Raging_Bull27 A young man struggles to grow up with principles as his family begins to self-destruct around him in this coming of age drama. Cole McKay (Michael Angarano) is a boy in his middle-teens growing up in an Irish-Catholic family in Boston. While Cole has dreams of playing major league baseball some day, his parents Desmond (Brendan Gleeson) and Margaret (Melissa Leo) are blind to his ambitions, and his older brother Terry (Tom Guiry) is a petty criminal who is unwittingly drawing Cole into his orbit. While Margaret is obsessed with projecting an image that the McKay family are happy and God-fearing folk, Desmond has been sinking deeper into depression ever since he lost his job, and his marriage is slowly but surely falling apart. The family's pride takes a body blow when Cole's teenage sister Kathleen (Emily Van Camp) discovers she's pregnant, but Cole decides it's time he took on some adult responsibilities, and gets himself a part-time job at a restaurant. Black Irish was the first directorial effort for screenwriter Brad Gann.

escobar0813 I thought for sure that Black Irish was going to be like Southie packed with crime. Turns out this movie goes for a deeper more troubling look at turmoil within in a family. That's what made this one so good. You've got the good brother who is a baseball star who has to live in the shadow of what his no good brother does as a low level street punk. The teenage sister gets knocked up bringing more shame to the family. The father is a tortured man down on his luck with a history of failure. The mother is the bread winner trying to hold the family together. All in all it's not an uplifting movie to watch. It does have heart and great acting. A gem of a movie to see.

Mokaeff Usually I never comment. This movie makes me share coupla thoughts. Day by day we go to theaters to watch another multi-million dollar Hollywood production staring big shot names, breath-taking stunts, cutting-edge CGI and all that entertaining stuff. Black Irish has no budget (estimated $3 mln production budget is not even enough for a modest PR campaign). Neither does it big names. The movie captures you from the very beginning never let you go till the final credits. It’s pretty simple story, no big surprises, no plot twists - straight forward. The first faces I’ve seen on the screen I started right away reminiscing the next door guys I grew up with. They were pretty ordinary with same kinda problems in school, in family, out on the street. Some of them ended up not very well, others had a dream that kept’ em afoot. Sometimes it’s very good to get a post card to know where are you from. Black Irish let me take a look at those people I used to be very close to - the people I’ll never see in my life again. If you wanna see a real life “as is” not another glossy Hollywood picture or life TV show I strongly suggest you to watch it. Among other things you’ll enjoy the cast. Acting is very strong, characters are credible. This story could take place anywhere even in you neighborhood.

gradyharp BLACK IRISH is one of those little Independent films that manage to give more to the audience than the extreme constrictions of time and budget would suggest. Writer/director Brad Gunn (his first film) manages to tell a story about an Irish family from South Boston that is sincere, realistic, poignant, and profound, and though he worked with a small budget and a shooting schedule of 22 days, he has produced a fine little gem of a film.The McKay family has problems: father Desmond (Brendan Glesson) lacks work and spends most of his time drinking beer and watching baseball on TV, having been a promising baseball player as a youngster but nipped by the Vietnam War into glum lethargy; mother Margaret (Melissa Leo) resents the shadow of the man she married and works as a social worker to support her family; daughter Kathleen (Emily VanKamp) is pregnant, unwed, and when denied the choice of abortion by her mother's strong Catholicism is determined to have the child by herself, giving it the loving home she feels she has been denied; son Terry (Tom Guiry) is a tortured delinquent who is a gang member and always in conflict with the law; and youngest son Cole (the excellent young 20-year-old Michael Angarano of 'One Last Thing', 'Man in the Chair', 'Snow Angels', 'Lords of Dogtown', 'Seabiscuit', etc) is conflicted by wanting to be a priest versus wanting to be a professional baseball player - he is the good kid and the last hope of his parents.Terry tricks Cole into accompanying a house break-in and the trouble begins. The financial crisis at home drives Cole to get a job in a restaurant, and drives Desmond to menial work shining shoes. The family will support Kathleen's pregnancy, but that strips the income to the point that Cole must leave his Catholic school to be in public school, and while that seems to dash his hopes for a career in baseball, the coach at his public school (Finn Curtin) acknowledges Cole's talent and promises a future. Terry's lifestyle as a hoodlum presents increasing problems and at one point Cole gathers the courage to confront Terry during a robbery plot at Cole's work place and Terry is seriously wounded. We discover a hidden fact about Desmond that explains some of his sociopath behavior to his family and it is this discovery, coinciding with Terry's gunshot injury and Kathleen's tough life as an unwed working pregnant girl, that pulls the family unit back together.If the plot sound like soap opera rest assured it is not. This is an intensely realistic examination of a fragile Irish Catholic family striving to makes sense of a world that is increasingly chaotic. All of the actors are excellent, but the extraordinary sensitivity and skill of young Michael Angarano make this a film to cherish. And Brad Gann is assuredly a talent to watch! Very highly recommended. Grady Harp