Robert J. Maxwell
To the extent that this movie is apt at all, it fits Los Angeles better than any other American city of the period. There was a certain craziness about the place. There still is. It has hot dog stands in the shape of hot dogs. It has motels with names like The Taj Mahal in the shape of the Taj Mahal only painted day-glo purple. And I don't want to think too hard about the Madonna Inn, which seems to be made entirely of plastic spaghetti, lest my synapses fuse.In the 1930s and 40s it was a land of spiritualism and cults, of which Amy Semple McPherson's Four Square Gospel was perhaps the best known. This movie is like a stretched-out episode of "Dragnet," with all-good police officers in pursuit of all-bad phony spiritualists who rig séances in order to bilk a rich, gullible old lady out of her fortune. Sadly it lacks the reassuring ritual quality of Dragnet's style of dialog and movement.In this Zoroastrian world of black and white, Packards and Nashes career around curves in accelerated motion, the phones ring every ten minutes with important news, actresses are dragooned into plots to undo the evil-doers, and people speak in stereotypical lines that sound like they came directly from a screenplay.Nobody is a good actor. You know what would have pepped this up? Just ONE performer with a modicum of talent -- say, Marie Windsor, as the fake medium. And -- oh, hell -- throw in Mantan Moreland for laughs.
kidboots
The bunco squad deals with confidence tricksters and fraudsters. In this movie they are trying to bring down a big time phoney fortune telling racket. Robert Sterling was just finding his feet in better films ("Two Faced Woman" (1941) and "Johnny Eager" (1942)) when the war intervened and by the time he returned he was never able to regain his footing. Perhaps he was too much like William Lundigan. After a couple of roles in films like "Bunco Squad" he turned to television where he was in great demand. "Bunco Squad" was also one of Ricardo Cortez's last appearances. He had a fantastic career going back to the silents, where he was the only actor whose name appeared above Garbo's in a film. He never gave a bad performance.Anthony Wells (Ricardo Cortez, doing what he does best!!!) is trying to get friendly with a rich widow, Mrs. Royce (Elisabeth Risdon), who is still grieving for her son Phillip, who was killed in the war. He tries through her secretary Barbara Madison (Marguerite Churchill) who is unaware of his connections. When she tries to warn the police - her car is in a mysterious accident and she is killed. He brings in all his phoney fortune telling friends and they get to work on Mrs. Royce's friends and servants who fill them in on Phillip's young life. When Mrs Royce visits Princess Liane (Bernadene Hayes) she is able to tell Mrs Royce little stories about her son that the widow thought were known only to her. When persons unknown, tamper with Det. Steve Johnson's brakes, he sends his long suffering girlfriend, Grace Bradshaw, undercover. She is an actress and her assignment is to pose as a phoney medium to lure the other "fakes" into a trap. Grace was played by the lovely Joan Dixon, in her first film appearance - unfortunately, she didn't make many more!!!I quite liked this movie - it is all about phoney fortune tellers - not the usual cops and robbers story. Dante the Great was a genuine magician who made an appearance as himself, in order to instruct Grace in the art of being a medium!!!Recommended.
vandino1
Dull lead Robert Sterling plays the dully named detective "Steve Johnson." He's in the title squad investigating a phony medium racket lead by Cortez, who is trying to bilk a believing widow out of her fortune. Dixon is actress fiancé of Johnson enlisted to act as a medium to help trap the phonies. Lots of brakelines get cut in this film (three times!) to try and kill off Johnson and others. Chase finale features the cliché car-crashing-over-the-cliff, but the stock footage of the crash features a totally different car from the one the villain drives. A short film, but routine and flat. It looks like something out of a fifties TV cop drama. The cast tries but is defeated by a script that gives them little characterization.
gnrz
I almost always enjoy "B" movies of the crime genre. They rarely run more than 65 minutes and don't waste time trying to develop detailed and boring character development. This fast paced film had everything from fast car crashes to gunplay. And, BTW, in all of his films, did Ricardo Cortez ever play any type of role other than a criminal? Gunner
AD
