Thalberg was gone and with him the driving force of creativity and risk. L. B. Mayer preferred every picture to be as clean and sanitized as Dr. Kildare's instruments. No studio embraced 'The Code' more then MGM. If you were looking to stretch the envelope it better be at another studio and this film is a perfect example of that. Even the dirt looks clean and as for the gangsters you get the feeling all they need is career counseling. Even when they brought in a hi-powered actor like Edward G. Robinson (for other films) who knew how to play gangsters the results were still tepid. So there is little that Walter Pidgeon could do but fulfill his contract in a pedestrian role. Thankfully for him better days were ahead.