Julia

Julia

2015 ""
Julia
Julia

Julia

4.6 | 1h35m | NC-17 | en | Horror

After suffering a brutal trauma, Julia uses an unorthodox form of therapy to restore herself.

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4.6 | 1h35m | NC-17 | en | Horror , Thriller | More Info
Released: October. 23,2015 | Released Producted By: Zero Gravity Management , Farraj Factory Country: United States of America Budget: 0 Revenue: 0 Official Website: http://tombstonedistribution.com/julia/
Synopsis

After suffering a brutal trauma, Julia uses an unorthodox form of therapy to restore herself.

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Cast

Tahyna MacManus , Jack Noseworthy , Joel de la Fuente

Director

Kay Lee

Producted By

Zero Gravity Management , Farraj Factory

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Reviews

TerribleKatherine I enjoyed this movie a lot. I found it dark and stylish. I think the cast did an outstanding job, especially Ashley C. Williams. Considering revenge violence is kind of a worn-out genre, this movie managed to bring it a new fresh but a simple pov. A special shout-out to the soundtrack, it is now on my Spotify permanently.
billcr12 This has been done before, and better, as with I Spit on Your Grave. Julia(Ashley Williams) seen earlier in the even more bloody Human Centipede, gives a decent performance in the otherwise tedious, dark, and poorly written Juila. It begins with our heroine wearing ugly, oversized glasses walking up the stairs to an apartment for a date with a fellow intern from a nearby New York City hospital. He gives her a drink, which of course is spiked with something to knock out the young lady. Through a series of flashbacks, we are shown her assault by five very angry young men. She overhears a conversation at a seedy bar by women recovering from rape. Of course she pursues them and eventually gets her revenge on her culprits. The movie drags on for ninety five minutes and is a waste of time.
manuelasaez One of the worst films I have seen this year, it is just ridiculous that people get away with making these types of abominations. We have seen the set up before; mousy girl is raped, physically and mentally damaged, seeks revenge. It was done in I Spit on Your Grave, Last House on the Left, etc. and there is a reason why these movies simply retread the same territory with little variation. Where you can vary (such as inventive kills), the movie skips these over almost completely, instead opting to showcase the aftermath. Why make a revenge film if you are going to censor it so heavily? Give me something visceral, gut wrenching and horrific, not this made-for-Chiller-T.V. snooze fest that left me with more questions than I started out with. The acting was decent (surprisingly), and the only real stand out was the soundtrack; Japanese vocals, heavy bass and inventive rhythms make this an audible treat. But the movie itself is so utterly banal, that I was exasperated mind way through at the lack of anything interesting happening, and by the end I was just glad that it was over. Disappointing is an understatement. It was just a weak experience overall.
Armand Jean du Plessis The ratings is not really doing this movie justice at all in my opinion. Technically its superbly shot and in this aspect the director has really done a good job. I just loved the soundtrack of this movie and it greatly blends and embellishes to again suit the specific atmospheres. Tracks of Lark, Vuvuvultures and Ske are featured among others. Acting is also above par.The main issue with this movie has to do with its script that undermines all the positives above. As a man I was uncomfortable watching this. The woman are brutalized by a huge group of almost ordinary educated young men, her male therapists stay faceless until the end of the movie when he is also revealed to be a monster as the "breakthrough therapy" (with the "100% success rate") he sells involves murder. Again, like in so many movies men are portrayed as monsters. The generalizing theme go further when the lead totally reject all males after the incident and become lesbian. I was thinking about how hypocritical the whole movie and gaming industry has become. GTA5 for example is heavily criticized for its stereotyping of women, yet no sex is more stereotyped and dehumanized than males.I did however realize that one may be a bit oversensitive about the stereotyping aspect. Reason is it would be difficult to make a horror movie without some degree of stereo tying. Also the victims themselves become savagely brutal in their revenge, killing some characters that did not do her harm. Is this the directors way of saying that revenge on this scale turns you into a full spectrum monster? We don't know because she is never caught or show any regret. Or will some viewers see this as a society that made her a vengeful monster playing into the hands of the male hating radical feminists? This is the problem.Although a morose topic this is definitely worth watching if you can look past the possible thoughts of stereotyping.