Night of the Juggler

Night of the Juggler

1980 "In the heart of every victim is a hero and he'll tear apart a city to prove it."
Night of the Juggler
Night of the Juggler

Night of the Juggler

6.5 | 1h41m | R | en | Drama

An ex New York cop is desperate to find his kidnapped daughter.

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6.5 | 1h41m | R | en | Drama , Action , Crime | More Info
Released: June. 06,1980 | Released Producted By: Columbia Pictures , GCC Productions Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

An ex New York cop is desperate to find his kidnapped daughter.

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Cast

James Brolin , Cliff Gorman , Richard S. Castellano

Director

Stuart Wurtzel

Producted By

Columbia Pictures , GCC Productions

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Reviews

Roel1973 Night of the Juggler (Robert Butler 1980) is an interesting watch. It's not only a tense thriller with good performances, but it's also one of those movies that give a great impression of New York City before the Disneyfication. Not only that: the deterioration of the city is a major theme in the movie.You see, Gus (Cliff Gorman) is a psychopath who blames City Hall for the squalor he lives in, and the real estate magnates for the destruction of the old neighborhoods. He lives in a derelict building in The Bronx, which was once owned by his family. Now it's a pile of rubbish. 'This used to be real nice up here', he says while he walks past mountains of rubble with his young kidnap victim. He's not thinking of moving. 'I'll always live here. No matter how many *racial slur* they send in to burn the place down'.Gus has come up with a plan: kidnap the daughter of a real estate magnate, take his money and teach him a lesson. But there's a mix-up and he ends up kidnapping the kid of an ex-cop (James Brolin), who starts a frantic manhunt through NYC's underbelly to track down the kidnapper and get his daughter back. Highlights include a brawl in a peep show, a confrontation with some genuine 'Bronx warriors' and Brolin's constant fights with his former colleagues.It's a good movie. Not a classic by any means, but I liked the fact that the depressing state of the city was not merely a visual backdrop, but also a theme in the picture. For this reason, Night of the Juggler could make for an excellent double bill with the fascinating Wolfen (Michael Wadleigh), which was made the same year and has a similar theme running though its horror story.
Scott_Mercer A great yet undeservedly obscure entry in the New York as Urban Wasteland cinema genre of the 70's and 80's. Put this one in there along with "Fort Apache: The Bronx," "Taxi Driver," the "Death Wish" series, "Escape From New York," Roberta Findlay's "Tenement," and "The Warriors." Recognizing that from the perspective of 2010, our collective image of New York City is no longer like this, after over two decades of sprucing the place up, you young'uns who don't have any memory of that period can get a good snapshot of the rampant fear and paranoia of those days in this film. It gives that same added emotional frisson you would get watching a fictional World War II movie that was made during the War itself, realizing how seriously both the filmmakers and the audiences at that time would have looked upon this fictional presentation as a representation of reality, knowing that lives were still on the line and the whole crappy situation was very much in full effect.The film's intentions are made clear as within five minutes into the movie, we get terrorism, a woman trying to kill maurading rats with a broom handle, and a hot dog vendor telling the hero, Jim Brolin, "Did you know that 10,000 people left New York last month?" The Psycho of the Hour, the "Juggler" of the title, a racist and a scumbag, kidnaps a little girl and holds her for ransom. Her father is a rich real-estate developer, who Psycho Pants blames for destroying his South Bronx neighborhood by "letting the N*****s and the S****s move in" and destroy all the buildings. Or, so he thinks.But dummy has kidnapped the wrong girl: she's really the daughter of James Brolin, an ex-cop with an anger management problem and a total lack of fear. Now in order to track down the Psycho, Brolin is unleashed on an apocalyptic Manhattan landscape, where he careens around like a pinball in a pinball machine (contemporary reference there), crashing trucks, stealing police cars, getting in fights with peep show booth bouncers and Puerto Rican gang members, and beating the tar out of all of them. Brolin also gets hold of a psycho cop on his tail, played with eye-bulging glee by Dan "Noon O Clock Shadow" Hedaya, and pushes Hedaya into a pen of vicious, snarling attack dogs, who then proceed to bite him a new one! Yowch! Meanwhile, character actor great Richard S. Castellano is the lead cop on the case(s), who doesn't have contact with Brolin's character, but is sort of watching him from afar. It's all building up to the final conflict between Brolin and the psychotic kidnapper in an underground bunker full of steam pipes. Yeah, just like every other movie ever made (Terminator 2, Commando, Robocop...I could go on, but I won't).This is REALLY sleazy and action-packed for a major studio release and I loved it! Plus you get to see some great footage of Manhattan in its grimy prime and the devastated South Bronx landscape.Sure, the plot is over-the-top and ridiculous; Brolin attacks almost everyone he comes into contact with, including his ex-wife, and he's supposed to be the Good Guy; his daughter is not the most appealing character; and the Police are all portrayed as barely competent idiots. I didn't care. I still enjoyed this movie immensely.That title does bite the big one, though.
Nick Marino This movie has it all if you love raw b-movie action. Brolin plays an ex-cop turned trucker who's on a personal manhunt to catch the maniac that kidnapped his daughter on her birthday. This sets Brolin's character on a chase across NYC from the subways to strip clubs to dog pounds and beyond.This movie was a legend back in the day for my friends and I. We caught it on late night cable, but never managed to grab the full name of the film or the stars. What we did catch was the INCREDIBLE chase scene that takes the characters from cars to buses to trains to on foot as they crisscross Manhattan. Yeah, Bullitt and The French Connection are good and all, but the Night of the Juggler chase scene makes the action in those films seem average, if not unambitious.This movie is sort of like the pinnacle of 70s/80s street-style film making. It has the intense, raw camera work of Bruce Lee or Chuck Norris flicks, paired with a vision of New York City akin to Wild Style (and maybe even just a hint of the Warriors). The characters here are a bizarre amalgam of clichés that still excite despite being retreads in many ways.The bottom line - score this movie if you can! Far as I know, VHS was the final destination for this film in terms of home video. I bought my copy off of the Internet years ago and the tape was so old that it was broken. But I was determined to watch this flick (because it's so good!), so I cracked the case opened and and spent hours repairing the tape myself. It's just that awesome.
jeffneilson If you like non stop action and wide excitement, then this movie is for you! You will NOT be leaving your seat to get popcorn! James Brolin does some of his best acting in this movie. Your heart will be ripped from your chest each and every time he gets so close, and fails! This is a sleeper movie. It just didn't get any press.