cameron-p-shaw This movie pretends to be a documentary- in the description offered at the Sonoma International Film Festival, it listed a "superstar cast" of people like Leonardo DiCaprio and Jake Gyllenhaal, when it fact it is merely a boring series of clips from movies those people were in. It's like watching a book report on teen movies. Fairuza Balk narrates in a flat voice with zero inflection that makes me wonder how she ever became an actress. The film makes no attempt at a central thesis, has no original footage or interviews with experts in any capacity, and should not be afforded any sort of attention whatsoever. Please do not spend money on this drivel.

millie-monroe I watched this just two days ago and found it very useful in finding new teen films to watch! Maybe the purpose of this documentary should just be to provide film fans with some new ideas for something to watch on a night mid-week. The narration seems jarring at first but I soon got into it and found the flow of the whole doc very steady, there is nothing necessarily new said about the purpose of the teen film or the effect it may have on its viewers, but it is nonetheless fascinating to hear some of the film degree-type theory on the many films included. I'm trying to compile a list at the moment of all the teen films that I thought looked worthwhile watching in Beyond Clueless. I'm excited to start!

Andrew McGinnigle I saw this at Branchage in Jersey and was very disappointed. I was expecting behind the scenes footage, interviews with actors, directors and writers. Instead, we got hit with the plot and supposed subtext of each film, most of which were obscure and crap. I even thought they might link back to the classic teen films that actually had value but no, they stuck with the crap like Cruel Intentions 3.First off, giving subtext to films that have no subtext is a futile exercise i.e. She's All That has nothing interesting to say at any point, the characters are as deep as a paddling pool, it was crap then and its even worse now. It's about vanity, we get it.The next thing is discussing subtext that is actually the context i.e. Josie and the Pussycats. The plot revolves around brainwashing to sell things, for the 2 people (I think I was one of those) that actually saw the cinematic release we got this. We don't need you to tell us that again, it was painful enough the first time.The Q&A with the director informed us that most of the budget was spent on lawyers in LA authorising the clips, they must have been rubbing their hands when you came a-knocking.Avoid unless you wrote any of the crap films used in this doc so you can have a good laugh as they over-complicate your one-track stoner comedy/girl takes off glasses and is now hot/girls being out of order to each other/jocks having a sensitive side screenplay.Mean girls is a good movie though.

green_eggg Out of the 18 movies I have so far watched at this year's Bergen International Film Festival, Beyond Clueless var the most powerful experience. The documentary might be describes as a seamless, intuitive flow of poignant moments from well known and somewhat obscure high-school films (in all genres: drama, comedy, horror, etc) narrated with a heartfelt approach to considering the deeper content of these works. As such, it elevates the genre from the cheap and somewhat ridiculed slots of popular culture to become insightful inquiries on what it means to grow up, to go through puberty and to become an independent person. As a 25 year old, my experience of the movie was a violent rush though a huge spectrum of emotions, both unsettling and ecstatic, somewhat like that of being a teenager again, but having my entire teenage life pass through my senses in the duration of a regular movie. What I experienced was possibly some of the most genuine catharsis I have had at a cinema.The narration was eloquent, intriguing and beautiful. As an MA in comparative literature I am qualified to assess the quality and validity of interpretations and analyses such as those that the film was making throughout the entire spoken monologue, and I must say that I was very much impressed with the writer's ability to make his views quite clear and coherent without succumbing to subjectivism or far-fetched theorism. At a few occasions the narrative and the accompanying images would intensify to a point where I was struggling to follow the line of reasoning, but this was certainly not the case most of the time. My only disclaimer would be that since the documentary focuses on movies from the 90s and early 00s, it probably won't speak to your heart unless you grew up in this era. The director if fully aware of this though, as I heard him talk about it when asked at the Q&A after the screening in Bergen yesterday. Without a specific focus and certain limitations, the movie would never have been able to make such a deep dive into certain themes, and would easily have become a more general and perhaps vague film-historical survey.Finally, a serious take on a genre that no one takes seriously. I never even went to an American high school, and yet I feel as if my teens and adolescent years (a vital portion of my life) have been legitimized and made meaningful. If you're a nostalgic sentimentalist in their twenties, like me, you don't want to miss this.