Phil Hubbs At a certain point, many of these Burt Reynolds movies tend to blur into one. The constant use of Pontiac Firebird Trans Am's and the fact he's actually wearing another Firebird jacket (silver this time), just like in 'Smokey 2'. Yeah I get the fact the Firebird was a top American muscle car back then but with Reynolds behind the wheel, you could be watching any number of movies!The plot revolves around Reynolds as the titular Hooper, supposedly the greatest Hollywood stuntman alive. Alas old Hooper is getting old, too many crashes and too many painkillers are taking their toll on Hooper. His girlfriend (played by real time girlfriend Sally Field, probably why she's in the movie) is also fed up with Hooper's dangerous career and wants him to quit. Then along comes a much younger, fitter stuntman (Jan-Michael Vincent) who kinda challenges Hooper's position, naturally a friendly yet intense rivalry grows between them as they try to out perform each other. This eventually culminates in the chance to pull off the greatest stunt ever on the movie they are working on. Its extremely dangerous but the pay is huge, thing is, no one thinks they can do it. Hooper's bird doesn't want him to, the doc doesn't want him to, but the movies director is demanding they do it. Is it worth risking their lives for?This movie is directed by none other than Hal Needham, a good friend of Reynolds (if you couldn't tell). The story is actually loosely based around Needham's early career as a stuntman in Hollywood. 'Hollywood's greatest stuntman'? that's the films tagline on the poster, so did Needham kinda have a rather overinflated opinion of himself? or was he really that good?So if we're really honest here, the movie is just an excuse for lots and lots of stunts utilising many stuntmen in the biz. It is a comedy in case you were wondering, its not a heavy drama or anything. Its your usual slapstick affair with Reynolds doing what he does best...drive Trans Am's (did he have a sponsorship deal or something?). As you can imagine the tomfoolery on display in this movie is predictable and hokey. Pretty much every basic stunt you can think of is thrown on the screen, by real stuntmen, not Burt, although he does do the odd bit and was quite athletic back then. You got guys being thrown through windows, bar fights, horse riding, falling off horses, swinging from buildings, falling from heights, flipping cars, jumping cars, explosions, toppling buildings etc...The grand finale is a whopping sequence featuring Hooper and Ski's car trying to escape a small town set whilst it crumbles down around it. The guys must navigate a gauntlet of destruction evading explosions, falling buildings, other cars, people running around etc...and make it to a bridge which ultimately collapses. There they both attempt the huge dangerous stunt of jumping the car over the collapsed bridge (335 feet). This sequence is worth the wait as it shows many solid stunts, nothing that will blow you away these days mind you, but still dangerous well timed stunts. The best being a huge factory chimney falling down with the car just racing past underneath before it hits the ground. The actual final big leap does look good for the most part but it cuts before we see it reach the other side, so I have no idea if that stunt was actually completely successfully.The movie is ultimately about the camaraderie between Hooper and his band of stunt mates (Reynolds realtime coworkers). Its uplifting and cute for sure, but hammy as hell, as is Reynolds ladies man image which is always a part of his characters and kinda cringeworthy. Never really sure if he is just playing that image up or he genuinely thinks he's a charmer. Reynolds also manages to break the forth wall here yet again, as he has done on many of his car comedy movies.Its like a massive overlong episode of 'The Dukes of Hazzard' (James Best is here after all), or just more hijinks from The Bandit. Or, more accurately, a movie about how Hal Needham and co go about making their proper stunt filled extravaganzas, almost like a sly behind the scenes. However you look at it, it is a fun ride at times, Reynolds is clearly having a blast with his car obsessed team of Hollywood regulars, but that doesn't disguise the fact it is completely unoriginal. Yes the tale of a stuntman based on a real person is relatively fresh, but what we actually see is just more of what Reynolds has done before, with the same people (in the same cars!). Oh and the movies title/wording on the poster looks like an actual beer companies logo.6/10

Scott LeBrun "Hooper" is a delightful tribute by star Burt Reynolds and director Hal Needham - both of whom began their careers as stuntmen - to those brave men and women who risk life and limb for the movies. It remains endearing and upbeat throughout, sometimes getting serious but never melodramatic. It's naturally jam packed with amazing stunt work, and quite a few explosions as well. The cast is completely engaging, and everything is played with a respectable amount of humour.Burt plays Sonny Hooper, an old pro stuntman who realizes that a new day is coming, and that a new breed is emerging: younger, tougher, more daring. A prime example is up and comer "Ski" (Jan-Michael Vincent), who comes to work on the same movie that Sonny is currently gaffing. It's Ski who encourages Sonny to try one of the riskiest car stunts ever filmed."Hooper" has just enough story to be involving, and one can't help but like these characters. Burt is charming, with an incredibly foxy Sally Field playing Gwen, the girlfriend who stands by him. Vincent is very likable, as are the supporting performers such as Brian Keith, John Marley, James Best, Adam West (in what is really a nothing role, as the actor for whom Sonny doubles), George Furth, Don 'Red' Barry, Robert Tessier, and Tara Buckman. Comedian Robert Klein is good as Roger Deal, the jerk director of the movie-within-the-movie, who cares not for going over budget or risking lives as long as he gets his shots.Burt has a great moment right at the end as he acknowledges us in the audience before providing us with an appropriate and satisfying punchline.Eight out of 10.

Prismark10 This is an easy going, light hearted comedy drama which Burt Reynolds effortlessly churned out in the 1970s. Nothing much to tax your brain and plenty of stunts to keep his fans happy. The film is loosely based on the experiences of director Hal Needham who used to be a stuntman himself and serves as a tribute to stunt-men everywhere.Reynolds is a veteran Hollywood stuntman who works hard and plays harder but is spurred on to do better when a rival emerges (Jan Michael Vincent) who is fitter, takes better care of himself and younger. The two become friends after a bar brawl but begin an escalating but friendly rivalry with the stunts becoming more and more spectacular and dangerous that climaxes in a rocket car stunt.Sally Field pops up as Reynold's girlfriend. There is a roster of stolid supporting actors from Adam West, Brian Keith, John Marley, Robert Klein.The film is easy going, charming and fun. The stunts keep the action moving. There is good chemistry between Vincent and Reynolds but its also easily forgettable like a lot of Reynold's output from that era.

Isaac5855 For those who prefer their entertainment on the mindless side, check out the 1978 comedy HOOPER, which stars Burt Reynolds as an over the hill stuntman having his thunder stolen by a young up and coming stuntman (Jan-Michael Vincent). There are crazy car stunts, a good bar fight, and some funny dialogue. Sally Field is decorative window dressing and there are wonderful supporting performances from Robert Klein as an egomaniacal film director, John Marley as an aggravated studio head, and best of all, Brian Keith as a retired stuntman and Field's father. Check your brain at the door and just have a good old time with the life of a Hollywood stuntman.