argento6 When i randomly stumbled upon the trailer for DOSE OF REALITY, i was really thrilled. I kind of saw it as a return to the screen for a Fairuza Balk that had been spared from movie appearances in the last few years. And did I enjoy this film! I used to love the lady in the nineties and followed her movie career onward but this particular film, being as different as it was? This psychological thriller, flirting on the line of horror helped me reconcile with her.In the middle of the night, more precisely around 2 A.M, bartender Matt (Ryan Merriman) is about to close when he discovers a bloodied, unconscious young woman on the bathroom floor. He immediately warns Tony (Rick Ravanello), the bar manager. The problem is that they'll happen to have a good reason not to want the cops showing up in the place and so Tony decides that they should wait for Rose ( Balk) to wake and help her demystify the whole thing.Another problem is that she eventually wakes up and as the two men become suspects in her attempt to remember who did this to her and how. Do they want to help a young lady who could be a little less innocent that she appears at first sight?I hate to be drawn to tell one thing to get the viewers in sometimes. Since saying only one thing about films like DOSE always make me feel like I'm giving away too much, yet, watching this film one must admit that I didn't give anything away yet. Despite all of the talent displayed in this little indie film, an emotionally surprising Rick Ravanello and a director able to catch my attention as much with his images as with his own writing. Credits to Chris Glatis for keeping me off balance during the whole thing but still having fun in a way that I wasn't that bothered with what the ending would be (I didn't care before it came). Most of the film is carried on the shoulders of a remarkable Fairuza Balk. Master at her art and at her peek during the whole ride. One of her few roller-coaster character roles that stuck to me like glue! Really happy I watched it.As much as I loved DOSE, the film might not be suited for everyone as it is more of a dialogue driven movie. Almost a play if you will. But I had a lot of fun watching it despite some flaws that were always quickly turned on their heads with the direction that the script was taking. And they seem to have caught some actors that are used to go "Over the Top" let's face it. But if you can enjoy yourself watching movies that won't spare twists, and/or can love characters when their personas, intentions and behaviors aren't clear and spoiled randomly during the play, you should give this one a go! We sometimes tend to put the emphasis on the word "Different" but I loved about this one that I expected something and ended up fed with something else.This film noir done, performances as heavy and intense emotionally as those by Balk and Ravanello, shouldn't allow the average human being to walk out of them unaffected, Bravo!I'm Really trying to find out more about Chris Glatis previous work. I'd love to have the chance to see his movie CALLBACK. And really looking forward to his next steps, whenever they come.

hoytyhoyty I had the (mis)fortune of guessing the punch-line of this film quite early on, but then it's like the material I write myself in some respects. I think a normal audience would be about 50/50, in pre-empting it or not.The performances are what really stand out in this film. It's like a stage-play: an all-closed-in, single-room (more or less) production - in fact I wonder if it started life as a stage-play.Fairuza Balk as the vile Rose is just extraordinary, since she is given so much weight to carry for the whole act. She is backed up by equally stirring jobs from Rick Ravanello and Ryan Merriman. Some of the extras supporting crew are a little weak, but even then...The thing is, this film creeps up on you, and I like that. After tolerating about an hour of the early-90's-pseudo-feminist psycho-babble drivel that pours out of Rose's mouth - and it keeps pouring, the whole film, her well of crud never runs dry - the voice in the back of your head becomes louder. The voice saying "something is going on here"... listen to that voice, and explore where it feels like taking you.Wouldn't say this movie is a masterpiece, but it's damn clever and kept me turning the page to the end (even AFTER I guessed what lies beneath). It certainly deserves higher than the silly 4.something it has at the moment here on IMDb.Had it been a stage-play after all, I would have happily applauded loud and long as the cast took their bows.

sarah-120-880982 I really liked this film. I wasn't sure where it was headed at first. But with the introduction of Fairuza's character, I became engrossed. The film really plays on the viewer's tendency to side with one or another character continuously throughout and I enjoyed being played with in this way. It's a unique film. It may not be for everyone - it is intense and remains on three characters throughout - but I enjoyed the psychological cat and mouse game and the acting. There is some really nice work between the two male leads. And Fairuza Balk is one of the most underrated actresses. She is always good and quite exceptional in this. I did not see the turn at the end (no spoilers here!) and found it to be a surprise. I kind of want a sequel now to find out what happens next...

bcatdclub This movie is really weird because it made me stay tuned till the end. The reason I say weird is because, this movie is bad. Usually when I see a bad movie on this level I either change the channel, eject the disc or walk out of the theater. This flick is one of those flicks that will have you looking away in disbelief. Screaming to yourself What the freak is the matter with that person. I mean really? I doubt anyone watching would have let them selves into a situation as in this movie. There is a twist of course. You could feel one coming from the beginning. Maybe that is why I let this dozy run the mile. I doubt the other reviews are really from someone not associated with the film. I will not recommend this movie to anyone, however it is different. View at your own risk.