jwalk3377 I downloaded and viewed this movie simply because I love Stana in Castle and was interested to see what else she has done. Unfortunately, I chose this movie as a my first one. If you want to make a movie about 2 lovers in Paris, that's fine. But don't make it about 2 people committing adultery and 1 of them has a child. I don't care if they were lovers before, it doesn't make it right. This movie would have made more sense if they were two people who meet in Paris and fall in love. If you want to add heartache and angst just fill that in with their back-story getting in the way of their romance. But adultery, no way. I don't care if it is in Paris. In my opinion, this movie was just a vehicle to showcase Stana's beauty and I really didn't see much in the way of acting skills. It looked like it was shot as a home video because practically the whole movie had the 2 lovers, romping in a field, on a motorcycle, in a car, etc. And during the dialog, it was one make-out session after another. The dialog was many times indistinguishable that I could not make out what was being said. And to me, it felt like they were given a situation and told to talk about it without a script being involved. Just say what you want to.I could not see the point in Stana making this movie. Like I said, I love her in Castle and at least there she has an opportunity to showcase her acting ability. But I have no idea where she will go once Castle has run its course. But I hope she never makes another movie like this.

lanciacoriandoli The movie is aesthetically beautiful... maybe too much. Each shot is designed to perfection. Nothing is left to chance and you will notice it sometimes... you will notice the presence of the director too. Beautiful the chosen black and white that reminds some of those Robert Doisneau's photos. All those things are intentional... As a matter of facts the movie is about photography, framing, it is about time stopping to build the perfect shot... doing this both in a picture and in life. Stopping the time in that unique instant, which is the art, which is sex, which is every moment in which we realize that we are living, but at that same time that particular moment soon gets us into sadness. Some scenes are really really beautiful... but there are too much of them that you could not digest it all! It's all so full, each frame is fragmented into a lot of other frames, faces the double mirrors, the transparency of glass and windows. In fact I struggle quoting one in particular... there are so many beautiful scenes and beautiful shots, all so dense but that density risks to remain diluted by and into the "too much". Beautiful close-ups of both the leading actors... breathtaking Stana Katic's ones that appears beautiful and is able to give her character a past and a future, with her expressions only. Very successful is the close attention for eyes, hands, mouths and tongues details... sometimes it my be a little intrusive. After 25 minutes the movie has a very interesting change in acceleration. The cutting becomes fast, the light high, and the music bursts. The shots change too, opening to shoot the two protagonists and not just parts/details of them. From this moment on it is a continuous succession of overlapping, wide shots and extreme close-ups, fast and slow cutting, sudden cuts and on-off alterning voices. At the beginning of the movie the protagonist tells his love to her: I do not photograph people anymore, but inanimate objects only, just because I do not see what I would like to see. In people I find only parts of you: your nose, your eyes, your hands ... but I can never see the whole of you, I can't find yourself. Beautiful is the motorcycle scene... I had already found it good watching the trailer, because of the metaphor between bike and sex. Feeling the bike's engine between the legs, his power under you. Feel when the gear engages and the bike spurts out under your body. To control that power, that emotion (similar to sex) something that explodes when you try to control it up to the end, but you know you cannot control it completely and totally. Nice the final scene, the only on color, shoot in a field of yellow flowers... looks like the scene from an old silent movie. In my opinion it's a very nice movie... maybe too much thought and reasoned... and I realize that in this nowadays reality, in which everything is done pulling it away, my opinion could appear as one of someone who is never satisfied, but that's it! The movie, I think is nice but lacks a bit in spontaneity... paradox, he lacks a bit of heart. But I do not want to be misunderstood: the movie is really very nice.

angelcosta78 While I had seen a few of the Polish Brothers other moves, namely 'Twin Falls Idaho' and 'Northfork' I freely admit I may not have been aware of 'For Lovers Only' if I didn't follow Stana Katic on Twitter. We all know what a great job Stana has been doing in the role of Kate Beckett in Castle for the past 3 seasons so any other project that she is involved with deserves a peek, right? Are you tired/bored with the usual Hollywood CGI laden, big bang, beat 'em up fare? Like me, do you need to be emotionally invested in a movie? If the answer is "yes" then 'For Lovers Only' is definitely the movie for you.It quite simply couldn't be any further from your 'conventional movie' and trust me it doesn't suffer for it in the slightest. What Mark Polish has written is an honest and heartfelt depiction of being in love - not just the joys but also the sorrows.'For Lovers Only' was conceived under the radar, with zero budget and zero marketing. The movie was shot with a tiny crew on the fly while travelling throughout France over a short period of time. There are no sets, no artificial lighting just amazing scenery, architecture and touching performances.The director, Michael Polish has done a magnificent job in capturing the tone of this movie. Filmed in black and white with a digital SLR camera he has managed to create the most romantic and almost ethereal feeling – it looks timeless. I don't know how he's done it but Michael has managed to make Stana look even more stunning! When we first met former lovers Yves (Mark Polish) and Sofia (Stana Katic) they seem to be only half a person, barely functioning. When they bump into each other again in Paris after 8 years apart it is palpable. It's almost like they've been hit by a truck, no words are necessary as it's written all over their faces. We all know Stana can say more with her eyes than most actresses can with a couple of pages of dialogue. From that moment on you just know that there is more to their story and they are going to reconnect – it's inevitable.As they leave Paris on their journey the ease with which Yves and Sofia fall back into the role of lovers or more importantly being in love is in stark contrast to the stilted and awkward phone conversations they have with their respective spouses. These two seem to be each others perfect, each others everything that it's hard to imagine why they broke up in the first place – it's never explained either.If viewers are expecting what follows to be a 'sexcapade' throughout France then they are going to be disappointed. Yes, there is a sex scene but it's not gratuitous or explicit – this is a movie for grown ups after all. The most intimate moments in the movie are when Yves and Sofia are simply in each others personal space, totally comfortable with one another, sharing their feelings and thoughts. If the objective was to have the viewer almost feel like a voyeur then mission accomplished in spades.I don't want to dissect the movie scene by scene, it is better for the viewer to simply go on the journey with the lovers and let their story unfold before your eyes. You'll laugh, you'll cry but most of all you'll feel.The haunting score by Kubilay Uner fits each scene perfectly and only serves to heighten the experience.The choices of songs by artists such as Arcade Fire, Jeff Healey, John Lennon, A Girl Named Eddy and Serge Gainsbourg to name but a few are inspired. One could be forgiven for thinking that they had been especially written for the movie as they sit so comfortably within it.All in all 'For Lovers Only' is a treat for the heart and the soul. You will get a little something different out of it with each viewing. I first saw this movie just over a fortnight ago and it's still rattling around in my head. How many movies can we say that about?

Lightseven Ahh...love. So what happens when the "one that got away" is right there in front of you and your life, now, is far away? Do you turn and walk away or do you dive in again, head first and follow far past the distance you can swim? What a beautiful film. What a beautiful fantasy. What a sweet, sad situation that so many of us can relate to. Brava for taking us along on this lush and dreamy affair. It brought back memories of long ago and far away and left me playing the "what if" game for the rest of the weekend. The actors were perfect, the dialogue spot on, the scenery fabulous and the choice of filming in black and white leaves so much more room for our imagination to stretch the story over any period of time. Watch it alone first, and if you are brave, watch it with someone else, if you are prepared to talk about periods of your life that you haven't decided to share yet.