Edgar Allan Pooh . . . JITTERBUGS appeared on the big screen, with Stan Laurel trying to supplant Betty Grable as a pin-up gal for the Allied troops during WWII in 1943. Stan's effort falls totally flat, as he seemingly cannot even raise his voice to simulate the "fair sex" (a feat easily accomplished later by Dustin Hoffman and Robin Williams in the aforementioned flicks). Mr. Laurel and his frequent sidekick Oliver Hardy mostly are adrift here in a plot which makes less sense than their usual, and doesn't perk up until the last five minutes when the showboat Gen. Fremont drifts away from its New Orleans pier during rush hour on the Mississippi. JITTERBUGS' opening desert scene and its follow-up two-man band episode are okay, but the rest of this story quickly bogs down during the lengthy "New Orleans" sequence. Film rookie Vivian Blaine warbles rather well, but her shoulders are not broad enough to carry the entire flick.

classicsoncall Sometimes even an out of their prime Laurel and Hardy flick can fill the bill, like it did this morning on the Fox Movie Channel. I haven't seen one of their features in a while so this was a welcome treat. Yet even though they're both top billed in the credits, you somehow get the feeling that they have a support role in this story about con men out-conning each other with the boys as willing partners. As the story progresses, a host of characters slip in and out of the action, and one of the puzzlers is how a couple of the original grifters named Corcoran (Robert Emmett Keane) and his wife Dorcas (Lee Patrick) simply drop out of the picture, even though Corcoran was a partner of the main villain Bennett (Douglas Fowley). Oh well, not to worry too much about figuring that out.In some respects it appears that Twentieth Century Fox was attempting to follow the Universal formula of Abbott and Costello's successful early films by supplying a host of musical numbers performed by the pretty Vivian Blaine. Her character is Miss Susan Cowan, who's aunt had been swindled using the old bait and switch envelope trick. Rounding out the main quartet, Robert Bailey portrays another grifter named Chester Wright, and when he's stricken by Miss Cowan's looks and charm, he's a goner. If there were only enough pretty women in the world, maybe there wouldn't be any bad guys.You know, I've been thinking about that gas pill gimmick. Recall how Ollie was offering the bargain price of one dollar for the five gallon pills and two bucks for ten gallons - that would have worked out to twenty cents a gallon to manufacture gasoline out of water. Well I recall buying gas at twenty eight cents a gallon when I first started driving in 1967, so I just looked it up, and a gallon of gas in 1943 cost about ten cents. I wonder what they were thinking when they put the script together.Anyway, as con man Chester puts it - "Money lost through larceny can often be recovered the same way". And so it goes, as Stan impersonates the dowager Aunt Emily Cartwright, and pulls off the envelope switcheroo against the bad guys. If you're attentive, you'll catch a quick line from Stanley stating "I feel so gay" when he first puts on women's clothing. It kind of makes me wonder what he'd say if he were around today.

Alex da Silva Stan & Ollie are travelling musicians who run out of gas in the middle of nowhere and are helped out by a travelling salesman, Chester (Bob Bailey). He gives them one of his gas pills to put in their car and they decide to go into business combining their music act with selling these pills. When they try their luck in the next town, Chester meets Susan (Vivian Blaine) and she joins the gang. The plot then changes direction as we learn that Susan's aunt has had $10,000 dollars stolen by crooks. Chester, Susan, Stan & Ollie are determined to get the money back and the film follows their efforts to do this as Stan & Ollie pose as different characters at a hotel, while Susan takes a job as a singer at a club.There are some funny scenes and Vivian Blaine sings 3 songs. Its all completely unbelievable nonsense but at the end of the film you feel that you have been entertained.

tedg I admit that I find Laurel and Hardy tiresome. If you do too, you might find some relief in this rather unusual project.The "boys" as a two man jazz band. As the foils in a scheme to bilk people using "gas pills," (some of which are still legally sold to suckers today in the US).And third in elaborate disguises to bilk another group of con men out of their unearned rewards. Its this last where the payoff is: two by now tired old men playing their scampy characters, playing film stereotypes: a Texas oilman and a rich spinster.Its not a memorable film experience, but it is likely the best I know of them other than what I think is one of their first film appearances as inmates of an asylum in "Call of the Cuckoo." Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.