a_baron This story begins on the banks of Loch Ness in 1976 when a 12 year old boy sees a research team, including his father, slaughtered by the Loch Ness Monster. Fast forward N years and there are strange goings on in an isolated town (town? hamlet!) on the shores of the Great Lakes. And guess who turns up? Yup, and now he is a cryptozoologist, like his Dad, or maybe a big game hunter, because Nessie has been laying eggs all over, quite an accomplishment without a mate!The first few minutes of this film indicate a stinker, but it is surprisingly good if you ignore the impossibilities of the plot. There is quite a lot of action, no bad guys, a tiny bit of romance, and some excellent special effects. Okay, "Jurassic Park" it ain't, and these things are never going to take over the world, but there are some hair-raising moments, a twist or two, and not a few casualties on the way to the final showdown.

Bloodwank Ah, the Loch Ness Monster. One of the hardy perennials of cryptozoology, yet figures in a tiny quantity of movies compared with Bigfoot or any other mystery beast. It was inevitable that the Sci-Fi Channel would use ol' Nessie in one of their original films, what is surprising about this one is that its actually quite fun and handled with a measure of skill. It's a standard tale of a lake plagued by attacks from a mysterious beast, which turns out to be a plesiosaur that has managed to relocate from Scotland to Canada, causing bait shop owner Josh, his mother Karen and vengeful cryptozoologist James Murphy to team up to save the day. The film moves at a good clip, we have an arresting flashback to the death of James' parents to set the scene, then the feed of attacks is pretty regular until a tense final showdown on an uninhabited island. The design of the creature is quite good, it bears little resemblance to fossil records but is a good sized lumbering toothy malfeasant complete with cool head crest and even a semblance of musculature and effort put into its skin colouring. Make no mistake, its still quite obviously CGI, but a colossal advance from the likes of Cerberus or Sabretooth. As well as the effective (well, much more than usual for this sort of film) creature, an unexpected verve is put into the action and the creatures general antics, with the climax especially notable in this regard. Its not that exciting, but the fact that it achieves any measure of excitement at all is rather pleasing. There's even a modicum of OK gore, with little in the way of CGI to it. Regrettably the acting and writing fail to stick to the same level of the direction and effects, everybody here talks and acts exactly the way characters in Sci-Fi originals are expected too. Niall Matter is a vapid younger lead, Carrie Genzel conveys barely a jot of authority as his sheriff mother, most of the rest are just there. Brian Krause appears to be the "name" star here (well he was in Charmed) and does a Clint Eastwood impression, he seems to be having fun but is a bit laughable. The writing is as stolid as can be imagined, po faced, unintentionally amusing, unneeded exposition, all that sort of thing. Still, this is much, much better than expected, probably the best Sci-Fi Channel release I've come across and recommended if you dig their output in general. Never "good" exactly then, and not memorable or all that worthwhile, but I could bear it, which is more than can be said for stuff like the aforementioned Cerberus or the space bear "epic" Savage Planet. Heck, its even better than the hysterical Sabretooth! A semi satisfied 5/10 from me then.

merklekranz "Loch Ness Terror" is perhaps the most scientifically incorrect monster movie of all time, and that is precisely what makes it so much fun. I learned that Plesiosaurs look like a cross between the "Loch Ness Monster" and the "Flub-A-Dub". Plesiosaurs waddle around on land and cannot see you if you remain motionless, but a 40 ft. Plesiosaur can easily sneak up on unsuspecting fisherman and eat them. Small fry Plesiosaurs like to hide in speedboats to scare people. Plesiosaurs can travel from Europe to North America through under ocean tunnels. A real Plesiosaur hunter looks like he just walked out of a "Spaghetti Western", complete with cigar, duster, and a weak Clint Eastwood imitation. I could go on and on. By not taking itself seriously, the movie succeeds as entertainment, where so many others have failed. Recommended. - MERK

orloprat I have to admit that I'm a sucker for monster movies, particularly of the "aquatic beast eats people" variety. Here is a modern example of the genre, and folks, it ain't bad at all.It is very conscious of it's roots. It's ancestors are films like "The Beast From 20,000 Fathoms", and "The Giant Behemoth", both staples of my childhood. The monster is not really a plesiosaur, as the cryptozoologist in the movie calls it, but a real Hollywood fantasy beast, and a darned cute one at that. Against all the notions of modern paleontology it waddles about on all fours, belly to the ground and head held high. It owes it's appearance to the earlier films' notions of what "dinosaurs" looked like, and owes more to the nineteenth century reconstructions of Othniel Charles Marsh and Edward Drinker Cope than it does to actual scientific fact. All for the better. This isn't "Jurassic Park", this is "Oh my god there's a monster loose and we gotta stop it!" movie. An old fashioned monster movie with modern cgi, and a goodly amount of blood n' guts. I have no problem with gore in movies like this. It's only a movie, boys and girls, it's special effects, and my reaction is usually not "yuck! No sleep for me tonight" but rather, "that's interesting,I wonder how they did that?" Does that make me a bad person? I think not.An interesting story, decent production values, adequate acting, and every cliché in the book all add up to a funfest for watery creature fans everywhere. And the baby monsters are a real hoot. A nice refreshing change from the slew of copycat teen slasher and torture porn flicks we've been bombarded with lately.I had a good time watching this one.