Michael_Elliott Billy the Kid Returns (1938) *** (out of 4) Pat Garrett kills Billy the Kid (Roy Rogers) but in another town a lookalike named Roy Rogers shows up and is mistaken as the real person. Rogers agrees to pretend to be Billy the Kid so that he can uncover a group of bad guys trying to steal land from the poor. This here was one of Rogers earliest films and as many reviewers pointed out at the time, there's really no question that crowds would enjoy his brand of singing and acting and it was clear that his personality jumped right off the screen and he was perfect for this type of character. He has to play pretty much two different roles here and I thought Rogers did a very good job with each of them. This includes playing a bad guy with no heart in Billy and the good guy who cares about those around him. Smiley Burnette gets the role of the sidekick and he too is charming in the film and adds some nice humor. Lynne Roberts plays the love interest and nearly steals each scene that she's in. She's plays the hard-working daughter of a hard-working store owner who just knows that Rogers isn't a bad guy. She's quite attractive to look at but she also gives a performance that comes across quite soft and charming. There's plenty of action to be had here and the majority of the gunfights are good, well-staged and entertaining. I'd also say that the cinematography is much better than you'd expect from this type of low-budget Western. Just check out the early scenes inside the house that is on fire. There's a shot of Billy the Kid firing guns with the fire and smoke behind him and it's a very good looking shot. Fans of Rogers will certainly find this to be one of his better films even if it's certainly not worth viewing as any type of history lesson on the real Billy the Kid.

MartinHafer This is one of Roy Rogers' first starring films and one of the earliest where he's billed using this moniker. He'd appeared in a few films in small roles as Leonard Slye (his real name) as well as in a couple as 'Dick Weston'. Because of his age, he's extremely handsome and photogenic--and it's pretty obvious to see why he's now got starring roles.I was concerned when I began watching this film. That's because I am a history teacher and hate how obscure western characters like Jesse James, The Sundance Kid and Billy the Kid have been turned into heroes--heroes that have NOTHING to do with the actual criminals they purport to be. The last thing I wanted to see was a film that made Billy look like a nice guy--and the film does NOT do that--though, as history records, he was a man who had friends among the homesteaders. It begins with the Kid in a shootout and he viciously kills a guy at close range--and this actor doing this IS Roy Rogers! Roy cannot be a murderer--it's just totally against his upright image. BUT, here is how they do it. After you see the real Billy killed by lawman Pat Garrett, Roy Rogers (playing a character named Roy Rogers!) shows up in the territory and people think he is the Kid. But he's clearly the good guy, Roy.The people of the territory, however, don't know yet that Billy is dead and a posse captures Roy--thinking he's the outlaw. Garrett, however, comes to his rescue. Now the Sheriff and Garrett both concoct a plan where Roy will pose as Billy. First, they have to have the ersatz Billy 'escape' from jail. Then, Roy will do the good things the Kid once did--protecting the little ranchers from the corrupt bosses trying to push them around for kicks. And, hopefully, they can get some evidence of the bosses violating a federal law--since Garrett is a Marshall and has the authority to arrest them should they break any of these laws.All in all, one of the more enjoyable Rogers films. I've seen. While I am far from an expert on his films, it was nice having Smiley along for the ride--he had a nice voice and offered some good comic relief. And, the story, which is a bit silly if you think about it, at least does NOT promote the silly wild west images of the anti-hero. Well worth seeing.By the way, Roy's sidekick, Smiley Burnett, was a frequent sidekick for Gene Autry. Later in life, he was known on TV as one of the conductors of the train on "Petticoat Junction" and "Green Acres". Oddly, of the two who ran the train, Smiley was distinguishable because he smiled a lot less than his partner (Rufe Davis)! And, ironically, the guy who replaced him in the Autry series was Pat Butram--the same guy who played Mr. Haney on the same two TV shows!

FightingWesterner Sheriff Pat Garrett corners and kills Billy the kid. The next day, lookalike Roy Rodgers rides into town and is immediately mistaken for the outlaw, who's death has yet to be reported. Roy's then pressed into service by Garrett, who wants him to take the place of Billy in a range war pitting ruthless ranchers against the homesteaders that the late kid had intervened on behalf of.This second starring vehicle for Rodgers is decent enough, with lots of great songs from Roy and sidekick Smiley Burnette. He still hadn't quite gotten the hang of the acting profession, with a less sure Rodgers delivering his lines in a slightly different tone of voice!This was the first of three times that Roy played a dual role in his films, the second being 1941's Jesse James At Bay and the third being 1942's Sunset On The Desert.

dbborroughs Bad guy Billy the kid is cornered and killed by Pat Garret. Not long after singing cowboy Roy Rogers shows up and is mistaken for the dead villain. He has to prove himself as a lawman in order to convince people that he's not the deceased bad guy. Okay Republic Pictures programmer is well made and has a certain flair for the dramatic. The problem is that its is one of a series of films where Rogers essentially plays himself, granted in period, so any sense that anything can happen is lost. Rogers was a stalwart hero and its easy to understand why he became a star with him shining in a variation of a plot he'd done before and run into again. The problem is that like much of the Republic production at the time, the film is too by the numbers. There was a point when Republic became so good at what they did that there films became essentially off the shelf machine with the various parts switched in and out in an off the shelf formulaic manner. The serials and many of the westerns they cranked out all looked the same because they just switched parts that worked around. This doesn't mean its bad, its not its just that the film looks and acts like the rest of the republic western product. Worth a look if you've not seen a great number of republic westerns recently.