Michael Ledo Nina (Fiona O'Shaughnessy) discovers Spitfires are not the safest car on the road in the first scene. Her boyfriend Rob (Cian Barry) is coping with her death as he gets by working at the supermarket. Co-worker Holly (Abigail Hardingham) who didn't like be called "vanilla" by her last boyfriend develops a dark side. Her and Rob hook up and discover that his dead girlfriend Nina likes to make appearances during their love making.Normally such an absurdity would prevent any more such contacts, but Rob and Holly decide they will work through it as the scene turns bloody and requires frequent cleaning. Nina's sharp tongue and catty attitude become the highlight of this dark comedy,I liked the film up until the ending when the humor aspect fell short as compared to the rest of the feature. They developed a great story, did it well, but I didn't like the final closure. It is a good film for indie lovers.If you liked "Burying The Ex" and "Life After Beth" give this one a view.Guide: F-bomb, sex, nudity (Fiona O'Shaughnessy, and thank you Abigail Hardingham )

Stevieboy666 After a period of grief and attempted suicide Robb falls in love with a co-worker Holly - trouble is his dead ex-girlfriend Nina will not leave them alone! This was described in my TV guide as a gory horror comedy but in fact it is more than that. It is very much a tale of love and loss, a black romantic comedy but with some gory horror thrown in. Some horror fans may find it too slow, or boring, but it's not - provided the viewers doesn't expect an all-out horror flick. I felt that all the actors performed well, but Abigail Hardingham as Holly stood out as the best, full credit to her. Nina appears, back from the dead, when Rob and Holly engage in sex, and there is a lot of it here. Non-British viewers may struggle with some of the dry humour & if the end needs some explanation then there is a thorough synopsis here on IMDB.

mjsreg Having looked forward to watching this film as a possible modern horror classic, I was disappointed - very.The story sounded interesting - one which would open up a multitude of opportunities for exploration and artistry.Unfortunately, it never really developed into anything at all. THe pace was painfully slow at the start, and continued all the way though the film.Really the only reason for watching this is to see the incredibly beautiful Abigail Hardingham (who plays Holly) naked on many occasions throughout the film.Although I can see what was trying to be produced, it seemed to be more of an extension of some film school project that needed some severe editing to stop the audience nodding off part way through.So, watch this if you want to see Abigail Hardingham - otherwise go and do something more interesting, like watching your laundry go around in the machine.

rooee This Frightfest 2015 favourite is the first gem of 2016. A British indie written and directed by Ben and Chris Blaine, it's a jet-black sex comedy about a dead young woman who comes back to life whenever her ex-boyfriend has sex. And he's having a lot of sex with his new girlfriend, Holly (Abigail Hardingham).Avoiding potentially tiresome scenes of endless disbelief, the central couple accept the bizarre situation far more easily than their zombie. Indeed, Holly is actually turned on by the presence of Nina (Fiona O'Shaughnessy). The latter is in no mood for a ménage a trois, and proceeds to torment the new lovers. She's the embodiment of guilt.Nina Forever doesn't go for scares. But neither does it go for the surreal. The grounded way in which it depicts its essential weirdness is one of its main appeals. It's reminiscent of the deadpan exchanges between David and his dead buddy in An American Werewolf in London – that's the tone.Another key element is the characterisation. Holly and Rob (Cian Barry) are entirely convincing as the late-teenage lovers, swept up in their twisted, hermetically-sealed fantasy. And the Blaine brothers throw into the mix Nina's grieving parents, whose struggles to cope (dad's writing a terrible book; mum's trying to keep her daughter alive through Rob) are funny and moving.The Blaines' control of the material is seriously impressive. Everyone knows comedy-horror is a virtually impossible balancing act, but they mostly nail it, lightening the darkness of the material without ever taking the camp way out. It is horrific and it is funny, which is all you can ask. The balance is achieved through an unholy trinity of sex, death, and love. There's something here about faithfulness. If you never had a chance in life to stop loving someone, how do you have consent to love another? Real thought has been put into the script, creating a uniquely involving genre-evading experience. Its central romance is as carefully rendered as its gore. Nina doesn't just mean different things to different people; she means different things to the same people over the course of the story. She plays a key part in the ending, where quiet revelation awaits.And that's what this highly original film is: a quiet revelation.