bkoganbing El Cortez is a film that presents Lou Diamond Phillips in an unusual character, an autistic soul who as most of them has an inability to relate to his surroundings. He reacted violently to one such situation and spent some time in a mental institution. Since his release he now has a menial job as a desk clerk in a fleabag hotel in Reno, Nevada named the El Cortez.Being he's Lou Diamond Phillips he arouses the interest in Tracy Middendorf who is the girl friend of drug dealer Glenn Plummer. Plummer is the jealous type and only through some murky flashbacks do we get a hint that maybe the Lou we see is someone who can handle the situation if the need arises. Lou also has his arresting officer James McDaniel interested as well. McDaniel never believed in that 'not guilty by reason of insanity or mental defect' crap that got Phillips off. If he can't get him behind bars then he'll harass him so that Phillips will be his snitch.But the worst of it for him might just be Bruce Weitz who is a paraplegic staying at the hotel whom Lou saves from some muggers. Turns out that Weitz is a con man and he's got some kind of gold mine scheme working on a mark played by Peter Onorati. All these plot elements come together and it's interesting to see how it all works out. El Cortez is a kind of poor man's Forrest Gump where Lou Diamond Phillips is hardly a fringe player in great events of our time the way Tom Hanks was. The film itself is a minor effort, but what Lou Diamond Phillips does with the character is fascinating. El Cortez is definitely for his legion of fans of which I am one.

abreland9 Pretty good actors; pretty good acting; TERRIBLE writing, and a story that is incredibly improbable (make that ludicrously impossible).What? We were supposed to believe that all these characters just HAPPENED to be in the same place at the same time, and acted so implausibly? There's more logic in a David Lynch movie! And what's with the moral values? It's OK to kill people serially (multiple bodies in the mine, not to mention the cop and the drug dealer) to perpetrate a scam repeatedly -- because the dead people may be crooks, too? "Oh well, as long as EVERYBODY gets hurt." This was a truly bad movie (even though with actors I like -- shame on you Bruce and Lou or Diamond, or Lou Diamond, or whatever you go by!).

David Ferguson Greetings again from the darkness. Very interesting screenplay from Chris Haddock suffers a bit from the over-direction of Stephen Purvis. The best parts of this noir sting flick include Lou Diamond Phillips evolving from the drug-neutered autistic hotel clerk (with a violent past) to a much different man by film end. The weakest segments involve heavy-handed over-dramatic moments with much hysteria and theatrics.While James McDaniel (Lt. Fancy from "NYPD Blue) gets coached into an over-the-top performance as the bad cop, Bruce Weitz (excellent in "Hill Street Blues") joins him chewing the scenes as the paraplegic owner of a supposed fertile gold mine. Strangely Glenn Plummer is much milder in his portrayal of a drug dealer that probably should have been jazzed up a bit. Next to Mr. Phillips, the best performance in the film belongs to Tracy Middendorf as the beautiful, yet not so trustworthy object of multiple affections.According to director Purvis, filming in Reno was quite painful, but it works very well as the setting. The hotel El Cortez is perfect with its old timey look and feel and, in the end, the Cortez name has a dual role. Definitely worth seeing for the story and Phillips' performance, but disappointing in that it could have been much more.

Gregory Haylock This movie is one of the best I've seen in a long time. The actors all do an excellent job with their characters and the chemistry is definitely there throughout each scene. The setting in Reno is perfect for the whole show of all these character's messed up existences that intertwine so intricately. My only real complaint was that there wasn't really a clear picture of who Manny was before he got to the El Cortez, only a few well placed flashbacks, which left me with questions. I suppose that information was not particularly relevant to the situation that elicited the flashback, so it's no big deal. Through the years I have seen many good movies and read lots of great fiction. This movie is fast paced like so many of its big budget brethren, but unlike many of those big budget films that fall apart at the end, El Cortez keeps you on edge right to the end, like a good page turner novel would. You know the kind, the ones you read through the night to find out what happens at the end. Don't miss this one.