nightroses
This has got to be a sad film based on a true story. It doesn't mean that everything in the film is exactly the same as true life events but there were some changes made. School is rife with friendships and bullies. Here there was no bullying, it was friends and the girl's own friends who did the murder. The true story is much more complex but the film itself focuses on the two BFF's and the arrival of a new girl. The new girl Ashley breaks apart the besties by choosing to befriend one of them and isolating the other. Also making her new friend not go on a date with this boy. The actress playing Ashley comes across as a very evil teenager who abuses her mother at home. As the film was based on a true story, it could've been told better with more realness, such as both girls plotting and planning to kill their friend. It made only Ashley the cold blooded killer while the other girl was reluctant. The only message in the film is not to trust your friends and don't sneak out at night without notifying your parents. The film could've added more updates on the outcome of the murderess' trials and the Skylar Law put into place because of this.
adriianna-40299
I'm a sucker for a good lifetime movie, and this is one! Took twists I wasn't expecting and was excited all the way through. If you more looking for a good lifetime movie, look no further!
JamieWJackson
There was some good acting here, and the movie moved along fine. In the end, though, I was left disappointed that the movie was too "based on a true story" to be good fiction, but too fictionalized to be a good docudrama. It kinda slipped into the crack in between.Tina Ivlev is absurdly sexy, but her character here is so obviously psycho that it's hard to even try to warm up to her. Right from the start she's disturbingly flippant and manipulative. There's never a moment of horrifying realization for the audience, here; the outcome seems telegraphed from the very early going. With no mystery, it seems that the only thing we're watching to see is everybody's reactions to what we know is going to happen.Despite those and other flaws, the movie-making quality level is decent here, for the most part. It's really just the script that needed some work, I think. I give this 5/10 for being watchable but forgettable.What I did take away from this is that I will eagerly look forward to more from both Tina and Brittany, two lovely and talented young actresses. (If they make a movie about Helen Hunt's life, I vote Tina to play her. Eerie resemblance, IMO.)
ray-280
In 2012, Skylar Neese was murdered by two of her friends; in 2014, her story was murdered by Hollywood. Some films are so bad they are good; this one is so bad it gives Below Utopia a run for its money.My ongoing prayer that Lexi Ainsworth won't make me look stupid by making my prediction of an Oscar for her within a decade or so just took a slight hit, but through no fault of her own. The fate of her character in the film appears a metaphor for the actress's true opinion of the material. Given absolutely atrocious writing, and a nearly-as-atrocious supporting cast, she did her best to save it, but the patient died anyway. In this film, Lexi is like the slow kid stuck at the doorbell after her friends rang it and ran way, leaving her to account for the sins of her peers.Sara Cowan (Lexi), Jade (Brittany Underwood), and new-girl Ashley (Tiina Ivle) form the titular clique, with one meeting the titular fate. The unattractive Ivlev chews the scenery as if she'd smoked six joints on an empty stomach on her way to an all-you-can-eat buffet. Her impact on the film is that of a nuclear weapon. The exceptionally hot Brittany Underwood reveals that she is a much stronger television actress who comes much more into her own with a long-term role. Her take on Jade seems to be that of "submissive lesbian stoner." As Sara, Lexi mails it in, but does so with first-class postage for a script she could easily have performed in her sleep. The best she could give is what she gave: an absence of even minor mistakes. Having seen both Underwood and Lexi on soaps for years, I know what each are capable of. The emotional range she displayed in the scene she turned in on GH when Mac killed Warren could have won film awards. With compelling material, and a competent cast, she'll shine, but this film has neither.Ideally, a world-class actress should be able to sit and wait for that killer script, but in the real world the bills have to be paid, and films like this have their place in the profitable true-crime niche, where the confines of the story tend to suffocate an actor's ability to take over a film. Rarely has this been made more apparent to me than here.
AD
