Bieris Reyes This was one great film. When we first meet Gabriel we discover a young adult with some dark behavior of his own, but he doesn't really care what his family or anyone think about this because he knows he is right and he knows what can solve his "problems". I love how the director don't judge or try to give a life changing lesson to Gabriel, he just let him be himself, even when that's dangerous, and confront the raw truth when he finally have to. Rory give us a performance so natural and real that transmits to us his desperation, longing as well as making us fear for him. The restaurant scene is just painfully meaningful and really well executed by both the director and Rory. Overall great film, too bad people are too busy watching mainstream garbage to give this gem a chance.To Rory and the director Lou Howe: Please keep making good movies like this one even if you guys have to die poor.

subxerogravity It's a very very quiet film with an captivating performance by CulkinIt was a very down to earth look at a kid who just got out of a metal institution attempting to prove to everyone that he's not insane, when they all feel otherwise.The filmmakers added to this haunting quest by never fully accounting the actions of Gabriel before he got out. It's a good way to have the audience keep him as the protagonist, so that we a cheering for him all the way.The subtlety of the whole thing from the very beginning to the very end really does the trick and actually brings out Culkin's chilling performance.Thumbs up

JvH48 Seen at the Leiden International Film Festival 2014 (LIFF), where it was selected for the official American Indie competition. We follow Gabriel on an obsessive search for a former girl friend, hoping that being together again will solve all his problems. Provides for an insightful view on the impact it has on family and friends who have to live with someone with mental problems, and how difficult it must be to follow his trains of thought and his hidden reasoning. That he is a loose canon and unpredictable all the time, is clear from the outset.On the other hand, an extra 5 minutes (adding up to 90 min, still not long) could have worked to explain Gabriel's medical history, his place in the family and what problems he has been treated for. And what precisely must we think of his former relationship with Alice, and how many years have past since their relationship?? A continuous attempt to restore that friendship is the driving force of everything he does, and we may wonder why he thinks that a reunion is a good idea, and why it will solve all his problems for good.All in all, a lot of guesswork, too much for my taste, but it may have been on purpose letting us read between the lines all the time and keeping us in tension. Yet, lead character and director show a lot of promise, with a bright future ahead. My IMDb score of 7 strikes a balance between the excellent acting on one hand, and the missing elements in the script which could have clarified some background and improved our viewer experience on the other hand. The excellent performance by the lead actor and his overly persistent quest would have been better appreciated when we had a grip on the type of disease he is suffering from. If leaving out important details was intentional to maintain a dramatic tension all along, I'm wrong with this score, but I cannot help it. Maybe I'm to rational and always in need to understand things, unable to satisfy myself with atmosphere and impressions included in a movie.

Clayton Davis Just over twenty years ago, Macaulay Culkin attempted to break away from any semblance of his child actor days with the thriller The Good Son directed by Joseph Ruben. In that film it is revealed that "Henry," played by Culkin, killed his little brother Richard. For just a second in the film, we get a glimpse of Richard, pictured in a frame by Macaulay's then little brother Rory, the youngest of the seven Culkin children. Who knew that parents Kit and Patricia had saved the best and most talented for last? In writer/director Lou Howe's darkly constructed thriller Gabriel, the young Rory Culkin not only manages to build a multi-layered and fascinating character, but allows himself to be among one of the most promising and gifted lead actors seen this year.Magnetically charged and full of suspense for nearly every moment, Gabriel is about a troubled young man (named Gabriel), who is convinced that reuniting with his first love will bring the stability and love he so deeply craves. When his attempts find missteps at nearly every turn, beginning with objections from his family, Gabriel begins to unravel.Director Lou Howe makes his feature film debut with this twisted and terrifying look into the mind of an unstable young man. Howe lets the moments linger for what feels like a cinematic eternity, that brings the tension to the breaking point. You'll live at the edge of your seat. Assisted with the dedicated and surprising performance by Rory Culkin, the two embark down a path that will leave you breathless. The 60′s had Anthony Perkins in Psycho, the 70′s had Robert DeNiro in Taxi Driver, and now in 2010′s, we have Rory Culkin. A darkly charged performance that is both fascinating and secure, his "Gabriel" has potential to be looked back upon for years to come.He isn't the only player that makes his mark. Playing Meredith, Deidre O'Connell, probably best known for playing Tom Wilkinson's cheated-on wife in Eternal Sunshine of the Spotless Mind, takes the suffering and supportive mother role to new heights. O'Connell envelops the essence of loving with fear. Desperately wanting to keep her son with her on the outside but aware of what a free Gabriel could elicit on the world is just the tip of her internal struggle. O'Connell joins the ranks of great character actresses such as Jacki Weaver and Ann Dowd working today. An actress who should be given more opportunities to flourish in Hollywood. It's the best supporting turn this year yet.Playing Matthew, Gabriel's brother, David Call rises to the occasion in nearly every scene he's in. Showing restraint but frustration as he tackles on the daunting task of caring for his erratic sibling. Relegated to one scene each, Emily Meade, Alexia Rasmusen, and Louisa Krause are not forgotten as bright sparkles in this foggy story that's full of mystery and uncertainty. Lynn Cohen also has a very tender and powerful scene that gives the audience some great insight into Gabriel's mind. I found her just as compelling.Gabriel is a mesmerizing motion picture. Definitely not for everyone, the film should be able to find a nitch with a key audience that will worship Rory Culkin. Gabriel's actions are quite unpredictable and could make some too uncomfortable. While I'm perfectly satisfied with the ending resolution, as the film continuously builds to this "one moment" from Gabriel, that some may feel differently. If anything, this sets up a long line for Howe's next feature film, whatever that may be. In the end, Gabriel is one of the most frightening and haunting character studies since Mark Romanek's One Hour Photo. It shows the unpredictable and fragile nature of mental illness that we haven't seen before. Intriguing and hooked from moment one, Gabriel is a must-see film.