Mr. Moto Takes a Chance

Mr. Moto Takes a Chance

1938 ""
Mr. Moto Takes a Chance
Mr. Moto Takes a Chance

Mr. Moto Takes a Chance

6.4 | 1h3m | NR | en | Action

In the jungle near Angkor Wat in Cambodia, Mr. Moto poses as an ineffectual archaeologist and a venerable holy man with mystical powers to help foil two insurgencies against the government.

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6.4 | 1h3m | NR | en | Action , Thriller , Crime | More Info
Released: June. 24,1938 | Released Producted By: 20th Century Fox , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

In the jungle near Angkor Wat in Cambodia, Mr. Moto poses as an ineffectual archaeologist and a venerable holy man with mystical powers to help foil two insurgencies against the government.

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Cast

Peter Lorre , Rochelle Hudson , Robert Kent

Director

Albert Hogsett

Producted By

20th Century Fox ,

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Reviews

utgard14 Mr. Moto goes undercover in the Cambodian jungle as an archaeologist. There he tangles with a nefarious high priest and a Rajah (J. Edward Bromberg) who's more threatening than he seems. Also in the mix are a couple of goofy newsreel photographers (Robert Kent, Chick Chandler) and an aviatrix (Rochelle Hudson).In most of these Moto films, Peter Lorre seems to be having lots of fun and this one's no exception. He's great to watch. As another reviewer pointed out, Moto uses a disguise that strongly resembles Yoda. Chick Chandler is often annoying. Robert Kent isn't much better. The movie could only have been improved by removing their characters. J. Edward Bromberg seems like comic relief at first but his character's pretty sinister. He serves Mr. Moto his carrier pigeon for dinner! Next to Lorre, Rochelle Hudson is the best reason to watch this. She's gorgeous and does a great job playing the adventuress. She has more sex appeal with a ripped shirt exposing one bare shoulder than most actresses have fully nude.This one plays more like a jungle adventure film than a detective one. But it's pretty fun, with neat temple sets and nice performances from Lorre and Hudson.
Spondonman For the 4th Fox Moto the script took a nosedive and crashed like Rochell Hudson's plane did at the beginning. You could tell it was going to be a bumpy ride as she was flying over Angkor Wat and awe-struck by its beauty for a full half second. The overall intelligent production and sinister atmosphere generated by the sets more than make up for it though and keep me coming back."Grave-digger" Moto played beautifully superciliously by Peter Lorre is trying to discover and stop a plot to overthrow a Cambodian Rajah (?) played by mincing and wincing J. Edward Bromberg. Two grade A American newsreel cameramen get in the way, one falling for Hudson the other supplying the comedy. It takes a long time coming but the 2 Yanks escape an execution, Moto gets to show his incredible disguising (!) and energetic jujitsu skills off, and Hudson nearly got raped too (well, what was that about with the pervy High Priest if not?!) The High Priest/Temple scenes reminded me of George Zucco in The Mummy's Hand a few years later, another great film with a gossamer-like plot than smacked of Serial. Even so, there's a few surprises along the way, and the 61 minute running time simply flew by, because you see, I enjoy watching this type of movie: I can laugh at its many faults at the same time as revelling in its many good points.I only wish they had made this as a 13 part serial, there'd be so much more to enjoy.
paul panzer Indeed this movie is a great deal like a Republic serial. For those who like their meat raw, that's a good thing, and fun can be had here. Granted, there is more than enough silliness to go around -- Lorre's disguise as an Asian sage is, to be blunt, not *entirely* successful, but he plays the impersonation tongue in cheek, and the end result is nothing if not amusing.I cannot imagine what is offensive except possibly the dreaded racial stereotypes, which surely are endemic to the whole series. The idea that a B picture would be "held back for a few months" because of a matter of taste doesn't seem likely. Zanuck didn't expect Bs to be any good, and rarely screened them. There's no reason to single this film out as any sillier than many Bs of the period. There's more than enough to enjoy, and the running time is mercifully short. I'd rather watch this than any of the interminable Charlie Chan films.
Anne_Sharp It's a testament to the popularity of the Moto series that this dreadful botch was even released to theaters. It was, in fact, held back for several months, and it's easy to see why. While the other Moto films featured production and entertainment values considerably above that of the average "B" film, this silly and embarrassingly amateurish entry is barely recognizable as part of the same series, with its lame-brained phony Orientalia and sub-Republic serial story line. Worst of all, Peter Lorre--the only reason to watch a Moto film in the first place--spends an inordinate amount of time either offscreen or muffled in a disguise that's preposterous even for Moto.