Michael_Elliott Endgame - Bronx lotta finale (1983)** (out of 4)Set in a post-apocalyptic world, Ron Shannon (Al Cliver) is a warrior who has won a television show, which puts one strong man against others for a title. He is asked by a group of mutants (led by Laura Gemser) to guard them and transport them to a location where they can live on. Shannon takes the job and recruits some other men but soon it's clear that Col. Morgan (Gordon Mitchell) will stop at nothing to make sure all the mutants die.ENDGAME - BRONX LOTTA FINALE is another Italian film that rip-offs MAD MAX. Who knows how many of these films were made but this one here comes from cult director Joe D'Amato and for the most part it's mindless entertainment and you should find it somewhat entertaining as long as you don't take it too serious.In all honesty, the plot it somewhat of a mess and it's probably more complicated than it should have been. The biggest problem with the movie is the fact that the dialogue scenes are so deadly boring that you can't help but wish they had been edited out all together. After all, how many people come to a movie like this to hear any sort of talk? The film's entertainment comes from the non-stop action and this is where people can have some fun. There are all sorts of action scenes with shoot-outs, fights with blind people and more non-sense. The action is pretty fast and furious and makes for a much better time.Genre fans will certainly enjoy the cast that they have lined up even though the dubbing, as you'd expect, was pretty bad. Cliver might always be remembered for his role in Lucio Fulci's ZOMBIE but he's always fun to watch. Gemser had already made several film with D'Amato but she really isn't given too much to do here and yes boys, she keeps her clothes on throughout the film. George Eastman also appears in a small role and when you add in Mitchell you've got four likable actors.D'Amato does a pretty good job in the director's chair and in fact I was surprised to see how well he handled the action scenes. These scenes are what makes the film so ENDGAME - BRONX LOTTA FINALE will appeal to fans of the genre.

Lee Eisenberg Joe D'Amato's "Endgame - Bronx lotta finale" (simply called "Endgame" in English) is an exercise in unabashed exploitation, and a fun one at that. Post-apocalyptic settings are a common theme in cinema, but this is one of those movies that looks really prescient in retrospect. Set in an irradiated New York in 2025, people are forced to fight to the death to entertain the elites (a bit like "The Hunger Games"). And this movie came out over a decade before there was reality TV! I view these sorts of movies as a latter-day manifestation of Franz Kafka's parable of the leopards: what used to be shocking becomes routine (whether the types of movies or what they portray happening in real life)."Endgame" is a pretty slipshod movie, but it makes no pretense about what kind of a movie it is: a B movie and proud of it. And Laura Gemser sure is hot.

Paul Andrews Fifty years after the Nuclear holocaust of World War Three, New York is one of the few cities still intact. It survives in isolation catering to the craving of it's population for violence. There is live T.V. coverage of the 'Endgame Championship' that is based on the gladiator duels of ancient times. 'Endgame' began in 2012 and is now the most popular show on T.V. The show's host (David Brown) recaps the rules for the listening millions. Three 'hunters' are set loose to track down and kill the 'prey'. All the contestants receive one firearm and two additional weapons of their choice, if they are found with anymore the contestants are automatically disqualified. The 'prey' is given a 30 minute head start and is allowed to surrender but will lose points if he does so.. The 'zone' chosen to hold the contest lies between 22nd and 33rd Street. The hunters this time are Woody Smith (Bobby Rhodes), Kid Hitchkoc (Al Waterman) and Karnak (co-writer George Eastman). The prey is Shannon (Al Cliver). Shannon manages to kill both Woody and Kid. During a fight with Karnak a telepathic mutant named Lilith (Laura Gemser as Moira Chen) helps him to win. The films bad guy, Colonel Morgan (Gordon Mitchell) is a high ranking official in the SS which stands for security service. They see Shannon on T.V. with Lilith who he recognises as a telepathic mutant and wants them both, for some reason I really don't know as it's never explained properly. Lilith introduces Shannon to Professor Levin (Jack Davis) who asks Shannon to lead him, Lilith and a group of telepathic mutants out of New York City and to a rendezvous with a helicopter that will fly them to safety, in exchange for lots of gold. Shannon agrees and assembles a team of men to help. A guy with an eye-patch named Bull (Gabriele Tinti as Gus Stone), a ninja called, well Ninja (Al Yamanouchi), a big fat man named Kovack (Mario Pedone), a guy with really fast reflexes and is quite useful with a knife named Kijawa (Nello Pazzafini as Nat Williams) and lastly a driver called Stark (Franco Ukmar as Frank Ukmar), these guys wouldn't exactly fill me with confidence but there you go. The men and mutants set off. During their travels they come across blind telepathic monks, various general low-life's, deformed mutants, Shannon's old friend Karnak returns for seconds plus Colonel Morgan and his team of heavily armed SS troops! Will Shannon be able to lead the unfairly persecuted telepathic mutants and Professor Levin to safety? Will Shannon be able to stay alive long enough to collect his gold? You'll have to watch it if you want to find out. This Italian production was co-written and directed by Joe D'Amato under the rather unimaginative pseudonym of Steve Benson, and it's easy to see why he wanted his name off the credits as this film is consistently awful. The script by Amato and Eastman as Luigi Montefiori brings nothing new to the genre. It's tediously slow and dull as well as being very unambitious. The film as a whole left me with the impression no one associated with it was the least bit interested in creating a good film. The New York settings look like they were filmed under seedy railway bridges and in abandoned factory's. No effort is made to include any props or even make the locations look like a futuristic Manhattan, I'd be very surprised if this was actually filmed there. Once they leave Manhattan it's just fields and more industrial factory's that look very contemporary! The weapons, cars and costumes are bland and forgettable, once again I just felt very little effort or money was put into the look of this film. There isn't much gore or violence in it, a brief shot of an axe in someones head is about it. There is a sequence where a blue half man/half fish mutant (Pietro Ceccarelli as Peter Brighton) rapes Lilith, while doing so he says "look at me while I rape you damn it!", need I say more about how tacky and cheap this film is. The action scenes are poor to say the least. They basically consist of people shooting guns and then the camera cuts to stunt people falling off motorbikes or just falling over. There is little variety in them and they become extremely boring very quickly. There are a couple of fight scenes but they aren't that well choreographed or particularly exciting. Acting and dubbing is poor all round, Al Cliver makes for a very bland and uninteresting hero and Laura Gemser isn't much better as the leading lady. Big George Eastman is fun to watch though, as usual. And check the ending out, one helicopter lands and about 10 people get inside and take off, after the two pilot's it's a two seater at most and it's tiny! There's no way on Earth that all those people got into it and it took off, absolutely no way. Please do yourself a favour and avoid this, watch Sergio Martino's 2019-After the Fall of New York (1983) instead, believe me you'll be glad you did as it's far superior to this in every department possible. Total rubbish.

gridoon I really don't like using the word "cheesy", but it seems to be the one that applies best here. "Endgame" is likely to be picked up only by post-apocalyptic fantasy fans, or Joe D'Amato completists. So what do they have to look forward to? Some good ideas (the hero at one point acknowledges that men like him, living by their fists and guns are "the past"), some cliched ideas (the hunting game that's the most popular show on TV, the "Magnificent Seven"-type enlisting of the hero's sidekicks), and some weird ideas about telepathy: apparently the hero is not telepathic, and he can't read people's minds, yet he can communicate telepathically with a "gifted" woman. Get it? (*1/2)